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Charlotte Mary Mew

A Farewell

Remember me and smile, as smiling too,
I have remembered things that went their way--
The dolls with which I grew too wise to play--
Or over-wise--kissed, as children do,
And so dismissed them; yes, even as yoy
Have done with this poor piece of painted clay--
Not wantonly, but wisely, shall we say?
As one who, haply, tunes his heart anew.

Only I wish her eyes may not be blue,
The eyes of a new angel. Ah! she may
Miss something that I found,--perhaps the clue
To those long silences of yours, which grew
Into one word. And should she not be gay,
Poor lady! Well, she too must have her day.

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Not For that City

Not for that city of the level sun,
Its golden streets and glittering gates ablaze—
The shadeless, sleepless city of white days,
White nights, or nights and days that are as one—
We weary, when all is said , all thought, all done.
We strain our eyes beyond this dusk to see
What, from the threshold of eternity
We shall step into. No, I think we shun
The splendour of that everlasting glare,
The clamour of that never-ending song.
And if for anything we greatly long,
It is for some remote and quiet stair
Which winds to silence and a space for sleep
Too sound for waking and for dreams too deep.

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I Have Been Through The Gates

His heart to me, was a place of palaces and pinnacles and shining towers;
I saw it then as we see things in dreams,--I do not remember how long I slept;
I remember the tress, and the high, white walls, and how the sun was always on the
towers;
The walls are standing to-day, and the gates; I have been through the gates, I have
groped, I have crept
Back, back. There is dust in the streets, and blood; they are empty; darkness is over
them;
His heart is a place with the lights gone out, forsaken by great winds and the heavenly
rain, unclean and unswept,
Like the heart of the holy city, old blind, beautiful Jerusalem;
Over which Christ wept

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Absence

Sometimes I know the way
You walk, up over the bay;
It is a wind from that far sea
That blows the fragrance of your hair to me.

Or in this garden when the breeze
Touches my trees
To stir their dreaming shadows on the grass
I see you pass.

In sheltered beds, the heart of every rose
Serenely sleeps to-night. As shut as those
Your garded heart; as safe as they fomr the beat, beat
Of hooves that tread dropped roses in the street.

Turn never again
On these eyes blind with a wild rain
Your eyes; they were stars to me.--
There are things stars may not see.

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The Peddler

Lend me, a little while, the key
That locks your heavy heart, and I'll give you back--
Rarer than books and ribbons and beads bright to see,
This little Key of Dreams out of my pack.

The road, the road, beyond men's bolted doors,
There shall I walk and you go free of me,
For yours lies North across the moors,
And mine lies South. To what seas?

How if we stopped and let our solemn selves go by,
While my gay ghost caught and kissed yours, as ghosts don't do,
And by the wayside, this forgotten you and I
Sat, and were twenty-two?
Give me the key that locks your tired eyes,
And I will lend you this one from my pack,
Brighter than colored beads and painted books that make men wise:
Take it. No, give it back!

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The Voice

From our low seat beside the fire
Where we have dozed and dreamed, and watched the glow
Or raked the ashes, stooping so
We scarcely saw the sun and rain
Through the small curtained window-pane,
Or looked much higher
Than this same quiet red or burned-out fire,
Tonight we heard a call,
A voice on the sharp air,
And felt a breath stirring our hair,
A flame within us. Something swift and tall
Swept in and out and that was all.
Was it a bright or a dark angel? Who can know?
It made no mark upon the snow;
But suddenly, in passing, snapped the chain,
Unbarred, flung wide the door
Which will not shut again:
And so we cannot sit here any more.
We must arise and go.
The world is cold without

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Moorland Night

My face is against the grass - the moorland grass is wet -
My eyes are shut against the grass, against my lips there are the little blades,
Over my head the curlews call, And now there is the night wind in my hair;
My heart is against the grass and the sweet earth, - it has gone still, at last;
It does not want to beat any more,
And why should it beat?
This is the end of the journey.
The Thing is found.

This is the end of all the roads -
Over the grass there is the night-dew
And the wind that drives up from the sea along the moorland road,
I hear a curlew start out from the heath
And fly off calling through the dusk,
The wild, long, rippling call -:
The Thing is found and I am quiet with the earth;
Perhaps the earth will hold it or the wind, or that bird's cry,
But it is not for long in any life I know. This cannot stay,
Not now, not yet, not in a dying world, with me, for very long;
I leave it here:

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The Cenotaph

Not yet will those measureless fields be green again
Where only yesterday the wild sweet blood of wonderful youth was shed;
There is a grave whose earth must hold too long, too deep a stain,
Though for ever over it we may speak as proudly as we may tread.
But here, where the watchers by lonely hearths from the thrust of an inward sword have more slowly bled,
We shall build the Cenotaph: Victory, winged, with Peace, winged too, at the column’s head.
And over the stairway, at the foot—oh! here, leave desolate, passionate hands to spread
Violets, roses, and laurel, with the small, sweet, tinkling country things
Speaking so wistfully of other Springs,
From the little gardens of little places where son or sweetheart was born and bred.
In splendid sleep, with a thousand brothers
To lovers—to mothers
Here, too, lies he:
Under the purple, the green, the red,
It is all young life: it must break some women's hearts to see
Such a brave, gay coverlet to such a bed!
Only, when all is done and said,
God is not mocked and neither are the dead
For this will stand in our Marketplace—
Who’ll sell, who’ll buy

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Pêcheresse

Down the long quay the slow boats glide,
While here and there a house looms white
Against the gloom of the waterside,
And some high window throws a light
As they sail out into the night.

At dawn they will bring in again
To women knitting on the quay
Who wait for him, their man of men;
I stand with them, and watch the sea
Which may have taken mine from me.

Just so the long days come and go.
The nights, ma Doué! the nights are cold!
Our Lady's heart is as frozen snow,
Since this one sin I have not told;
And I shall die or perhaps grow old

Before he comes. The foreign ships
Bring many a one of face and name

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Monsieur Qui Passe

A purple blot against the dead white door
In my friend's rooms, bathed in their vile pink light,
I had not noticed her before
She snatched my eyes and threw them back to me:
She did not speak till we came out into the night,
Paused at this bench beside the klosk on the quay.

God knows precisely what she said--
I left to her the twisted skein,
Though here and there I caught a thread,--
Something, at first, about "the lamps along the Seine,
And Paris, with that witching card of Spring
Kept up her sleeve,--why you could see
The trick done on these freezing winter nights!
While half the kisses of the Quay--
Youth, hope,-the whole enchanted string
Of dreams hung on the Seine's long line of lights."

Then suddenly she stripped, the very skin
Came off her soul,-a mere girl clings

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