Those Who Do Not Dance
A crippled child
Said, “How shall I dance?”
Let your heart dance
We said.
Then the invalid said:
“How shall I sing?”
Let your heart sing
We said
Then spoke the poor dead thistle,
But I, how shall I dance?”
Let your heart fly to the wind
We said.
Then God spoke from above
“How shall I descend from the blue?”
Come dance for us here in the light
We said.
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poem by Gabriela Mistral
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Tiny Feet
A child's tiny feet,
Blue, blue with cold,
How can they see and not protect you?
Oh, my God!
Tiny wounded feet,
Bruised all over by pebbles,
Abused by snow and soil!
Man, being blind, ignores
that where you step, you leave
A blossom of bright light,
that where you have placed
your bleeding little soles
a redolent tuberose grows.
Since, however, you walk
through the streets so straight,
you are courageous, without fault.
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poem by Gabriela Mistral
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Song of Death
Old Woman Census-taker,
Death the Trickster,
when you're going along,
don't you meet my baby.
Sniffing at newborns,
smelling for the milk,
find salt, find cornmeal,
don't find my milk.
Anti-Mother of the world,
People-Collector -
on the beaches and byways,
don't meet that child.
The name he was baptized,
that flower he grows with,
forget it, Rememberer.
Lose it, Death.
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poem by Gabriela Mistral
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Death Sonnet I
From the icy niche where men placed you
I lower your body to the sunny, poor earth.
They didn't know I too must sleep in it
and dream on the same pillow.
I place you in the sunny ground, with a
mother's sweet care for her napping child,
and the earth will be a soft cradle
when it receives your hurt childlike body.
I scatter bits of earth and rose dust,
and in the moon's airy and blue powder
what is left of you is a prisoner.
I leave singing my lovely revenge.
No hand will reach into the obscure depth
to argue with me over your handful of bones.
poem by Gabriela Mistral
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The Stranger (La Extranjera)
She speaks in her way of her savage seas
With unknown algae and unknown sands;
She prays to a formless, weightless God,
Aged, as if dying.
In our garden now so strange,
She has planted cactus and alien grass.
The desert zephyr fills her with its breath
And she has loved with a fierce, white passion
She never speaks of, for if she were to tell
It would be like the face of unknown stars.
Among us she may live for eighty years,
Yet always as if newly come,
Speaking a tongue that plants and whines
Only by tiny creatures understood.
And she will die here in our midst
One night of utmost suffering,
With only her fate as a pillow,
And death, silent and strang.
poem by Gabriela Mistral
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To See Him Again
Never, never again?
Not on nights filled with quivering stars,
or during dawn's maiden brightness
or afternoons of sacrifice?
Or at the edge of a pale path
that encircles the farmlands,
or upon the rim of a trembling fountain,
whitened by a shimmering moon?
Or beneath the forest's
luxuriant, raveled tresses
where, calling his name,
I was overtaken by the night?
Not in the grotto that returns
the echo of my cry?
Oh no. To see him again --
it would not matter where --
in heaven's deadwater
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poem by Gabriela Mistral
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Decalogue Of The Artist
I. You shall love beauty, which is the shadow of God
over the Universe.
II.There is no godless art. Although you love not the
Creator, you shall bear witness to Him creating His likeness.
III.You shall create beauty not to excite the senses
but to give sustenance to the soul.
IV. You shall never use beauty as a pretext for luxury
and vanity but as a spiritual devotion.
V. You shall not seek beauty at carnival or fair
or offer your work there, for beauty is virginal
and is not to be found at carnival or fair.
VI. Beauty shall rise from your heart in song,
and you shall be the first to be purified.
VII.The beauty you create shall be known
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poem by Gabriela Mistral
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The Alpaca
She is harnessed for a long journey; on her back she carries an entire store of wool.
She walks without rest, and sees with eyes full of strangeness. The wool merchant has forgotten to come to get her, and she is ready.
In this world, nothing comes better equipped than the alpaca; ones is more burdened with rags than the next. Her sky-high softness is such that if a newborn is placed on her back, he will not feel a bone of the animal.
The weather is very hot. Today, large scissors that will cut and cut represent mercy for the alpaca.
When something is lost in the park, to whom do we look but this ever-prepared beast which seems to secretly carry all things?
And when children think about the objects they have lost—dolls, teddy bears, flying rats, trees with seven voices (they can be hidden in only one place)—they remember the alpaca, their infinitely prepared companion.
But look at those eyes, those astonished eyes without knowledge; they only ask why she has been harnessed for such a long trip and why no one comes to relieve her.
The high plateau is to blame for this tragedy—the mother alpaca incessantly stares at it. The mountain was also casting off burdens, and so its summit became clear, and filled the eyes of the mother alpaca.
She was taken down from the plateau and situated near a nonsensical horizon, and when she turns her neck, she continues looking for the older alpaca, for the one who sheds a pack on high, and returns to the sun's radiance.
"What have you and I done to our Andean cordillera?" I ask the alpaca.
poem by Gabriela Mistral
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The Lark
You said that you loved the lark more than any other bird because of its straight flight toward the sun. That is how I wanted our flight to be.
Albatrosses fly over the sea, intoxicated by salt and iodine. They are like unfettered waves playing in the air, but they do not lose touch with the other waves.
Storks make long journeys; they cast shadows over the Earth's face. But like albatrosses, they fly horizontally, resting in the hills.
Only the lark leaps out of ruts like a live dart, and rises, swallowed by the heavens. Then the sky feels as though the Earth itself has risen. Heavy jungles below do not answer the lark. Mountains crucified over the flatlands do not answer.
But a winged arrow quickly shoots ahead, and it sings between the sun and the Earth. One does not know if the bird has come down from the sun or risen from the Earth. It exists between the two, like a flame. When it has serenaded the skies with its abundance, the exhausted lark lands in the wheatfield.
You, Francis, wanted us to achieve that vertical flight, without a zigzag, in order to arrive at that haven where we could rest in the light.
You wanted the morning air filled with arrows, with a multitude of carefree larks. Francis, with each morning song, you imagined that a net of golden larks floated between the Earth and the sky.
We are burdened, Francis. We cherish our lukewarm rut: our habits. We exalt ourselves in glory just as the towering grass aspires. The loftiest blade does not reach beyond the high pines.
Only when we die do we achieve that vertical flight! Never again, held back by earthly ruts, will our bodies inhibit our souls.
poem by Gabriela Mistral
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