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David McKee Wright

They Flee From Me That Sometime Did Me Seek

They flee from me that sometime did me seek
With naked foot, stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild and do not remember
That sometime they put themself in danger
To take bread at my hand; and now they range,
Busily seeking with a continual change.

Thanked be fortune it hath been otherwise
Twenty times better; but once in special,
In thin array after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small;
Therewithall sweetly did me kiss
And softly said, 'dear heart, how like you this?'

It was no dream: I lay broad waking.
But all is turned thorough my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness,

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Bavarian Gentias

Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of Pluto's
gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off blight, lead me then, lead the way.

Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom, among the splendor of torches of darkness, shedding darkness on the lost bride and her groom.

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My Lute Awake

My lute awake! perform the last
Labour that thou and I shall waste,
And end that I have now begun;
For when this song is sung and past,
My lute be still, for I have done.

As to be heard where ear is none,
As lead to grave in marble stone,
My song may pierce her heart as soon;
Should we then sigh or sing or moan?
No, no, my lute, for I have done.

The rocks do not so cruelly
Repulse the waves continually,
As she my suit and affection;
So that I am past remedy,
Whereby my lute and I have done.

Proud of the spoil that thou hast got
Of simple hearts thorough Love's shot,

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Shearing's Coming

There's a sound of many voices in the camp and on the track,
And letters coming up in shoals to stations at the back;
And every boat that crosses from the sunny 'other side'
Is bringing waves of shearers for the swelling of the tide.

For the shearing's coming round, boys, the shearing's coming round,
And the stations of the mountains have begun to hear the sound.

They'll be talking up at Laghmor of the tallies that were shore,
And the man who broke the record is remembered at Benmore;
And the yarns of strikes and barneys will be told till all is blue,
And the ringers and the bosses will be passed in long review.

For the shearing's coming round, boys, the shearing's coming round,
And the stations of the mountains have begun to hear the sound.

The great Orari muster and the drafting of the men
Like a mob of ewes and wethers will be surely told again;
And a lot of heathen places that will rhyme with kangaroo
Will be named along with ringers and the things that they can do.

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An Old Colonist's Reverie

Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea
'The old worn world is gone and the new bright world is free.'

The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay
I sigh for the good old days in the station whare again;
But the good new days are better
I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.

Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.

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An Old Colonist's Reverie

Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea --
"The old worn world is gone and the new bright world is free."

The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay --
I sigh for the good old days in the station whare again;
But the good new days are better -- I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.

Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.

And many have passed from my sight, whither I never shall know,

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In the Moonlight

The moon is bright, and the winds are laid, and the river is roaring by;
Orion swings, with his belted lights low down in the western sky;
North and south from the mountain gorge to the heart of the silver plain
There’s many an eye will see no sleep till the east grows bright again;
There’s many a hand will toil to-night, from the centre down to the sea;
And I’m far from the men I used to know—and my love is far from me.

Where the broad flood eddies the dredge is moored to the beach of shingle white,
And the straining cable whips the stream in a spray of silver light;
The groaning buckets bear their load, and the engine throbs away,
And the wash pours red on the turning screen that knows not night or day;
For there’s many an ounce of gold to save, from the gorge to the shining sea—
And there’s many a league of the bare brown hills between my love and me.

Where the lines of gorse are parched and dry, and the sheaves are small and thin,
The engine beats and the combine sings to the drays that are leading in,
For they’re thrashing out of the stook to-night, and the plain is as bright as day,
And the fork-tines flash as the sheaves are turned on the frame of the one-horse dray;
For many a hand will toil to-night, from the mountains down to the sea;—
But I’m far from the lips of the girl I love, and the heart that beats for me.

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Amelia Jane

In the lands away beyond the sea, where Khan and Sultan rule,
Where they drink their coffee thick and black, and sip the sherbet cool,
They have white Circassian girls for slaves, as well as the Negro black;
And it seems to me in our free land that slavery's coming back:
It's fenced about with custom and law, and they give it a prettier name.
But, spite of the paltry wage that's paid, it's slavery all the same.

In a handsome home in a stately town is worthy Mrs MacFee,
Chairwoman known of a Christian guild, for a noble dame is she:
Her doors are open to strangers all who call and leave their card;
But Amelia Jane, who left last week, declares the place was hard.
Surely Amelia Jane was wrong: she should have been happy to stay,
For she's only hanging around the town looking for work today.

Such a good woman is Mrs MacFee, toiling with voice and hand
In the cause of the poor little Indian girls away in a distant land;
Such a good woman is Mrs MacFee, for hers is an open door,
And her name's at the top of the charity list for the wives of the drunken poor.
But Amelia Jane has a hungry look, with hollows under the eyes:
She says she was starved, but everyone knows that Amelia Jane tells lies.

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Old Mates

I came up to-night to the station, the tramp had been longish and cold,
My swag ain't too heavy to carry, but then I begin to get old.
I came through this way to the diggings -- how long will that be ago now?
Thirty years! how the country has altered, and miles of it under the plough,
And Jack was my mate on the journey -- we both run away from the sea;
He's got on in the world and I haven't, and now he looks sideways on me.

We were mates, and that didn't mean jokers who meets for a year or a day,
We meant to go jogging together the whole of the blooming long way.
We slept with one blanket between us the night that we run from the port,
There was nothing above us but heaven, yet we took it as jolly good sport.
And now he's the boss of a station, and I'm -- well, the bloke that you see;
For he had the luck and I hadn't, and now he looks sideways on me.

We pegged out a claim on the Dunstan, there used to be gold in them days,
There's blokes that still sticks to the digging, but Lord only knows how it pays;
For the country as far as I've seen it's as chock full of holes as a sieve
With the Chinkies amullocking through it, and yet them coves manage to live.
But when Jack took me to the cradle, the place was a wonder to see,
We washed out a fortune between us, and now he looks sideways on me.

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Mine Own John Poynz

Mine own John Poynz, since ye delight to know
The cause why that homeward I me draw,
And flee the press of courts, whereso they go,
Rather than to live thrall under the awe
Of lordly looks, wrappèd within my cloak,
To will and lust learning to set a law:
It is not for because I scorn or mock
The power of them, to whom fortune hath lent
Charge over us, of right, to strike the stroke.
But true it is that I have always meant
Less to esteem them than the common sort,
Of outward things that judge in their intent
Without regard what doth inward resort.
I grant sometime that of glory the fire
Doth twyche my heart. Me list not to report
Blame by honour, and honour to desire.
But how may I this honour now attain,
That cannot dye the colour black a liar?
My Poynz, I cannot from me tune to feign,
To cloak the truth for praise without desert

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