Matthew VIII,28 ff.
Rabbi, we Gadarenes
Are not ascetics; we are fond of wealth and possessions.
Love, as You call it, we obviate by means
Of the planned release of aggressions.
We have deep faith in properity.
Soon, it is hoped, we will reach our full potential.
In the light of our gross product, the practice of charity
Is palpably non-essential.
It is true that we go insane;
That for no good reason we are possessed by devils;
That we suffer, despite the amenities which obtain
At all but the lowest levels.
We shall not, however, resign
Our trust in the high-heaped table and the full trough.
If You cannot cure us without destroying our swine,
We had rather You shoved off.
poem by Richard Wilbur
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The Beautiful Changes
One wading a Fall meadow finds on all sides
The Queen Anne's Lace lying like lilies
On water; it glides
So from the walker, it turns
Dry grass to a lake, as the slightest shade of you
Valleys my mind in fabulous blue Lucernes.
The beautiful changes as a forest is changed
By a chameleon's tuning his skin to it;
As a mantis, arranged
On a green leaf, grows
Into it, makes the leaf leafier, and proves
Any greenness is greener than anyone knows.
Your hands hold roses always in a way that says
They are not only yours; the beautiful changes
In such kind ways,
Wishing ever to sunder
Things and Thing's selves for a second finding, to lose
For a moment all that it touches back to wonder.
poem by Richard Wilbur
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A Fire-Truck
Right down the shocked street with a
siren-blast
That sends all else skittering to the
curb,
Redness, brass, ladders and hats hurl
past,
Blurring to sheer verb,
Shift at the corner into uproarious gear
And make it around the turn in a squall
of traction,
The headlong bell maintaining sure and
clear,
Thought is degraded action!
Beautiful, heavy, unweary, loud,
obvious thing!
I stand here purged of nuance, my
mind a blank.
All I was brooding upon has taken
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poem by Richard Wilbur
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March 26, 1974
R.Frost 100th B'day
The air was soft, the ground still cold.
In wet dull pastures where I strolled
Was something I could not believe.
Dead grass appeared to slide and heave,
Though still too frozen-flat to stir,
And rocks to twitch, and all to blur.
What was this rippling of the land?
Was matter getting out of hand
And making free with natural law?
I stopped and blinked, and then I saw
A fact as eerie as a dream.
There was a subtle flood of stream
Moving upon the face of things.
It came from standing pools and springs
And what of snow was still around;
It came of winter's giving ground
So that the freeze was coming out,
As when a set mind, blessed by doubt,
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poem by Richard Wilbur
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A Fable
Securely sunning in a forest glade,
A mild, well-meaning snake
Approved the adaptations he had made
For safety’s sake.
He liked the skin he had—
Its mottled camouflage, its look of mail,
And was content that he had thought to add
A rattling tail.
The tail was not for drumming up a fight;
No, nothing of the sort.
And he would only use his poisoned bite
As last resort.
A peasant now drew near,
Collecting wood; the snake, observing this,
Expressed concern by uttering a clear
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poem by Richard Wilbur
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It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men. And he speaks not in private grunts and mutterings but in the public language of the dictionary, of literary tradition, and of the street. Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the products something that, though it may not be for everybody, is about everybody.
quote by Richard Wilbur
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The Prisoner of Zenda
At the end a
"The Prisoner of Zenda,"
The King being out of danger,
Stewart Granger
(As Rudolph Rassendyll)
Must swallow a bitter pill
By renouncing his co-star,
Deborah Kerr.
It would be poor behavia
In him and in Princess Flavia
Were they to put their own
Concerns before those of the Throne.
Deborah Kerr must wed
The King instead.
Rassendyll turns to go.
Must it be so?
Why can’t they have their cake
And eat it, for heaven’s sake?
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poem by Richard Wilbur
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Puritans
Sidling upon the river, the white boat
Has volleyed with its cannon all the morning,
Shaken the shore towns like a Judgment warning,
Telling the palsied water its demand
That the crime come to the top again, and float,
That the sunk murder rise to the light and land.
Blam! In the noon's perfected brilliance burn
Brief blooms of flame, which soil away in smoke;
And down below, where slowed concussion broke
The umber stroll of waters, water-dust
Dreamily powders up, and serves to turn
The river surface to a cloudy rust.
Down from his bridge the river captain cries
To fire again. They make the cannon sound;
But none of them would wish the murder found,
Nor wish in other manner to atone
Than booming at their midnight crime, which lies
Rotting the river, weighted with a stone.
poem by Richard Wilbur
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The Ride
The horse beneath me seemed
To know what course to steer
Through the horror of snow I dreamed,
And so I had no fear,
Nor was I chilled to death
By the wind’s white shudders, thanks
To the veils of his patient breath
And the mist of sweat from his flanks.
It seemed that all night through,
Within my hand no rein
And nothing in my view
But the pillar of his mane,
I rode with magic ease
At a quick, unstumbling trot
Through shattering vacancies
On into what was not,
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poem by Richard Wilbur
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In the Smoking Car
The eyelids meet. He'll catch a little nap.
The grizzled, crew-cut head drops to his chest.
It shakes above the briefcase on his lap.
Close voices breathe, "Poor sweet, he did his best."
"Poor sweet, poor sweet," the bird-hushed glades repeat,
Through which in quiet pomp his litter goes,
Carried by native girls with naked feet.
A sighing stream concurs in his repose.
Could he but think, he might recall to mind
The righteous mutiny or sudden gale
That beached him here; the dear ones left behind . . .
So near the ending, he forgets the tale.
Were he to lift his eyelids now, he might
Behold his maiden porters, brown and bare.
But even here he has no appetite.
It is enough to know that they are there.
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poem by Richard Wilbur
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