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Laurence Olivier

I should be soaring away with my head tilted slightly toward the gods, feeding on the caviar of Shakespeare. An actor must act.

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Surely we have always acted; it is an instinct inherent in all of us. Some of us are better at it than others, but we all do it.

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I often think that could we creep behind the actor's eyes, we would find an attic of forgotten toys and a copy of the Domesday Book.

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My stage successes have provided me with the greatest moments outside myself, my film successes the best moments, professionally, within myself.

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I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

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Living is strife and torment, disappointment and love and sacrifice, golden sunsets and black storms. I said that some time ago, and today I do not think I would add one word.

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I'd like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God's a workman. I don't think there's anything better than a workman.

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The office of drama is to exercise, possibly to exhaust, human emotions. The purpose of comedy is to tickle those emotions into an expression of light relief; of tragedy, to wound them and bring the relief of tears. Disgust and terror are the other points of the compass.

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Laurence Olivier
Laurence Olivier