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Edward George Dyson

Marshal Neigh, V.C.

He came from tumbled country past the
humps of Buffalo
Where the snow sits on the mountain 'n' the
Summer aches below.
He'd a silly name like Archie. Squattin'
sullen on the ship,
He knew nex' to holy nothin' through the gor-
forsaken trip.

No thoughts he had of women, no refreshin'
talk of beer;
If he'd battled, loved, or suffered vital facts
did not appear;
But the parsons and the poets couldn't teach
him to discourse
When it come to pokin' guyver at a pore,
deluded horse.

If nags got sour 'n' kicked agin the rules of
things at sea,

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Bricks

Dear Ned, I now take up my pen to write
you these few lines,
And hopin' how they find you fit. Gorbli',
it seems an age
Since Jumbo ducked the Port, 'n' drilled 'n'
polished to the nines,
He walked his pork on Collins like a hero off
the stage,
Then hiked a rifle 'cross the sea this bleedin'
war to wage.

The things what's 'appened lately calls to
Jumbo's mind that day
Our push took on the Peewee pack, 'n'
belted out their lard,
With twenty cops to top it off. But now I'm
stowed away,
A bullet in me gizzard where I took it good
and hard,
A-dealin'-stoush 'n' mullock to the Prussian

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The Prospectors

WHEN the white sun scorches the fair, green land in the rage of his fierce desires,
Or looms blood red on the Western hills, through the smoke of their waning fires;
When the winds at war strew the mountain side with limbs of the mangled trees,
Or the flood tides wheel in the valleys low, or sweep to the distant seas,
We are leading back, and the faintest track that we leave in the desert wild
Or we blaze for fear through the forest drear will be tramped by the settler’s child.

We have turned our backs on the City’s joys, on the glare of its myriad lights,
On the measured peace of its bloodless days, and the strife of its shining nights;
We have fled the pubs in the dull bush towns and the furthermost shanty bars,
And have camped away at the edge of space, or aloft by the brooding stars.
We have stirred the world as our dishes swirled and we drummed on the matted gold,
And from East and West we beguile their best with a wonderful tale oft-told.

We go pushing on when the mirage glints o’er the rim of the voiceless plain,
And we leave our bones to be finger posts for the seekers who come again.
At the jealous heart of the secret bush, we have battered with clamour loud
And have made a way for the squatter bold, or a path for the busy crowd.
We have gone before through the shadowy door of the Never, the Great Unknown,
And have journeyed back with a golden pack, or as dust in the wild winds blown.

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Peter Simson's Farm

Simson settled in the timber when his arm was strong and true,
And his form was straight and limber; and he wrought the long day through
In a struggle, single-handed, and the trees fell slowly back,
Twenty thousand giants banded ’gainst a solitary jack.

Through the fiercest days of summer you might hear his keen axe ring
And re-echo in the ranges, hear his twanging crosscut sing;
There the great gums swayed and whispered, and the birds were skyward blown,
As the circling hills saluted o’er a bush king overthrown.

Clearing, grubbing, in the gloaming, strong in faith the man descried
Heifers sleek and horses roaming in his paddocks green and wide,
Heard a myriad corn-blades rustle in the breeze’s soft caress,
And in every thew and muscle felt a joyous mightiness.

So he felled the stubborn forest, hacked and hewed with tireless might,
And a conqueror’s peace went with him to his fern-strewn bunk at night:
Forth he strode next morn, delighting in the duty to be done,
Whistling shrilly to the magpies trilling carols to the sun.

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A Poor Joke

‘NO, you can’t count me in, boys; I’m off it—
I’m jack of them practical jokes;
They give neither pleasure nor profit,
And the fellers that plays them are mokes.
I’ve got sense, though I once was a duffer,
And I fooled up my share, I allow,
But since conscience has made me to suffer—
She’s pegging away at me now.

You notice I’ve aged rather early,
And the wrinkles are deep on my face?
That’s sorrer—I’m sixty-nine, barely.
Jes’ camp, and I’ll tell you my case.
It was here on The Springs, we had hit it,
And we working the lead on this spot—
And we were, to my shame I admit it,
A rather unprincipled lot.

‘We were drunk all the day on the Sundays—
No wickeder habit exists;

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The Old Whim Horse

He's an old grey horse, with his head bowed sadly,
   And with dim old eyes and a queer roll aft,
With the off-fore sprung and the hind screwed badly,
   And he bears all over the brands of graft;
And he lifts his head from the grass to wonder
   Why by night and day the whim is still,
Why the silence is, and the stampers' thunder
   Sounds forth no more from the shattered mill.

In that whim he worked when the night winds bellowed
   On the riven summit of Giant's Hand,
And by day when prodigal Spring had yellowed
   All the wide, long sweep of enchanted land;
And he knew his shift, and the whistle's warning,
   And he knew the calls of the boys below;
Through the years, unbidden, at night or morning,
   He had taken his stand by the old whim bow.

But the whim stands still, and the wheeling swallow
   In the silent shaft hangs her home of clay,

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Waiting For Water

’TWAS old Flynn, the identity, told us
That the creek always ran pretty high,
But that fossicking veteran sold us,
And he lied as his quality lie.
Through a tangle of ranges and ridges,
Down a track that is blazed with our hide,
Over creeks minus crossings and bridges,
High and low, mere impertinent midges
Trying falls with the mighty Divide,

We came, hauling the boxes and stampers,
Or just nipping them in with a winch;
Now and then in unfortunate scampers
Missing smash by the eighth of an inch;
Round the spurs very daintily crawling,
With one team pulling out in a row,
And another lot heavenward hauling,
Lest the whole bag-of-tricks should go sprawling
Into regions unheard of below,

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The Deserted Homestead

PAST a dull, grey plain where a world-old grief seems to brood o’er the silent land,
When the orbéd moon turns her tense, white face on the ominous waste of sand,
And the wind that steals by the dreamer feels like the touch of a phantom hand,

Through the tall, still trees and the tangled scrub that has sprung on the old bush track,
In a clearing wide, where a willow broods and the cowering bush shrinks backs,
Stands a house alone that no dwellers own, yet unharmed by the storm’s attack.

’Tis a strange, sad place. On the shingle roof mosses gather and corn-blades spring,
And a stillness reigns in the air unstirred by the beat of a wild bird’s wing.
He who sees believes that the old house grieves with the grief of a sentient thing.

From the charmed gums that about the land in a reverent circle throng
Comes no parrot’s call, nor the wild cat’s cry, nor the magpie’s mellow song,
And their shadows chill with an icy thrill and the sense of an awful wrong.

And the creek winds by ’neath the twisted briar and the curling creepers here;
In the dusky depths of its bed it slips on it’s slime-green rocks in fear,
And it murmurs low to its stealthy flow in a monotone quaint and drear.

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The Rescue

THERE’S a sudden, fierce clang of the knocker, then the sound of a voice in the shaft,
Shrieking words that drum hard on the centres, and the braceman goes suddenly daft:
‘Set the whistle a-blowing like blazes! Billy, run, give old Mackie a call—
Run, you fool! Number Two’s gone to pieces, and Fred Baker is caught in the fall!
Say, hello! there below—any hope, boys, any chances of saving his life?
‘Heave away!’ says the knocker. ‘They’ve started. God be praised, he’s no youngsters or wife!’

Screams the whistle in fearful entreaty, and the wild echo raves on the spur,
And the night, that was still as a sleeper in soft, charmed sleep, is astir
With the fluttering of wings in the wattles, and the vague frightened murmur of birds,
With far cooeys that carry the warning, running feet, inarticulate words.
From the black belt of bush come the miners, and they gather by Mack on the brace,
Out of breath, barely clad, and half-wakened, with a question in every face.

‘Who’s below?’ ‘Where’s the fall?’ Didn’t I tell you?—Didn’t I say that them sets wasn’t sound?’
‘Is it Fred? He was reckless was Baker; now he’s seen his last shift underground.’
‘And his mate? Where is Sandy M‘Fadyn?’ ’Sandy’s snoring at home on his bunk.’
‘Not at work! Name o’ God! a foreboding?’ ‘A foreboding be hanged! He is drunk!’
Take it steady there, lads!’ the boss orders. He is white to the roots of his hair.
We may get him alive before daybreak if he’s close to the face and has air.’

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Battered Bob

HE WAS working on a station in the Western when I knew him,
And he came from Conongamo, up the old surveyors’ track,
And the fellows all admitted that no man in Vic. could ‘do him,’
Since he’d smothered Stonewall Menzie, also Anderson, the black.
Bob was modelled for a fighter, but he’d run to beef a trifle;
For his science every rouseabout was satisfied to vouch,
And Red Fogarty advised us he delivered like a rifle,
And his stopping—well, beside him Harry Sallars was a slouch.

Not a man of us had met him till he settled on the station—
This was early in the Sixties, what we call the good old days—
And it’s cheerfully admitted Robert owed his reputation
To a crippled jaw, a broken nose, and eyes that looked both ways.
We were certain on the face of it our guess was not an error,
Every feature of his phiz was marked, his chin was pulled askew,
And The Critic passed the office: ‘Bet your buttons he’s a terror!
That’s the man who hammered Kelly on The Creek in Fifty-two!’

Bob was not a shrinking blossom, and he held the first impressions
By his subsequent admissions to the ringers and the mugs,

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