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Neil LaBute

I'm more than open to hope, but I think men and women have a difficult time dealing with each other and often take the low road.

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We live in a disposable society. It's easier to throw things out than to fix them. We even give it a name - we call it recycling.

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People think my work is therapeutic. I don't see it that way. It's not like I'm saving money from a weekly therapy visit by writing down my life.

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I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.

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First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that.

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My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time.

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I think Christine and Chad are on the opposite extremes of the spectrum. Christine is a model victim, and Chad is a model perpetrator, and Howard is closer to the middle.

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I wanted to make these people real, not like they were in a painting. Like these are people who don't know they're in a period movie. Those concerns are incredibly immediate.

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With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.

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I was very careful to cast guys who were very good-looking and very fit and who had a certain sense of privilege about them, because with that sense of privilege comes contempt.

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