Far Rockaway
"the cure of souls." Henry James
The radiant soda of the seashore fashions
Fun, foam and freedom. The sea laves
The Shaven sand. And the light sways forward
On self-destroying waves.
The rigor of the weekday is cast aside with shoes,
With business suits and traffic's motion;
The lolling man lies with the passionate sun,
Or is drunken in the ocean.
A socialist health take should of the adult,
He is stripped of his class in the bathing-suit,
He returns to the children digging at summer,
A melon-like fruit.
O glittering and rocking and bursting and blue
-Eternities of sea and sky shadow no pleasure:
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poem by Delmore Schwartz
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America, America!
I am a poet of the Hudson River and the heights above it,
the lights, the stars, and the bridges
I am also by self-appointment the laureate of the Atlantic
-of the peoples' hearts, crossing it
to new America.
I am burdened with the truck and chimera, hope,
acquired in the sweating sick-excited passage
in steerage, strange and estranged
Hence I must descry and describe the kingdom of emotion.
For I am a poet of the kindergarten (in the city)
and the cemetery (in the city)
And rapture and ragtime and also the secret city in the
heart and mind
This is the song of the natural city self in the 20th century.
It is true but only partly true that a city is a "tyranny of
numbers"
(This is the chant of the urban metropolitan and
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poem by Delmore Schwartz
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The First Night Of Fall And Falling Rain
The common rain had come again
Slanting and colorless, pale and anonymous,
Fainting falling in the first evening
Of the first perception of the actual fall,
The long and late light had slowly gathered up
A sooty wood of clouded sky, dim and distant more and
more
Until, at dusk, the very sense of selfhood waned,
A weakening nothing halted, diminished or denied or set
aside,
Neither tea, nor, after an hour, whiskey,
Ice and then a pleasant glow, a burning,
And the first leaping wood fire
Since a cold night in May, too long ago to be more than
Merely a cold and vivid memory.
Staring, empty, and without thought
Beyond the rising mists of the emotion of causeless
sadness,
How suddenly all consciousness leaped in spontaneous
gladness,
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From: A King Of Kings, A King Among The Kings
Come, let us rejoice in James Joyce, in the greatness of this poet,
king, and king of poets
For he is our poor dead king, he is the monarch and Caesar of English,
he is the veritable King of the King's English
The English of the life of the city,
and the English of music;
Let them rejoice because he rejoiced and was joyous;
For his joy was superior, it was supreme, for it was accomplished
After the suffering of much evil, the evil of the torment of pride,
By the overcoming of disgust and despair by means of the confrontation of them
By the enduring of nausea, the supporting of exile, the drawing from
the silence of exile, the pure arias of the
hidden music of all things, all beings.
For the joy of Joyce was earned by the sweat of the bow of his mind
by the tears of the agony of his heart;
hence it was gained, mastered, and conquered,
(hence it was not a gift and freely given,
a mercy often granted to masters,
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Parlez-Vous Francais?
Caesar, the amplifier voice, announces
Crime and reparation. In the barber shop
Recumbent men attend, while absently
The barber doffs the naked face with cream.
Caesar proposes, Caesar promises
Pride, justice, and the sun
Brilliant and strong on everyone,
Speeding one hundred miles an hour across the land:
Caesar declares the will. The barber firmly
Planes the stubble with a steady hand,
While all in barber chairs reclining,
In wet white faces, fully understand
Good and evil, who is Gentile, weakness and command.
And now who enters quietly? Who is this one
Shy, pale, and quite abstracted? Who is he?
It is the writer merely, with a three-day beard,
His tiredness not evident. He wears no tie.
And now he hears his enemy and trembles,
Resolving, speaks: "Ecoutez! La plupart des hommes
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poem by Delmore Schwartz
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Two Lyrics From Kilroy's Carnival: A Masque
I Aria
"--Kiss me there where pride is glittering
Kiss me where I am ripened and round fruit
Kiss me wherever, however, I am supple, bare and flare
(Let the bell be rung as long as I am young:
let ring and fly like a great bronze wing!)
"--I'll kiss you wherever you think you are poor,
Wherever you shudder, feeling striped or barred,
Because you think you are bloodless, skinny or marred:
Until, until
your gaze has been stilled--
Until you are shamed again no more!
I'll kiss you until your body and soul
the mind in the body being fulfilled--
Suspend their dread and civil war!"
II Song
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The Foggy, Foggy Blue
When I was a young man, I loved to write poems
And I called a spade a spade
And the only only thing that made me sing
Was to lift the masks at the masquerade.
I took them off my own face,
I took them off others too
And the only only wrong in all my song
Was the view that I knew what was true.
Now I am older and tireder too
And the tasks with the masks are quite trying.
I’d gladly gladly stop if I only only knew
A better way to keep from lying,
And not get nervous and blue
When I said something quite untrue:
I looked all around and all over
To find something else to do:
I tried to be less romantic
I tried to be less starry-eyed too:
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In The Naked Bed, In Plato's Cave
In the naked bed, in Plato's cave,
Reflected headlights slowly slid the wall,
Carpenters hammered under the shaded window,
Wind troubled the window curtains all night long,
A fleet of trucks strained uphill, grinding,
Their freights covered, as usual.
The ceiling lightened again, the slanting diagram
Slid slowly forth.
Hearing the milkman's clop,
his striving up the stair, the bottle's chink,
I rose from bed, lit a cigarette,
And walked to the window. The stony street
Displayed the stillness in which buildings stand,
The street-lamp's vigil and the horse's patience.
The winter sky's pure capital
Turned me back to bed with exhausted eyes.
Strangeness grew in the motionless air. The loose
Film grayed. Shaking wagons, hooves' waterfalls,
Sounded far off, increasing, louder and nearer.
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poem by Delmore Schwartz
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The Choir And Music Of Solitude And Silence
Silence is a great blue bell
Swinging and ringing, tinkling and singing,
In measure’s pleasure, and in the supple symmetry
of the soaring of the immense intense wings
glinting against
All the blue radiance above us and within us, hidden
Save for the stars sparking, distant and unheard in their
singing.
And this is the first meaning of the famous saying,
The stars sang. They are the white birds of silence
And the meaning of the difficult famous saying that the
sons and daughters of morning sang,
Meant and means that they were and they are the children
of God and morning,
Delighting in the lights of becoming and the houses of
being,
Taking pleasure in measure and excess, in listening as in
seeing.
Love is the most difficult and dangerous form of courage.
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Dogs Are Shakespearean, Children Are Strangers
Dogs are Shakespearean, children are strangers.
Let Freud and Wordsworth discuss the child,
Angels and Platonists shall judge the dog,
The running dog, who paused, distending nostrils,
Then barked and wailed; the boy who pinched his sister,
The little girl who sang the song from Twelfth Night,
As if she understood the wind and rain,
The dog who moaned, hearing the violins in concert.
—O I am sad when I see dogs or children!
For they are strangers, they are Shakespearean.
Tell us, Freud, can it be that lovely children
Have merely ugly dreams of natural functions?
And you, too, Wordsworth, are children truly
Clouded with glory, learned in dark Nature?
The dog in humble inquiry along the ground,
The child who credits dreams and fears the dark,
Know more and less than you: they know full well
Nor dream nor childhood answer questions well:
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