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Donald Justice

Love's Stratagems

But these maneuverings to avoid
The touching of hands,
These shifts to keep the eyes employed
On objects more or less neutral
(As honor, for time being, commands)
Will hardly prevent their downfall.

Stronger medicines are needed.
Already they find
None of their strategems have succeeded,
Nor would have, no,
Not had their eyes been stricken blind,
Hands cut off at the elbow.

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Bus Stop

Lights are burning
In quiet rooms
Where lives go on
Resembling ours.

The quiet lives
That follow us—
These lives we lead
But do not own—

Stand in the rain
So quietly
When we are gone,
So quietly . . .
And the last bus
Comes letting dark
Umbrellas out—
Black flowers, black flowers.

And lives go on.

[...] Read more

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Counting The Mad

This one was put in a jacket,
This one was sent home,
This one was given bread and meat
But would eat none,
And this one cried No No No No
All day long.


This one looked at the window
As though it were a wall,
This one saw things that were not there,
This one things that were,
And this one cried No No No No
All day long.


This one thought himself a bird,
This one a dog,
And this one thought himself a man,
An ordinary man,

[...] Read more

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Women In Love

It always comes, and when it comes they know.
To will it is enough to bring them there.
The knack is this, to fasten and not let go.

Their limbs are charmed; they cannot stay or go.
Desire is limbo: they¼re unhappy there.
It always comes, and when it comes they know.

Their choice of hells would be the one they know.
Dante describes it, the wind circling there.
The knack is this, to fasten and not let go.

The wind carries them where they want to go.
Yet it seems cruel to strangers passing there.
It always comes, and when it comes they know
The knack is this, to fasten and not let go.

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The Assassination

It begins again, the nocturnal pulse.
It courses through the cables laid for it.
It mounts to the chandeliers and beats there, hotly.
We are too close. Too late, we would move back.
We are involved with the surge.

Now it bursts. Now it has been announced.
Now it is being soaked up by newspapers.
Now it is running through the streets.
The crowd has it. The woman selling carnations
And the man in the straw hat stand with it in their shoes.

Here is the red marquee it sheltered under.
Here is the ballroom, here
The sadly various orchestra led
By a single gesture. My arms open.
It enters. Look, we are dancing.

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Hell

R. B. VAUGHN speaks:


“After so many years of pursuing the ideal
I came home. But I had caught sight of it.
You see it sometimes in the blue-silver wake
Of island schooners, bound for Anegada, say.
And it takes other forms. I saw it flickering once
In torches by the railroad tracks in Medellín.
When I was very young I thought that love would come
And seize and take me south and I would see the rose;
And that all ambiguities we knew would merge
Like orchids on a word. Say this:
I sought the immortal word.”
So saying he went on
To join those who preceded him;
and there were those that followed.

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In Bertram's Garden

Jane looks down at her organdy skirt
As if it somehow were the thing disgraced,
For being there, on the floor, in the dirt,
And she catches it up about her waist,
Smooths it out along one hip,
And pulls it over the crumpled slip.

On the porch, green-shuttered, cool,
Asleep is Bertram that bronze boy,
Who, having wound her around a spool,
Sends her spinning like a toy
Out to the garden, all alone,
To sit and weep on a bench of stone.

Soon the purple dark must bruise
Lily and bleeding-heart and rose,
And the little cupid lose
Eyes and ears and chin and nose,
And Jane lie down with others soon,
Naked to the naked moon.

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Henry James At The Pacific

-- Coronado Beach, California, March, 1905

In a hotel room by the sea, the Master
Sits brooding on the continent he has crossed.
Not that he foresees immediate disaster,
Only a sort of freshness being lost --
Or should he go on calling it Innocence?
The sad-faced monsters of the plains are gone;
Wall Street controls the wilderness. There's an immense
Novel in all this waiting to be done.
But not, not -- sadly enough -- by him. His
talents,
Such as they may be, want a different theme,
Rather more civilized than this, on balance.
For him now always the recurring dream
Is just the mild, dear light of Lamb House falling
Beautifully down the pages of his calling.

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American Sketches

CROSSING KANSAS BY TRAIN

The telephone poles
Have been holding their
Arms out
A long time now
To birds
That will not
Settle there
But pass with
Strange cawings
Westward to
Where dark trees
Gather about a
Water hole this
Is Kansas the
Mountains start here
Just behind
The closed eyes
Of a farmer’s

[...] Read more

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Absences

It's snowing this afternoon and there are no flowers.
There is only this sound of falling, quiet and remote,
Like the memory of scales descending the white keys
Of a childhood piano--outside the window, palms!
And the heavy head of the cereus, inclining,
Soon to let down its white or yellow-white.

Now, only these poor snow-flowers in a heap,
Like the memory of a white dress cast down . . .
So much has fallen.
      &n bsp;       &nb sp;          & nbsp;       And I, who have listened for a step
All afternoon, hear it now, but already falling away,
Already in memory. And the terrible scales descending
On the silent piano; the snow; and the absent flowers abounding.

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