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Trevor Nunn

I so wanted to perform, and I grasped every opportunity.

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One fine day I discovered that more complex plays really have to be directed.

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I've just taken the decision that I'm going to now go full time back into the theater.

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If you feel very deeply about something, it's not possible to sacrifice your integrity about that.

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I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience.

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A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature.

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I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do.

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The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.

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If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance.

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I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.

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