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Sara Teasdale

In a Garden

The world is resting without sound or motion,
Behind the apple tree the sun goes down
Painting with fire the spires and the windows
In the elm-shaded town.

Beyond the calm Connecticut the hills lie
Silvered with haze as fruits still fresh with bloom,
The swallows weave in flight across the zenith
On an aerial loom.

Into the garden peace comes back with twilight,
Peace that since noon had left the purple phlox,
The heavy-headed asters, the late roses
And swaying hollyhocks.

For at high-noon I heard from this same garden
The far-off murmur as when many come;
Up from the village surged the blind and beating
Red music of a drum;

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Places

Places I love come back to me like music,
Hush me and heal me when I am very tired;
I see the oak woods at Saxton's flaming
In a flare of crimson by the frost newly fired;

And I am thirsty for the spring in the valley
As for a kiss ungiven and long desired.
I know a bright world of snowy hills at Boonton,
A blue and white dazzling light on everything one sees,

The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winter sun drawing cold blue shadows from the trees.

Violet now, in veil on veil of evening
The hills across from Cromwell grow dreamy and far;
A wood-thrush is singing soft as a viol
In the heart of the hollow where the dark pools are;

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Effigy Of A Nun

Infinite gentleness, infinite irony
Are in this face with fast-sealed eyes,
And round this mouth that learned in loneliness
How useless their wisdom is to the wise.

In her nun's habit carved, carefully, lovingly,
By one who knew the ways of womenkind,
This woman's face still keeps its cold wistful calm,
All the subtle pride of her mind.

These pale curved lips of hers holding their hidden smile,
Show she had weighed the world; her will was set;
These long patrician hands clasping he crucifix
Once having made their choice, had no regret.

She was one of those who hoard their own thoughts lovingly,
Feeling them far too dear to give away,
Content to look at life with the high insolent
Air of an audience watching a play.

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The Wind in the Hemlock

Steely stars and moon of brass,
How mockingly you watch me pass!
You know as well as I how soon
I shall be blind to stars and moon,
Deaf to the wind in the hemlock tree,
Dumb when the brown earth weighs on me.

With envious dark rage I bear,
Stars, your cold complacent stare;
Heart-broken in my hate look up,
Moon, at your clear immortal cup,
Changing to gold from dusky red --
Age after age when I am dead
To be filled up with light, and then
Emptied, to be refilled again.

What has man done that only he
Is slave to death -- so brutally
Beaten back into the earth
Impatient for him since his birth?

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August Moonrise

The sun was gone, and the moon was coming
Over the blue Connecticut hills;
The west was rosy, the east was flushed,
And over my head the swallows rushed
This way and that, with changeful wills.

I heard them twitter and watched them dart
Now together and now apart
Like dark petals blown from a tree;
The maples stamped against the west
Were black and stately and full of rest,

And the hazy orange moon grew up
And slowly changed to yellow gold
While the hills were darkened, fold on fold
To a deeper blue than a flower could hold.

Down the hill I went, and then
I forgot the ways of men,
For night-scents, heady, and damp and cool

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Interlude: Songs out of Sorrow

I. Spirit's House

From naked stones of agony
I will build a house for me;
As a mason all alone
I will raise it, stone by stone,
And every stone where I have bled
Will show a sign of dusky red.
I have not gone the way in vain,
For I have good of all my pain;
My spirit's quiet house will be
Built of naked stones I trod
On roads where I lost sight of God.


II. Mastery

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Guenevere

I was a queen, and I have lost my crown;
A wife, and I have broken all my vows;
A lover, and I ruined him I loved: --
There is no other havoc left to do.

A little month ago I was a queen,
And mothers held their babies up to see
When I came riding out of Camelot.
The women smiled, and all the world smiled too.

And now, what woman's eyes would smile on me?
I still am beautiful, and yet what child
Would think of me as some high, heaven-sent thing,
An angel, clad in gold and miniver?

The world would run from me, and yet am I
No different from the queen they used to love.
If water, flowing silver over stones,
Is forded, and beneath the horses' feet
Grows turbid suddenly, it clears again,

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A November Night

There! See the line of lights,
A chain of stars down either side the street --
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it. You smile at me
As though I were a little dreamy child
Behind whose eyes the fairies live. . . . And see,
The people on the street look up at us
All envious. We are a king and queen,
Our royal carriage is a motor bus,
We watch our subjects with a haughty joy. . . .
How still you are! Have you been hard at work
And are you tired to-night? It is so long
Since I have seen you -- four whole days, I think.
My heart is crowded full of foolish thoughts
Like early flowers in an April meadow,
And I must give them to you, all of them,
Before they fade. The people I have met,
The play I saw, the trivial, shifting things
That loom too big or shrink too little, shadows

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Sara Teasdale
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