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Samuel Taylor Coleridge

The Lime-tree Bower my Prison [Addressed to Charles Lamb, o

Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge;--that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.

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This Lime-Tree Bower My Prison

Well, they are gone, and here must I remain,
This lime-tree bower my prison ! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness ! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told ;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun ;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge ;--that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall ! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight !)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.

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Hymn before Sun-rise, in the Vale of Chamouni

Hast thou a charm to stay the morning-star
In his steep course? So long he seems to pause
On thy bald awful head, O sovran BLANC,
The Arve and Arveiron at thy base
Rave ceaselessly; but thou, most awful Form!
Risest from forth thy silent sea of pines,
How silently! Around thee and above
Deep is the air and dark, substantial, black,
An ebon mass: methinks thou piercest it,
As with a wedge! But when I look again,
It is thine own calm home, thy crystal shrine,
Thy habitation from eternity!
O dread and silent Mount! I gazed upon thee,
Till thou, still present to the bodily sense,
Didst vanish from my thought: entranced in prayer
I worshipped the Invisible alone.

Yet, like some sweet beguiling melody,
So sweet, we know not we are listening to it,
Thou, the meanwhile, wast blending with my Thought,

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The Night-Scene : A Dramatic Fragment.

Sandoval. You loved the daughter of Don Manrique?
Earl Henry. Loved?
Sandoval. Did you not say you wooed her?
Earl Henry. Once I loved
Her whom I dared not woo!
Sandoval. And wooed, perchance,
One whom you loved not!
Earl Henry. Oh! I were most base,
Not loving Oropeza. True, I wooed her,
Hoping to heal a deeper wound; but she
Met my advances with impassioned pride,
That kindled love with love. And when her sire,
Who in his dream of hope already grasped
The golden circlet in his hand, rejected
My suit with insult, and in memory
Of ancient feuds poured curses on my head,
Her blessings overtook and baffled them!
But thou art stern, and with unkindly countenance
Art inly reasoning whilst thou listenest to me.
Sandoval. Anxiously, Henry! reasoning anxiously.

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Songs of the Pixies

I.
Whom the untaught Shepherds call
Pixies in their madrigal,
Fancy's children, here we dwell:
Welcome, Ladies! to our cell.
Here the wren of softest note
Builds its nest and warbles well;
Here the blackbird strains his throat;
Welcome, Ladies! to our cell.

II.
When fades the moon to shadowy-pale,
And scuds the cloud before the gale,
Ere the Morn, all gem-bedight,
Hath streak'd the East with rosy light,
We sip the furze-flower's fragrant dews
Clad in robes of rainbow hues:
Or sport amid the shooting gleams
To the tune of distant-tinkling teams,
While lusty Labour scouting sorrow

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The Nightingale

A Conversation Poem, April, 1798

No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently.
O'er its soft bed of verdure. All is still.
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
'Most musical, most melancholy' bird!
A melancholy bird? Oh! idle thought!
In Nature there is nothing melancholy.
But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,

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Written In Early Youth. The Time,--An Autumnal Evening

O thou wild fancy, check thy wing! No more
Those thin white flakes, those purple clouds explore!
Nor there with happy spirits speed thy light
Bathed in rich amber-glowing floods of light;
Nor in yon gleam, where slow descends the day,
With western peasants hail the morning ray!
Ah! rather bid the perished pleasures move,
A shadowy train, across the soul of love!
O'er disappointment's wintry desert fling
Each flower that wreathed the dewy locks of Spring,
When blushing, like a bride, from hope's trim bower
She leapt, awakened by the pattering shower.

Now sheds the sinking sun a deeper gleam,
Aid, lovely sorceress! aid thy poet's dream!
With fairy wand O bid the maid arise,
Chaste joyance dancing in her bright blue eyes;
As erst when from the Muses' calm abode
I came, with learning's meed not unbestowed:
When, as she twined a laurel round my brow,

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To William Wordsworth

Friend of the Wise ! and Teacher of the Good !
Into my heart have I received that Lay
More than historic, that prophetic Lay
Wherein (high theme by thee first sung aright)
Of the foundations and the building up
Of a Human Spirit thou hast dared to tell
What may be told, to the understanding mind
Revealable ; and what within the mind
By vital breathings secret as the soul
Of vernal growth, oft quickens in the heart
Thoughts all too deep for words !--

Theme hard as high !
Of smiles spontaneous, and mysterious fears
(The first-born they of Reason and twin-birth),
Of tides obedient to external force,
And currents self-determined, as might seem,
Or by some inner Power ; of moments awful,
Now in thy inner life, and now abroad,
When power streamed from thee, and thy soul received

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Monody On The Death Of Chatterton

When faint and sad o'er sorrow's desert wild
Slow journeys onward poor misfortune's child;
When fades each lovely form by fancy drest,
And inly pines the self-consuming breast;
(No scourge of scorpions in thy right arm dread.
No helmed terrors nodding o'er thy head);
Assume, O death! the cherub wings of peace,
And bid the heart-sick wanderer's anguish cease!

Thee, Chatterton! yon unblest stones protect
From want, and the bleak freezings of neglect!
Escaped the sore wounds of affliction's rod,
Meek at the throne of mercy, and of God,
Perchance, thou raisest high th' enraptured hymn
Amid the blaze of seraphin!

Yet oft ('tis nature's call)
I weep, that heaven-born genius so should fall;
And oft, in fancy's saddest hour, my soul
Averted shudders at the poisoned bowl.

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Ode To The Departing Year

I.
Spirit who sweepest the wild harp of Time!
It is most hard, with an untroubled ear
Thy dark inwoven harmonies to hear!
Yet, mine eye fixed on Heaven's unchanging clime,
Long had I listened, free from mortal fear,
With inward stillness, and a bowed mind;
When lo! its folds far waving on the wind,
I saw the train of the departing Year!
Starting from my silent sadness,
Then with no unholy madness
Ere yet the entered cloud foreclosed my sight,
I raised the impetuous song, and solemnised his flight.

II.
Hither, from the recent tomb,
From the prison's direr gloom,
From distemper's midnight anguish;
And thence, where poverty doth waste and languish!
Or where, his two bright torches blending,

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