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Lola Ridge

Mama

Mama’s face
is smooth and pale as tea-rose leaves.
That ivory oval of aunt Gem
you sucked the miniature off
had black black hair like mama.

Pit-it-ty-pat,
Mama walks so fast,
street lamps jig
without bending a leg…
lights in the windows
play twinkling tunes
on crimson and blue
bottles like bubbles
big as balloons…
Faster and faster…
and pink light spurts
over cakes doing polkas

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In Harness

I

The foreman's head slowly circling… White rims under yellow disks of eyes…. Gold hairs starting out of a blond scowl… Hovering… disappearing… recurring… the foreman's head.

Droning of power-machines… droning of girl with adenoids… Arms flapping with a fin-like motion under sun burning down through a sky-light like a glass lid. Light skating on the rims of wheels… boring in gimlet points. Needles flickering fierce white threads of light fine as a wasp's sting. Light in sweat-drops brighter than eyes and calico-pallid faces and bodies throwing off smells— and the air a bloated presence pressing on the walls and the silence a compressed scream.

Allons enfants de la patrie— Electric… piercing… shrill as a fife the voice of a little Russian breaks out of the shivered circle. Another voice rises… another and another leaps like flame to flame. And life—surging, clamorous, swarming like a rabble crazily fluttering ragged petticoats— comes rushing back into torpid eyes like suddenly yielded gates.

The girl with adenoids rocks on her hams. A torrent of song strains at her throat, gurgles, rushes, gouges her blocked pipes. Her feet beat a wild tattoo— head flung back and pelvis lifting to the white body of the sun. Mates now, these two— goddess and god…. Marchons!

Only the power machines drone with metallic docility under the flaxen head of the foreman poised like an amazed gull.

II

To-day
little French merchant men
with pointed beards
and fat American merchant men
without any beards
drive to a feast of buttered squabs.

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Sons of Belial

I

We are old,
Old as song.
Before Rome was
Or Cyrene.
Mad nights knew us
And old men's wives.
We knew who spilled the sacred oil
For young-gold harlots of the town….
We knew where the peacocks went
And the white doe for sacrifice.
II

We were the Sons of Belial.
One black night
Centuries ago
We beat at a door
In Gilead….
We took the Levite's concubine

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Flotsam

Crass rays streaming from the vestibules;
Cafes glittering like jeweled teeth;
High-flung signs
Blinking yellow phosphorescent eyes;
Girls in black
Circling monotonously
About the orange lights…
Nothing to guess at…
Save the darkness above
Crouching like a great cat.
In the dim-lit square,
Where dishevelled trees
Tustle with the wind—the wind like a scythe
Mowing their last leaves—
Arcs shimmering through a greenish haze—
Pale oval arcs
Like ailing virgins,
Each out of a halo circumscribed,
Pallidly staring…
Figures drift upon the benches

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Celia

Cherry, cherry,
glowing on the hearth,
bright red cherry….
When you try to pick up cherry
Celia’s shriek
sticks in you like a pin.

When God throws hailstones
you cuddle in Celia’s shawl
and press your feet on her belly
high up like a stool.
When Celia makes umbrella of her hand.
Rain falls through
big pink spokes of her fingers.
When wind blows Celia’s gown up off her legs
she runs under pillars of the bank—
great round pillars of the bank
have on white stockings too.

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Frank Little At Calvary

I

He walked under the shadow of the Hill
Where men are fed into the fires
And walled apart…
Unarmed and alone,
He summoned his mates from the pit's mouth
Where tools rested on the floors
And great cranes swung
Unemptied, on the iron girders.
And they, who were the Lords of the Hill,
Were seized with a great fear,
When they heard out of the silence of wheels
The answer ringing
In endless reverberations
Under the mountain…

So they covered up their faces
And crept upon him as he slept…
Out of eye-holes in black cloth

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The Everlasting Return

It is dark… so dark, I remember the sun on Chios…
It is still… so still, I hear the beat of our paddles on the Aegean…

Ten times we had watched the moon
Rise like a thin white virgin out of the waters
And round into a full maternity…
For thrice ten moons we had touched no flesh
Save the man flesh on either hand
That was black and bitter and salt and scaled by the sea.

The Athenian boy sat on my left…
His hair was yellow as corn steeped in wine…
And on my right was Phildar the Carthaginian,
Grinning Phildar
With his mouth pulled taut as by reins from his black gapped teeth.
Many a whip had coiled about him
And his shoulders were rutted deep as wet ground under chariot wheels,
And his skin was red and tough as a bull's hide cured in the sun.
He did not sing like the other slaves,
But when a big wind came up he screamed with it.

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The Song Of Iron

I

Not yet hast Thou sounded
Thy clangorous music,
Whose strings are under the mountains…
Not yet hast Thou spoken
The blooded, implacable Word…

But I hear in the Iron singing -
In the triumphant roaring of the steam and pistons pounding -
Thy barbaric exhortation…
And the blood leaps in my arteries, unreproved,
Answering Thy call…
All my spirit is inundated with the tumultuous passion of Thy Voice,
And sings exultant with the Iron,
For now I know I too am of Thy Chosen…

Oh fashioned in fire -
Needing flame for Thy ultimate word -
Behold me, a cupola

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The Alley

Because you are four years old
the candle is all dressed up in a new frill.
And stars nod to you through the hole in the curtain,
(except the big stiff planets
too fat to move about much,)
and you curtsey back to the stars
when no one is looking.
You feel sorry for the poor wooden chair
that knows it isn’t nice to sit on,
and no one is sad but mama.
You don’t like mama to be sad
when you are four years old,
so you pretend
you like the bitter gold-pale tea—
you pretend
if you don’t drink it up pretty quick
a little gold-fish
will think it is a pond
and come and get born in it.

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Jude

When you tell mama
you are going to do something great
she looks at you
as though you were a window
she were trying to see through,
and says she hopes you will be good
instead of great.

When you are five years old
you spend the day in the Gardens.
The grass is greener than cabbages,
and orange lilies
stand up very straight
and will not curtsey to the sun
when the wind tells them.
Only pansies bow down very low.
Pansies make little purple cushions
for queen bees to stand on.

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