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Bill Knott

Lifeguard Clinging to a Steeple

Why are all the survivors of the needle's eye
nude, as if their lifethread had disrobed
rather than sewn them. Sans coat-fare,
we proceed it seems only to precede;
birth to burial, are not yet here.

But when did we first start embracing
the wakes of ourselves in each other rather
than each other? As the fruit falls
to hiatus us, its bloom spoiled by last year's cores.

Or the sun whose portrait rots in our pores,
those sweatbeads blurred in closeup but clear afar--
that pointillist pap, that hybrid suicide.

The face carefully tattooed around love's wounds
does not itself look injured.

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Face in the Window

I am a modest house, a house solely
notable for the fact I lived here once.
Its brass plaque depicts an oxygen eye
in which two pupils of hydrogen dance.

Downstairs is where I lit fires whose insights
with approach-velocity froze me, then
singed off into flame. This always happened when
I came close to a truth. Months passed. Years. Nights.

Shall I accommodate myself again,
a humble aquarium of lordly
thumbs, some fin de species? Of course each word

the blackout-moth mutters to my keyboard
shows the snowiest letter on this page is “I”—
must I now plumb its one remaining pane?

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Dearth Demise

Satiety help me I have inhabit
of this world. Extant upon its designs
to be more aimlessly fluttering at
the window, to shadow all the patterns

it offers each sun. In frames far as eye
I draw my words towards a juggler's shards
as if our fallings-down our deaths occurred
but did not involve a lot of colloquialized

arm movements, the body language throws. Thus
the shape of your silence when it speaks me
is different than mine in saying you,

though both of them resemble that spasm hymned as
repose lifepause a happen of sorts the way
the horizon's a long way without meaning to.

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Heritage

“...here thy generations endeth in accord.”

I physically resemble my mother
And father and therefore must have been
Adopted, because on my TV screen
The role-children rarely share a feature
With either parent. The fact they're actors
And I'm not is what makes me misbegot—
A matched world of monitors all 2-shot
The mirror daily where I pray these stars

Come: cancel everyone of us whose names
And clans have sundered human unity
Descend always among daughters or sons
To live still, beyond the Net's trivia games,
Till their faces cloned shape ours. Family.
From android to ape, we'll be Thy reruns.

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Christmas at the Orphanage

But if they'd give us toys and twice the stuff most
parents splurge on the average kid, orphans, I submit, need more than enough;
in fact, stacks wrapped with our names nearly hid
the tree: these sparkling allotments yearly
guaranteed a lack of--what?--family?--

I knew exactly what it was I missed as we were lined up number rank and file:
to share my pals' tearing open their piles
meant sealing the self, the child that wanted
to scream at all You stole those gifts from me;
whose birthday is worth such words? The wish-lists
they'd made us write out in May lay granted
against starred branches. I said I'm sorry.

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On a Drawing by Charles Tomlinson

By a swath of inks the eye
thinks it sees solidities
which alter with the watercolor
way his brush washes its dye

in distance, though even this
finds a faraway fixed not
by the surveyor's plumb but
by the action of the thumb

delaying all the fingers meant
to draw out of the paper,
splashed dry. The clean grain

catches what it should retain
if enough pressure pleasure
is applied to the stain to lie.


Note: Tomlinson is not only a distinctive poet, but a visual artist of repute. His graphics grace the covers of many of his books. This Homage attempts to imitate his verse style, or rather one of his verse styles.

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Castration Envy #11

Tying the pimp in dreams to a lamppost
His tuxedo wet with wheedled kisses, can
I wake up sucking the footprints of toilets
In jails that glitter like crash-dived marquees.

A dog appears in call letters on my skin.
Twin worlds, who exchange threats via scoreboard
I rival this night, this fight to the death
With enough leftover, ooze for twosies yet.

Either even, I wish I could put on take off
My clothes without first saying to my cock
"Excuse me, is this yours," while the stars

The collected no-shows of eternity, rise.
Hey, remember the way painters gauge perspective?
Me, I cut the thumb off and throw it at stuff.

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Obsolescent

Bending over like this to get my hands empty
Rummaging through the white trashcans out back
Of the Patent Office I find a kind of peace
Here in this warm-lit alley where no one comes.

Even the rats too they know that nothing new
Is going to get pitched out now--no formula,
Not one blueprint will ever be found in these
Bright bins whose futures are huge, pristine.

Old alleymouth grabbags my attention at times
I see the world flash by out there, glow-glow as
The floors of decontamination chambers-

I go back to my dull, boring search, foraging
For the feel it gives me of the thing which has
Invented me: that void whose sole idea I was.

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Ledgelife

The taller the monument, the more impatient our luggage.
Look, look, a graveyard has fancy dirt.
Historians agree: this is the pebble which beaned Goliath.
Every billboard is theoretically as beautiful as what lies unseen behind it.

Mouth: the word's exit-wound.
It is impossible to run away face-to-face.
Shadow has closed the door out of you to you, but not to us.
The sign on the wall advises: Hide your gloves beneath your wings.

Even sculptors occasionally lean against statues.
Migrations?! Fate?! Life swears up at ledgelife.
All the sad tantamounts gather. They want, they say, to errand our ways.

Please aim all kicks at the ground.
Address all blows to the air.
We are to be barely mentioned if at all in the moon's memoirs.

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End of Summer (1966)

I'm tired of murdering children.
Once, long ago today, they wanted to live;
now I feel Vietnam the place
where rigor mortis is beginning to set-in upon me.

I force silence down the throats of mutes,
down the throats of mating-cries of animals who know they are extinct.
The chameleon's death-soliloquy is your voice's pulse;
your scorched forehead a constellation's suicide-note.

A phonograph needle plunges through long black hair,
and stone drips slowly into our veins.
The earth has been squandered by the meek.
And upsidedown in the earth a dead man walks upon my soles when I walk

A baby is crying.
In the swaddling-pages
a baby.

'Don't cry. No Solomori's-sword can

[...] Read more

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