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Denise Levertov

The Garden Wall

Bricks of the wall,
so much older than the house -
taken I think from a farm pulled down
when the street was built -
narrow bricks of another century.

Modestly, though laid with panels and parapets,
a wall behind the flowers -
roses and hollyhocks, the silver
pods of lupine, sweet-tasting
phlox, gray
lavender -
unnoticed -
but I discovered
the colors in the wall that woke
when spray from the hose
played on its pocks and warts -

a hazy red, a
grain gold, a mauve

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Illustrious Ancestors

The Rav
of Northern White Russia declined,
in his youth, to learn the
language of birds, because
the extraneous did not interest him; nevertheless
when he grew old it was found
he understood them anyway, having
listened well, and as it is said, 'prayed
          with the bench and the floor.' He used
what was at hand--as did
Angel Jones of Mold, whose meditations
were sewn into coats and britches.
          Well, I would like to make,
thinking some line still taut between me and them,
poems direct as what the birds said,
hard as a floor, sound as a bench,
mysterious as the silence when the tailor
would pause with his needle in the air.

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The Sea's Wash In The Hollow Of The Heart...

Turn from that road's beguiling ease; return
to your hunger's turret. Enter, climb the stair
chill with disuse, where the croaking toad of time
regards from shimmering eyes your slow ascent
and the drip, drip, of darkness glimmers on the stone
to show you how your longing waits alone.
What alchemy shines from under that shut door,
spinning out gold from the hollow of the heart?

Enter the turret of your love, and lie
close in the arms of the sea; let in new suns
that beat and echo in the mind like sounds
risen from sunken cities lost to fear;
let in the light that answers your desire
awakening at midnight with the fire,
until its magic burns the wavering sea
and flames carress the windows of your tower.

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On a Theme by Thomas Merton

"Adam, where are you?"
       ;    God's hands
palpate darkness, the void
that is Adam's inattention,
his confused attention to everything,
impassioned by multiplicity, his despair.

Multiplicity, his despair;
      & nbsp;   God's hands
enacting blindness. Like a child
at a barbaric fairgrounds --
noise, lights, the violent odors --
Adam fragments himself. The whirling rides!

Fragmented Adam stares.
      &n bsp;   God's hands
unseen, the whirling rides
dazzle, the lights blind him. Fragmented,
he is not present to himself. God
suffers the void that is his absence.

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Hypocrite Women

Hypocrite women, how seldom we speak
of our own doubts, while dubiously
we mother man in his doubt!


And if at Mill Valley perched in the trees
the sweet rain drifting through western air
a white sweating bull of a poet told us


our cunts are ugly—why didn't we
admit we have thought so too? (And
what shame? They are not for the eye!)


No, they are dark and wrinkled and hairy,
caves of the Moon ... And when a
dark humming fills us, a

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The Rainwalkers

An old man whose black face
shines golden-brown as wet pebbles
under the streetlamp, is walking two mongrel dogs of dis-
proportionate size, in the rain,
in the relaxed early-evening avenue.

The small sleek one wants to stop,
docile to the imploring soul of the trashbasket,
but the young tall curly one
wants to walk on; the glistening sidewalkentices him to arcane happenings.

Increasing rain. The old bareheaded man
smiles and grumbles to himself.
The lights change: the avenue's
endless nave echoes notes of
liturgical red. He drifts

between his dogs' desires.
The three of them are enveloped -
turning now to go crosstown - in their

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Pleasures

I like to find
what's not found
at once, but lies

within something of another nature,
in repose, distinct.
Gull feathers of glass, hidden

in white pulp: the bones of squid
which I pull out and lay
blade by blade on the draining board--

tapered as if for swiftness, to pierce
the heart, but fragile, substance
belying design.          Or a fruit, mamey,

cased in rough brown peel, the flesh
rose-amber, and the seed:
the seed a stone of wood, carved and

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St. Peter and the Angel

Delivered out of raw continual pain,
smell of darkness, groans of those others
to whom he was chained--

unchained, and led
past the sleepers,
door after door silently opening--
out!
     And along a long street's
majestic emptiness under the moon:

one hand on the angel's shoulder, one
feeling the air before him,
eyes open but fixed...

And not till he saw the angel had left him,
alone and free to resume
the ecstatic, dangerous, wearisome roads of
what he had still to do,
not till then did he recognize

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Caedmon

All others talked as if
talk were a dance.
Clodhopper I, with clumsy feet
would break the gliding ring.
Early I learned to
hunch myself
close by the door:
then when the talk began
I’d wipe my
mouth and wend
unnoticed back to the barn
to be with the warm beasts,
dumb among body sounds
of the simple ones.
I’d see by a twist
of lit rush the motes
of gold moving
from shadow to shadow
slow in the wake
of deep untroubled sighs.

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Everything That Acts Is Actual

From the tawny light
from the rainy nights
from the imagination finding
itself and more than itself
alone and more than alone
at the bottom of the well where the moon lives,
can you pull me

into December? a lowland
of space, perception of space
towering of shadows of clouds blown upon
clouds over
          new ground, new made
under heavy December footsteps? the only
way to live?

The flawed moon
acts on the truth, and makes
an autumn of tentative
silences.

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