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Franklin P. Adams

Song of Synthetic Virility

Oh, some may sing of the surging sea, or chant
of the raging main;
Or tell of the taffrail blown away by the raging
hurricane.
With an oh, of the feel of the salt sea spray as
it stippls the guffy's cheek!
And oh, for the sob of the creaking mast and the
halyard's aching squeak!
And some may sing of the galley-foist, and some of
the quadrireme,
And some of the day when the xebec came and hit us
abaft the beam.
Oh, some may sing of the girl in Kew that died for
a sailor's love,
And some may sing of the surging sea, as I may have
observed above.

Oh, some may long for the Open Road, or crave for
the prairie breeze,
And some, o'er sick of the city's strain, may yearn

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When You Meet a Man from Your Own Home Town

Sing, O Muse, in treble clef,
A little song of the A.E.F.,
And pardon me, please, if I give vent
To something akin to sentiment.
But we have our moments Over Here
When we want to cry and we want to cheer;
And the hurrah feeling will not down
When you meet a man from your own home town.

It's many a lonesome, longsome day
Since you embarked from the U.S.A.,
And you met some men--it's a great big war--
From towns that you never had known before;
And you landed here, and your rest camp mate
Was a man from some strange and distant state.
Liked him? Yes; but you wanted to see
A man from the town where you used to be.

And then you went, by design or chance,
All over the well-known map of France;

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Recuerdo

We were very tired, we were very merry--
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable--
But we looked into a fire, we leaned across a table,
We lay on a hilltop underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry--
We had gone back and forth all night on the ferry,
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry,
We hailed "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.

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Maud Muller Mutatur

In 1909 toilet goods were not considered a serious matter and no special department of the catalogs were devoted to it. A few perfumes and creams were scattered here and there among bargain goods.

In 1919 an assortment of perfumes that would rival any city department store is shown, along with six pages of other toilet articles, including rouge and eyebrow pencils.

--From "How the Farmer Has Changed in a Decade: Toilet Goods," in Farm and Fireside's advertisement.


Maud Muller, on a summer's day,
Powdered her nose with Bon Sachet.

Beneath her lingerie hat appeared
Eyebrows and cheeks that were well veneered.

Singing she rocked on the front piazz,
To the tune of "The Land of the Sky Blue Jazz."

But the song expired on the summer air,
And she said, "This won't get me anywhere."

The Judge in his car looked up at her

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It Happens in the B.R. Families

'Twas on the shores that round our coast
From Deal to Newport lie
That I roused from sleep in a huddled heap
An elderly wealthy guy.

His hair was graying, his hair was long,
And graying and long was he;
And I heard this grouch on the shore avouch,
In a singular jazzless key:

"Oh, I am a cook and a waitress trim
And a maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door!"

And he shook his fists and he tore his hair,
And he started to frisk and play,
Till I couldn't help thinking the man had been drinking,
So I said (in the Gilbert way):

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How Do You Tackle Your Work

How do you tackle your work each day?
Are you scared of the job you find?
Do you grapple the task that comes your way
With a confident, easy mind?
Do you stand right up to the work ahead
Or fearfully pause to view it?
Do you start to toil with a sense of dread?
Or feel that you're going to do it?

You can do as much as you think you can,
But you'll never accomplish more;
If you're afraid of yourself, young man,
There's little for you in store.
For failure comes from the inside first,
It's there if we only knew it,
And you can win, though you face the worst,
If you feel that you're going to do it.

Success! It's found in the soul of you,
And not in the realm of luck!

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The Carlysles

[I was talking with a newspaper man the other day who seemed to think that the fact that Mrs. Carlyle threw a teacup at Mr. Carlyle should be given to the public merely as a fact. But a fact presented to the people without the proper--or even, if necessary, without the improper--human being to go with it does not mean anything and does not really become alive or caper about in people's minds. But what I want and what I believe most people want when a fact is being presented is one or two touches that will make natural and human questions rise in and play about like this: 'Did a servant see Mrs. Carlyle throw the teacup? Was the servant an English servant with an English imagination or an Irish servant with an Irish imagination? What would the fact have been like if Mr. Browning had been listening at the keyhole? Or Oscar Wilde, or Punch, or the Missionary Herald, or The New York Sun, or the Christian Science Monitor?"--GERALD STANLEY LEE in the Saturday Evening Post]

BY OUR OWN ROBERT BROWNING


As a poet heart- and fancy-free--whole,
I listened at the Carlyle's keyhole;
And I saw, I, Robert Browning, saw,
Tom hurl a teacup at Jane's jaw.
She silent sat, nor tried to speak up
When came the wallop with the teacup--
A Cup not filled with Beaune or Clicquot,
But one that brimmed with Orange Pekoe.
"Jane Welsh Carlyle," said Thomas, bold,
"The tea you brewed for m' breakfast's cold!
I'm feeling low i' my mind; a thing
You know b' this time. Have at you!" . . . Bing!
And hurled, threw he at her the teacup;
And I wrote it, deeming it unique, up.

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An Ode In Time of Inauguration

(March 4, 1913)


Thine aid, O Muse, I consciously beseech;
I crave thy succour, ask for thine assistance
That men may cry: "Some little ode! A peach!"
O Muse, grant me the strength to go the distance!
For odes, I learn, are dithyrambs, and long;
Exalted feeling, dignity of theme
And complicated structure guide the song.
(All this from Webster's book of high esteem.)

Let complicated structures not becloud
My lucid lines, nor weight with overloading.
To Shelley, Keats, and Wordsworth and that crowd
I yield the bays for grand and lofty oding.
Mine but the task to trace a country's growth,
As evidenced by each innauguration
From Washington's to Wilson's primal oath--
In these U.S., the celebrated nation.

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