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William Ernest Henley

London Types: Barmaid

Though, if you ask her name, she says 'Elise,'
Being plain Elizabeth, e'en let it pass,
And own that, if her aspirates take their ease,
She ever makes a point, in washing glass,
Handling the engine, turning taps for tots,
And countering change, and scorning what men say,
Of posing as a dove among the pots,
Nor often gives her dignity away.
Her head's a work of art, and, if her eyes
Be tired and ignorant, she has a waist;
Cheaply the Mode she shadows; and she tries
From penny novels to amend her taste;
And, having mopped the zinc for certain years,
And faced the gas, she fades and disappears.

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London Types: Mounted Police

Army Reserve; a worshipper of Bobs,
With whom he stripped the smock from Candahar;
Neat as his mount, that neatest among cobs;
Whenever pageants pass, or meetings are,
He moves conspicuous, vigilant, severe,
With his Light Cavalry hand and seat and look,
A living type of Order, in whose sphere
Is room for neither Hooligan nor Hook.
For in his shadow, wheresoe'er he ride,
Paces, all eye and hardihood and grip,
The dreaded Crusher, might in his every stride
And right materialized girt at his hip;
And they, that shake to see these twain go by,
Feel that the Tec, that plain-clothes Terror, is nigh.

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Lady Probationer

Some three, or five, or seven, and thirty years;
A Roman nose; a dimpling double-chin;
Dark eyes and shy that, ignorant of sin,
Are yet acquainted, it would seem, with tears;
A comely shape; a slim, high-coloured hand,
Graced, rather oddly, with a signet ring;
A bashful air, becoming everything;
A well-bred silence always at command.
Her plain print gown, prim cap, and bright steel chain
Look out of place on her, and I remain
Absorbed in her, as in a pleasant mystery.
Quick, skilful, quiet, soft in speech and touch . . .
'Do you like nursing?' 'Yes, Sir, very much.'
Somehow, I rather think she has a history.

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Enter Patient

The morning mists still haunt the stony street;
The northern summer air is shrill and cold;
And lo, the Hospital, grey, quiet, old,
Where Life and Death like friendly chafferers meet.
Thro' the loud spaciousness and draughty gloom
A small, strange child-so aged yet so young! -
Her little arm besplinted and beslung,
Precedes me gravely to the waiting-room.
I limp behind, my confidence all gone.
The grey-haired soldier-porter waves me on,
And on I crawl, and still my spirits fail:
A tragic meanness seems so to environ
These corridors and stairs of stone and iron,
Cold, naked, clean-half-workhouse and half-jail.

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Scrubber

She's tall and gaunt, and in her hard, sad face
With flashes of the old fun's animation
There lowers the fixed and peevish resignation
Bred of a past where troubles came apace.
She tells me that her husband, ere he died,
Saw seven of their children pass away,
And never knew the little lass at play
Out on the green, in whom he's deified.
Her kin dispersed, her friends forgot and gone,
All simple faith her honest Irish mind,
Scolding her spoiled young saint, she labours on:
Telling her dreams, taking her patients' part,
Trailing her coat sometimes: and you shall find
No rougher, quainter speech, nor kinder heart.

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London Types: Hawker

Far out of bounds he'd figured-in a race
Of West-End traffic pitching to his loss.
But if you'd see him in his proper place,
Making the browns for bub and grub and doss,
Go East among the merchants and their men,
And where the press in noisiest, and the tides
Of trade run highest and widest, there and then
You shall behold him, edging with equal strides
Along the kerb; hawking in either hand
Some artful nothing made of twine and tin,
Cardboard and foil and bits of rubber band:
Some penn'orth of wit-in-fact that, with a grin,
The careful City marvels at, and buys
For nurselings in the Suburbs to despise!

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What Is To Come

What is to come we know not. But we know
That what has been was good--was good to show,
Better to hide, and best of all to bear.
We are the masters of the days that were:
We have lived, we have loved, we have suffered . . . even so.

Shall we not take the ebb who had the flow?
Life was our friend. Now, if it be our foe -
Dear, though it spoil and break us!--need we care
What is to come?

Let the great winds their worst and wildest blow,
Or the gold weather round us mellow slow:
We have fulfilled ourselves, and we can dare
And we can conquer, though we may not share
In the rich quiet of the afterglow
What is to come.

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Children: Private Ward

Here in this dim, dull, double-bedded room,
I play the father to a brace of boys,
Ailing but apt for every sort of noise,
Bedfast but brilliant yet with health and bloom.
Roden, the Irishman, is 'sieven past,'
Blue-eyed, snub-nosed, chubby, and fair of face.
Willie's but six, and seems to like the place,
A cheerful little collier to the last.
They eat, and laugh, and sing, and fight, all day;
All night they sleep like dormice. See them play
At Operations:- Roden, the Professor,
Saws, lectures, takes the artery up, and ties;
Willie, self-chloroformed, with half-shut eyes,
Holding the limb and moaning-Case and Dresser.

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When You Are Old

When you are old, and I am passed away –
Passed, and your face, your golden face is gray –
I think, what’er the end, this dream of mine,
Comforting you, a friendly star will shine
Down the dim slope where you still stumble and stray.
So may it be: that so dead yesterday,
Not sad-eyed ghost but generous and gay,
May serve your memories like almighty wine,
When you are old!

Dear Heart, it shall be so. Under the sway
Of death the past’s enormous disarray
Lies hushed and dark. Yet though there come no sign,
Live on well pleased: immortal and divine
Love shall still tend you, as God’s angels may,
When you are old.

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In The Dials

To GARRYOWEN upon an organ ground
Two girls are jigging. Riotously they trip,
With eyes aflame, quick bosoms, hand on hip,
As in the tumult of a witches' round.
Youngsters and youngsters round them prance and bound.
Two solemn babes twirl ponderously, and skip.
The artist's teeth gleam from his bearded lip.
High from the kennel howls a tortured hound.
The music reels and hurtles, and the night
Is full of stinks and cries; a naphtha-light
Flares from a barrow; battered and obtused
With vices, wrinkles, life and work and rags,
Each with her inch of clay, two loitering hags
Look on dispassionate--critical--something 'mused.

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