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George Eliot

The Radiant Dark

Should I long that dark were fair? Say, O song.
Lacks my love aught that I should long?
Dark the night with breath all flow'rs
And tender broken voice that fills
With ravishment the list'ning hours.
Whis'prings, wooings,
Liquid ripples, and soft ring-dove cooings,
in low-toned rhythm that love's aching stills.

Dark the night, yet is she bright,
For in her dark she brings the mystic star,
Trembling yet strong as is the voice of love
From some unknown afar.
O radiant dark, O darkly foster'd ray,
Thou hast a joy too deep for shallow day.

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Day is Dying

Day is dying! Float, o song,
Down the westward river,
Requiem chanting to the Day,
Day, the mighty giver!

Pierced by shafts of Time he bleeds,
Melted rubies sending
Through the river and the sky,
Earth and heaven blending.

All the long-drawn earthy banks
Up to cloudland lifting:
Slow between them drifts the swan
'Twixt two heavens drifting,

Wings half open like a flower.
In by deeper flushing,
Neck and breast as virgin's pure
Virgin proudly blushing.

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The World Is Great

The world is great!
The birds fly from me;
The stars are golden fruit
Upon a tree
All out of reach
My little sister went and I am lonely.

The world is great!
I tried to mount the hill
Above the pines
Where the light lies so still,
But it rose higher.
Little Lisa went and I am lonely.

The world is great!
The wind comes rushing by.
I wonder where it comes from.
Sea-birds cry
And hurt my heart.
My little sister went and I am lonely.

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Sweet Endings Come and Go, Love

"La noche buena se viene,
La noche buena se va,
Y nosotros nos iremos
Y no volveremos mas."
-- Old Villancico.

Sweet evenings come and go, love,
They came and went of yore:
This evening of our life, love,
Shall go and come no more.

When we have passed away, love,
All things will keep their name;
But yet no life on earth, love,
With ours will be the same.

The daisies will be there, love,
The stars in heaven will shine:
I shall not feel thy wish, love,
Nor thou my hand in thine.

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Bright, o bright Fedalma

Maiden crowned with glossy blackness,
Lithe as panther forest-roaming,
Long-armed Naiad when she dances
On a stream of ether floating,
Bright, o bright Fedalma!

Form all curves like softness drifted,
Wave-kissed marble roundly dimpling,
Far-off music slowly wingèd,
Gently rising, gently sinking,
Bright, o bright Fedalma!

Pure as rain-tear on a rose-leaf,
Cloud high born in noonday spotless
Sudden perfect like the dew-bead,
Gem of earth and sky begotten,
Bright, o bright Fedalma!

Beauty has no mortal father,
Holy light her form engendered,

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In a London Drawingroom

The sky is cloudy, yellowed by the smoke.
For view there are the houses opposite
Cutting the sky with one long line of wall
Like solid fog: far as the eye can stretch
Monotony of surface & of form
Without a break to hang a guess upon.
No bird can make a shadow as it flies,
For all is shadow, as in ways o'erhung
By thickest canvass, where the golden rays
Are clothed in hemp. No figure lingering
Pauses to feed the hunger of the eye
Or rest a little on the lap of life.
All hurry on & look upon the ground,
Or glance unmarking at the passers by
The wheels are hurrying too, cabs, carriages
All closed, in multiplied identity.
The world seems one huge prison-house & court
Where men are punished at the slightest cost,
With lowest rate of colour, warmth & joy.

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I Grant You Ample Leave

"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest
Of those rag-garments named the Universe.
Or if, in strife to keep your 'Ego' strong
You make it weaver of the etherial light,
Space, motion, solids & the dream of Time --
Why, still 'tis Being looking from the dark,
The core, the centre of your consciousness,
That notes your bubble-world: sense, pleasure, pain,
What are they but a shifting otherness,

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While the heart beats, bruise it — it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition — make haste — oppress it with your ill- considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still … the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them.

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Two Lovers

Two lovers by a moss-grown spring:
They leaned soft cheeks together there,
Mingled the dark and sunny hair,
And heard the wooing thrushes sing.
O budding time!
O love's blest prime!

Two wedded from the portal stept:
The bells made happy carolings,
The air was soft as fanning wings,
White petals on the pathway slept.
O pure-eyed bride!
O tender pride!

Two faces o'er a cradle bent:
Two hands above the head were locked:
These pressed each other while they rocked,
Those watched a life that love had sent.
O solemn hour!
O hidden power!

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The Choir Invisible

Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air,

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