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Coventry Patmore

The Angel In The House. Book II. Canto III.

Preludes

I Love Ceremonious
Keep your undrest, familiar style
For strangers, but respect your friend,
Her most, whose matrimonial smile
Is and asks honour without end.
'Tis found, and needs it must so be,
That life from love's allegiance flags,
When love forgets his majesty
In sloth's unceremonious rags.
Let love make home a gracious Court;
There let the world's rude, hasty ways
Be fashion'd to a loftier port,
And learn to bow and stand at gaze;
And let the sweet respective sphere
Of personal worship there obtain
Circumference for moving clear,
None treading on another's train.
This makes that pleasures do not cloy,

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The Angel In The House. Book II. Canto VII.

Preludes.

I Joy and Use
Can ought compared with wedlock be
For use? But He who made the heart
To use proportions joy. What He
Has join'd let no man put apart.
Sweet Order has its draught of bliss
Graced with the pearl of God's consent,
Ten times delightful in that 'tis
Considerate and innocent.
In vain Disorder grasps the cup;
The pleasure's not enjoy'd but spilt,
And, if he stoops to lick it up,
It only tastes of earth and guilt.
His sorry raptures rest destroys;
To live, like comets, they must roam;
On settled poles turn solid joys,
And sunlike pleasures shine at home.

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The Angel In The House. Book I. Canto VII.

Preludes.

I Love's Immortality
How vilely 'twere to misdeserve
The poet's gift of perfect speech,
In song to try, with trembling nerve,
The limit of its utmost reach,
Only to sound the wretched praise
Of what to-morrow shall not be;
So mocking with immortal bays
The cross-bones of mortality!
I do not thus. My faith is fast
That all the loveliness I sing
Is made to bear the mortal blast,
And blossom in a better Spring.
Doubts of eternity ne'er cross
The Lover's mind, divinely clear:
For ever is the gain or loss
Which maddens him with hope or fear:
So trifles serve for his relief,

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The Angel In The House. Book II. Canto I.

Preludes.

I The Song of Songs
The pulse of War, whose bloody heats
Sane purposes insanely work,
Now with fraternal frenzy beats,
And binds the Christian to the Turk,
And shrieking fifes and braggart flags,
Through quiet England, teach our breath
The courage corporate that drags
The coward to heroic death.
Too late for song! Who henceforth sings,
Must fledge his heavenly flight with more
Song-worthy and heroic things
Than hasty, home-destroying war.
While might and right are not agreed,
And battle thus is yet to wage,
So long let laurels be the meed
Of soldier as of poet sage;
But men expect the Tale of Love,

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The Angel In The House. Book I. Canto VI.

Preludes.

I Perfect Love rare
Most rare is still most noble found,
Most noble still most incomplete;
Sad law, which leaves King Love uncrown'd
In this obscure, terrestrial seat!
With bale more sweet than others' bliss,
And bliss more wise than others' bale,
The secrets of the world are his.
And freedom without let or pale.
O, zealous good, O, virtuous glee,
Religious, and without alloy,
O, privilege high, which none but he
Who highly merits can enjoy;
O, Love, who art that fabled sun
Which all the world with bounty loads,
Without respect of realms, save one,
And gilds with double lustre Rhodes;
A day of whose delicious life,

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The Angel In The House. Book II. Canto V.

Preludes.

I Rejected
‘Perhaps she's dancing somewhere now!’
The thoughts of light and music wake
Sharp jealousies, that grow and grow
Till silence and the darkness ache.
He sees her step, so proud and gay,
Which, ere he spake, foretold despair;
Thus did she look, on such a day,
And such the fashion of her hair;
And thus she stood, when, kneeling low,
He took the bramble from her dress,
And thus she laugh'd and talk'd, whose ‘No’
Was sweeter than another's ‘Yes.’
He feeds on thoughts that most deject;
He impudently feigns her charms,
So reverenced in his own respect,
Dreadfully clasp'd by other arms;
And turns, and puts his brows, that ache,

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The Angel In The House. Book II. Canto IV.

Preludes.

I Honour and Desert
O queen, awake to thy renown,
Require what 'tis our wealth to give,
And comprehend and wear the crown
Of thy despised prerogative!
I, who in manhood's name at length
With glad songs come to abdicate
The gross regality of strength,
Must yet in this thy praise abate,
That, through thine erring humbleness
And disregard of thy degree,
Mainly, has man been so much less
Than fits his fellowship with thee.
High thoughts had shaped the foolish brow,
The coward had grasp'd the hero's sword,
The vilest had been great, hadst thou,
Just to thyself, been worth's reward.
But lofty honours undersold

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The Angel In The House. Book II. Canto XI.

Preludes.

I Platonic Love
Right art thou who wouldst rather be
A doorkeeper in Love's fair house,
Than lead the wretched revelry
Where fools at swinish troughs carouse.
But do not boast of being least;
And if to kiss thy Mistress' skirt
Amaze thy brain, scorn not the Priest
Whom greater honours do not hurt.
Stand off and gaze, if more than this
Be more than thou canst understand,
Revering him whose power of bliss,
Angelic, dares to seize her hand,
Or whose seraphic love makes flight
To the apprehension of her lips;
And think, the sun of such delight
From thine own darkness takes eclipse.
And, wouldst thou to the same aspire,

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The Angel In The House. Book II. Canto VI.

Preludes.

I Love's Perversity
How strange a thing a lover seems
To animals that do not love!
Lo, where he walks and talks in dreams,
And flouts us with his Lady's glove;
How foreign is the garb he wears;
And how his great devotion mocks
Our poor propriety, and scares
The undevout with paradox!
His soul, through scorn of worldly care,
And great extremes of sweet and gall,
And musing much on all that's fair,
Grows witty and fantastical;
He sobs his joy and sings his grief,
And evermore finds such delight
In simply picturing his relief,
That 'plaining seems to cure his plight;
He makes his sorrow, when there's none;

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The Yew-Berry

I
I call this idle history the ‘Berry of the Yew;
Because there's nothing sweeter than its husk of scarlet glue,
And nothing half so bitter as its black core bitten through.
I loved, saw hope, and said so; learn'd that Laura loved again:
Why speak of joy then suffer'd? My head throbs, and I would fain
Find words to lay the spectre starting now before my brain.
She loved me: all things told it; eye to eye, and palm to palm:
As the pause upon the ceasing of a thousand-voiced psalm
Was the mighty satisfaction and the full eternal calm.
On her face, when she was laughing, was the seriousness within;
Her sweetest smiles, (and sweeter did a lover never win,)
In passing, grew so absent that they made her fair cheek thin.
On her face, when she was speaking, thoughts unworded used to live;
So that when she whisper'd to me, ‘Better joy Earth cannot give,’
Her following silence added, ‘But Earth's joy is fugitive.’
For there a nameless something, though suppress'd, still spread around;
The same was on her eyelids, if she look'd towards the ground;
In her laughing, singing, talking, still the same was in the sound;—
A sweet dissatisfaction, which at no time went away,

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