Last Word To Childhood
Ice-cold fear has slowly decreased
As my bones have grown, my height increased.
Though I shiver in snow of dreams, I shall never
Freeze again in a noonday terror.
I shall never break, my sinews crumble
As God-the-headmaster's fingers fumble
At the other side of unopening doors
Which I watch for a hundred thousand years.
I shall never feel my thin blood leak
While darkness stretches a paw to strike
Or Nothing beats an approaching drum
Behind my back in a silent room.
I shall never, alone, meet the end of my world
At the bend of a path, the turn of a wall:
Never, or once more only, and
That will be once and an end of end.
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poem by Arthur Seymour John Tessimond
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Unlyric Love Song
It is time to give that-of-myself which I could not at first:
To offer you now at last my least and my worst:
Minor, absurd preserves,
The shell's end-curves,
A document kept at the back of a drawer,
A tin hidden under the floor,
Recalcitrant prides and hesitations:
To pile them carefully in a desparate oblation
And say to you "quickly! turn them
Once over and burn them".
Now I (no communist, heaven knows!
Who have kept as my dearest right to close
My tenth door after I've opened nine to the world,
To unfold nine sepals holding one hard-furled)
Shall - or shall try to - offer to you
A communism of two ...
See, entry's yours;
Here, the last door!
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poem by Arthur Seymour John Tessimond
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Discovery
When you are slightly drunk
Things are so close, so friendly.
The road asks to be walked upon,
The road rewards you for walking
With firm upward contact answering your downward contact
Like the pressure of a hand in yours.
You think - this studious balancing
Of right leg while left leg advances, of left while right,
How splendid
Like somebody-or-other-on-a-peak-in-Darien!
How cleverly that seat shapes the body of the girl who sits there.
How well, how skilfully that man there walks towards you,
Arms hanging, swinging, waiting.
You move the muscles of your cheeks,
How cunningly a smile responds.
And now you are actually speaking
Round sounding words
Magnificent
As that lady's hat!
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poem by Arthur Seymour John Tessimond
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Any Man Speaks
I, after difficult entry through my mother's blood
And stumbling childhood (hitting my head against the world);
I, intricate, easily unshipped, untracked, unaligned;
Cut off in my communications; stammering; speaking
A dialect shared by you, but not you and you;
I, strangely undeft, bereft; I searching always
For my lost rib (clothed in laughter yet understanding)
To come round the corner of Wardour Street into the Square
Or to signal across the Park and share my bed;
I, focus in night for star-sent beams of light,
I, fulcrum of levers whose end I cannot see ...
Have this one deftness - that I admit undeftness:
Know that the stars are far, the levers long:
Can understand my unstrength.
Submitted by Stephen Fryer
poem by Arthur Seymour John Tessimond
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Houses
People who are afraid of themselves
Multiply themselves into families
And so divide themselves
And so become less afraid.
People who might have to go out
Into clanging strangers' laughter,
Crowd under roofs, make compacts
To no more than smile at each other.
People who might meet their own faces
Or surprise their own voices in doorways
Build themselves rooms without mirrors
And live between walls without echoes.
People who might meet other faces
And unknown voices round corners
Build themselves rooms all mirrors
And live between walls all echoes.
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poem by Arthur Seymour John Tessimond
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Not Love Perhaps
This is not Love, perhaps,
Love that lays down its life,
that many waters cannot quench,
nor the floods drown,
But something written in lighter ink,
said in a lower tone, something, perhaps, especially our own.
A need, at times, to be together and talk,
And then the finding we can walk
More firmly through dark narrow places,
And meet more easily nightmare faces;
A need to reach out, sometimes, hand to hand,
And then find Earth less like an alien land;
A need for alliance to defeat
The whisperers at the corner of the street.
A need for inns on roads, islands in seas,
Halts for discoveries to be shared,
Maps checked, notes compared;
A need, at times, of each for each,
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poem by Arthur Seymour John Tessimond
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Black Morning Lovesong
In love's dances, in love's dances
One retreats and one advances,
One grows warmer and one colder,
One more hesitant, one bolder.
One gives what the other needed
Once, or will need, now unheeded.
One is clenched, compact, ingrowing
While the other's melting, flowing.
One is smiling and concealing
While the other's asking kneeling.
One is arguing or sleeping
While the other's weeping, weeping.
And the question finds no answer
And the tune misleads the dancer
And the lost look finds no other
And the lost hand finds no brother
And the word is left unspoken
Till the theme and thread are broken.
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poem by Arthur Seymour John Tessimond
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One Almost Might
Wouldn't you say,
Wouldn't you say: one day,
With a little more time or a little more patience, one might
Disentangle for separate, deliberate, slow delight
One of the moment's hundred strands, unfray
Beginnings from endings, this from that, survey
Say a square inch of the ground one stands on, touch
Part of oneself or a leaf or a sound (not clutch
Or cuff or bruise but touch with finger-tip, ear-
Tip, eyetip, creeping near yet not too near);
Might take up life and lay it on one's palm
And, encircling it in closeness, warmth and calm,
Let it lie still, then stir smooth-softly, and
Tendril by tendril unfold, there on one's hand ...
One might examine eternity's cross-section
For a second, with slightly more patience, more time for reflection?
Submitted by Stephen Fryer
poem by Arthur Seymour John Tessimond
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The Children Look At The Parents
We being so hidden from those who
Have quietly borne and fed us,
How can we answer civilly
Their innocent invitations?
How can we say "we see you
As but-for-God's-grace-ourselves, as
Our caricatures (we yours), with
Time's telescope between us"?
How can we say "you presumed on
The accident of kinship,
Assumed our friendship coatlike,
Not as a badge one fights for"?
How say "and you remembered
The sins of our outlived selves and
Your own forgiveness, buried
The hatchet to slow music;
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poem by Arthur Seymour John Tessimond
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Meeting
Dogs take new friends abruptly and by smell,
Cats' meetings are neat, tactual, caressive.
Monkeys exchange their fleas before they speak.
Snakes, no doubt, coil by coil reach mutual knowledge.
We then, at first encounter, should be silent;
Not court the cortex but the epidermis;
Not work from inside out but outside in;
Discover each other's flesh, its scent and texture;
Familiarize the sinews and the nerve-ends,
The hands, the hair - before the inept lips open.
Instead of which we are resonant, explicit.
Our words like windows intercept our meaning.
Our four eyes fence and flinch and awkwardly
Wince into shadow, slide oblique to ambush.
Hands stir, retract. The pulse is insulated.
Blood is turned inwards, lonely; skin unhappy ...
While always under all, but interrupted,
Antennae stretch ... waver ... and almost ... touch.
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poem by Arthur Seymour John Tessimond
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