Ode to a Dressmaker's Dummy
Papier-mache body; blue-and-black cotton jersey cover. Metal stand. Instructions included.
-- Sears, Roebuck Catalogue
O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.
How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
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poem by Donald Justice
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The Evening of the Mind
Now comes the evening of the mind.
Here are the fireflies twitching in the blood;
Here is the shadow moving down the page
Where you sit reading by the garden wall.
Now the dwarf peach trees, nailed to their trellises,
Shudder and droop. Your know their voices now,
Faintly the martyred peaches crying out
Your name, the name nobody knows but you.
It is the aura and the coming on.
It is the thing descending, circling, here.
And now it puts a claw out and you take it.
Thankfully in your lap you take it, so.
You said you would not go away again,
You did not want to go away -- and yet,
It is as if you stood out on the dock
Watching a little boat drift out
Beyond the sawgrass shallows, the dead fish ...
And you were in it, skimming past old snags,
Beyond, beyond, under a brazen sky
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poem by Donald Justice
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Villanelle at Sundown
Turn your head. Look. The light is turning yellow.
The river seems enriched thereby, not to say deepened.
Why this is, I'll never be able to tell you.
Or are Americans half in love with failure?
One used to say so, reading Fitzgerald, as it happened.
(That Viking Portable, all water spotted and yellow--
remember?) Or does mere distance lend a value
to things? --false, it may be, but the view is hardly cheapened.
Why this is, I'll never be able to tell you.
The smoke, those tiny cars, the whole urban millieu--
One can like anything diminishment has sharpened.
Our painter friend, Lang, might show the whole thing yellow
and not be much off. It's nuance that counts, not color--
As in some late James novel, saved up for the long weekend
and vivid with all the Master simply won't tell you.
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poem by Donald Justice
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The Tourist from Syracuse
One of those men who can be a car salesman or a tourist from Syracuse or a hired assassin.
-- John D. MacDonald
You would not recognize me.
Mine is the face which blooms in
The dank mirrors of washrooms
As you grope for the light switch.
My eyes have the expression
Of the cold eyes of statues
Watching their pigeons return
From the feed you have scattered,
And I stand on my corner
With the same marble patience.
If I move at all, it is
At the same pace precisely
As the shade of the awning
Under which I stand waiting
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poem by Donald Justice
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Sestina: Here in Katmandu
We have climbed the mountain.
There's nothing more to do.
It is terrible to come down
To the valley
Where, amidst many flowers,
One thinks of snow,
As formerly, amidst snow,
Climbing the mountain,
One thought of flowers,
Tremulous, ruddy with dew,
In the valley.
One caught their scent coming down.
It is difficult to adjust, once down,
To the absense of snow.
Clear days, from the valley,
One looks up at the mountain.
What else is there to do?
Prayer wheels, flowers!
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poem by Donald Justice
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Nostalgia And Complaint Of The Grandparents
Les morts
C’est sous terre;
Ça n’en sort
Guère.
LAFORGUE
Our diaries squatted, toad-like,
On dark closet ledges.
Forget-me-not and thistle
Decalcomaned the pages.
But where, where are they now,
All the sad squalors
Of those between-wars parlors?—
Cut flowers; and the sunlight spilt like soda
On torporous rugs; the photo
Albums all outspread ...
The dead
Don’t get around much anymore.
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poem by Donald Justice
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Poem
This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.
Even while you sit there, unmovable,
You have begun to vanish. And it does not matter.
The poem will go on without you.
It has the spurious glamor of certain voids.
It is not sad, really, only empty.
Once perhaps it was sad, no one knows why.
It prefers to remember nothing.
Nostalgias were peeled from it long ago.
Your type of beauty has no place here.
Night is the sky over this poem.
It is too black for stars.
And do not look for any illumination.
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poem by Donald Justice
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In Memory Of The Unknown Poet, Robert Boardman Vaughn
But the essential advantage for a poet is not, to have a beautiful world with which to deal: it is to be able to see beneath both beauty and ugliness; to see the boredom, and the horror, and the glory.
T. S. ELIOT
It was his story. It would always be his story.
It followed him; it overtook him finally—
The boredom, and the horror, and the glory.
Probably at the end he was not yet sorry,
Even as the boots were brutalizing him in the alley.
It was his story. It would always be his story,
Blown on a blue horn, full of sound and fury,
But signifying, O signifying magnificently
The boredom, and the horror, and the glory.
I picture the snow as falling without hurry
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poem by Donald Justice
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Anonymous Drawing
A delicate young Negro stands
With the reins of a horse clutched loosely in his hands;
So delicate, indeed, that we wonder if he can hold the spirited creature
beside him
Until the master shall arrive to ride him.
Already the animal's nostrils widen with rage or fear.
But if we imagine him snorting, about to rear,
This boy, who should know about such things better than we,
Only stands smiling, passive and ornamental, in a fantastic livery
Of ruffles and puffed breeches,
Watching the artist, apparently, as he sketches.
Meanwhile the petty lord who must have paid
For the artist's trip up from Perugia, for the horse, for the boy, for
everything here, in fact, has been delayed,
Kept too long by his steward, perhaps, discussing
Some business concerning the estate, or fussing
Over the details of his impeccable toilet
With a manservant whose opinion is that any alteration at all would spoil it.
However fast he should come hurrying now
Over this vast greensward, mopping his brow
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poem by Donald Justice
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Extraits
The Man Closing Up,' from Night Light' (1967),
would make his bed,
If he could sleep on it.
He would make his bed with white sheets
And disappear into the white,
Like a man diving,
If he could be certain
That the light
Would not keep him awake,
The light that reaches
To the bottom.
dour vision of life's journey: from 'Sestina on Six Words by Weldon Kees'
There is no way to ease the burden.
The voyage leads on from harm to harm,
A land of others and of silence.
'The Miami of Other Days'
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poem by Donald Justice
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