It's such a strange combination that I'd be unhappy to make anything like that without Landis directing.

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So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story.

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Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was.

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I have grown up but that should be a positive thing. When you look at a photo album it's lovely to remember being so young but it's also good to know you grew up!

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Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them.

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I have a huge respect for writers and realise that this is not an area that I find easy. I doubt that I would have the patience in front of a blank sheet of paper to become a writer.

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I hope I presented what I felt the woman seemed to be about, but I couldn't give any reason as to why she remained in the relationship other than that their relationship was very special.

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But John Landis wrote a good relationship which is really what the film's about. A very straightforward young woman who's very sure of herself and she meets a young man who needs some taking care of.

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I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life.

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To make films is as boring as watching paint dry - you usually have to do little tiny bits here and there. You go off waiting for lighting, you come back - the energy dies. You hope you can find someone who can keep it going.

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