To Mr. Granville, On His Excellent Tragedy, Called Heroic Love
Auspicious poet, wert thou not my friend,
How could I envy, what I must commend!
But since 'tis nature's law, in love and wit,
That youth should reign, and withering age submit,
With less regret those laurels I resign,
Which, dying on my brows, revive on thine.
With better grace an ancient chief may yield
The long contended honours of the field,
Than venture all his fortune at a cast,
And fight, like Hannibal, to lose at last.
Young princes, obstinate to win the prize,
Though yearly beaten, yearly yet they rise:
Old monarchs, though successful, still in doubt,
Catch at a peace, and wisely turn devout.
Thine be the laurel, then; thy blooming age
Can best, if any can, support the stage;
Which so declines, that shortly we may see
Players and plays reduced to second infancy:
Sharp to the world, but thoughtless of renown,
They plot not on the stage, but on the town,
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poem by John Dryden
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Te Deum
Thee, Sovereign God, our grateful accents praise;
We own thee Lord, and bless thy wondrous ways;
To thee, Eternal Father, earth's whole frame
With loudest trumpets sounds immortal fame.
Lord God of Hosts! for thee the heavenly powers,
With sounding anthems, fill the vaulted towers.
Thy Cherubims thee Holy, Holy, Holy, cry;
Thrice Holy, all the Seraphims reply,
And thrice returning echoes endless songs supply.
Both heaven and earth thy majesty display;
They owe their beauty to thy glorious ray.
Thy praises fill the loud apostles' quire:
The train of prophets in the song conspire.
Legions of martyrs in the chorus shine,
And vocal blood with vocal music join.[24]
By these thy church, inspired by heavenly art,
Around the world maintains a second part,
And tunes her sweetest notes, O God, to thee,
The Father of unbounded majesty;
The Son, adored co-partner of thy seat,
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poem by John Dryden
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Prologue to Caesar Borgia
The unhappy man, who once has trailed a pen,
Lives not to please himself, but other men;
Is always drudging, wastes his life and blood,
Yet only eats and drinks what you think good.
What praise soe'er the poetry deserve,
Yet every fool can bid the poet starve.
That fumbling lecher to revenge is bent,
Because he thinks himself, or whore, is meant:
Name but a cuckold, all the city swarms;
From Leadenhall to Ludgate is in arms.
Were there no fear of Antichrist, or France,
In the best time poor poets live by chance.
Either you come not here, or, as you grace
Some old acquaintance, drop into the place,
Careless and qualmish with a yawning face:
You sleep o'er wit,—and by my troth you may;
Most of your talents lie another way.
You love to hear of some prodigious tale,
The bell that tolled alone, or Irish whale.
News is your food, and you enough provide,
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poem by John Dryden
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Satire On The Dutch
As needy gallants, in the scrivener's hands,
Court the rich knaves that gripe their mortgaged lands;
The first fat buck of all the season's sent,
And keeper takes no fee in compliment;
The dotage of some Englishmen is such,
To fawn on those who ruin them,—the Dutch.
They shall have all, rather than make a war
With those who of the same religion are.
The Straits, the Guinea trade, the herrings too;
Nay, to keep friendship, they shall pickle you.
Some are resolved not to find out the cheat,
But, cuckold-like, love them that do the feat.
What injuries soe'er upon us fall,
Yet still the same religion answers all:—
Religion wheedled us to civil war,
Drew English blood, and Dutchmen's now would spare.
Be gulled no longer, for you'll find it true,
They have no more religion, faith! than you.
Interest's the god they worship in their state;
And we, I take it, have not much of that.
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poem by John Dryden
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Prologue to His Royal Highness, Upon His First Appearance at the Duke's Theatre After His Return from Scotland.
In those cold regions which no summers cheer,
Where brooding darkness covers half the year,
To hollow caves the shivering natives go,
Bears range abroad, and hunt in tracks of snow.
But when the tedious twilight wears away,
And stars grow paler at the approach of day,
The longing crowds to frozen mountains run,
Happy who first can see the glimmering sun;
The surly savage offspring disappear,
And curse the bright successor of the year.
Yet, though rough bears in covert seek defence,
White foxes stay, with seeming innocence;
That crafty kind with daylight can dispense.
Still we are thronged so full with Reynard's race,
That loyal subjects scarce can find a place;
Thus modest truth is cast behind the crowd,
Truth speaks too low, hypocrisy too loud.
Let them be first to flatter in success;
Duty can stay, but guilt has need to press.
Once, when true zeal the sons of God did call,
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poem by John Dryden
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Prologue to Albumazar
To say this comedy pleased long ago,
Is not enough to make it pass you now.
Yet, gentlemen, your ancestors had wit,
When few men censured, and when fewer writ.
And Jonson, of those few the best, chose this,
As the best model of his master-piece:
Subtle was got by our Albumazar,
That Alchymist by this Astrologer;
Here he was fashioned, and we may suppose,
He liked the fashion well, who wore the clothes.
But Ben made nobly his what he did mould;
What was another's lead, becomes his gold:
Like an unrighteous conqueror he reigns,
Yet rules that well which he unjustly gains.
But this our age such authors does afford,
As make whole plays, and yet scarce write one word;
Who, in this anarchy of wit, rob all,
And what's their plunder, their possession call;
Who, like bold padders, scorn by night to prey,
But rob by sunshine, in the face of day:
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poem by John Dryden
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A Song for St. Cecilia's Day
FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
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poem by John Dryden
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Epilogue on the Same Occasion (Princess of Cleves)
New ministers, when first they get in place,
Must have a care to please; and that's our case:
Some laws for public welfare we design,
If you, the power supreme, will please to join.
There are a sort of prattlers in the pit,
Who either have, or who pretend to wit;
These noisy sirs so loud their parts rehearse,
That oft the play is silenced by the farce.
Let such be dumb, this penalty to shun,
Each to be thought my lady's eldest son.
But stay; methinks some vizard mask I see,
Cast out her lure from the mid gallery:
About her all the fluttering sparks are ranged;
The noise continues, though the scene is changed:
Now growling, sputtering, wauling, such a clutter!
'Tis just like puss defendant in a gutter:
Fine love, no doubt; but ere two days are o'er ye,
The surgeon will be told a woful story.
Let vizard mask her naked face expose,
On pain of being thought to want a nose:
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poem by John Dryden
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Prologue to the Prophetess, by Beaumont and Fletcher. Revived by Dryden. Spoken by Mr. Betterton
What Nostradame, with all his art, can guess
The fate of our approaching Prophetess?
A play, which, like a prospective set right,
Presents our vast expenses close to sight;
But turn the tube, and there we sadly view
Our distant gains, and those uncertain too;
A sweeping tax, which on ourselves we raise,
And all, like you, in hopes of better days.
When will our losses warn us to be wise?
Our wealth decreases, and our charges rise.
Money, the sweet allurer of our hopes,
Ebbs out in oceans, and comes in by drops.
We raise new objects to provoke delight,
But you grow sated ere the second sight.
False men, even so you serve your mistresses;
They rise three stories in their towering dress;
And, after all, you love not long enough
To pay the rigging, ere you leave them off.
Never content with what you had before,
But true to change, and Englishmen all o'er.
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poem by John Dryden
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Prologue Spoken at the Opening of The New House, March 26, 1674
A plain-built house, after so long a stay,
Will send you half unsatisfied away;
When, fallen from your expected pomp, you find
A bare convenience only is designed.
You, who each day can theatres behold,
Like Nero's palace, shining all with gold,
Our mean ungilded stage will scorn, we fear,
And, for the homely room, disdain the cheer.
Yet now cheap druggets to a mode are grown,
And a plain suit, since we can make but one,
Is better than to be by tarnished gawdry known.
They, who are by your favours wealthy made,
With mighty sums may carry on the trade;
We, broken bankers, half destroyed by fire,
With our small stock to humble roofs retire;
Pity our loss, while you their pomp admire.
For fame and honour we no longer strive;
We yield in both, and only beg—to live;
Unable to support their vast expense,
Who build and treat with such magnificence,
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poem by John Dryden
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