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Thomas Hardy

The Widow

By Mellstock Lodge and Avenue
   Towards her door I went,
And sunset on her window-panes
   Reflected our intent.

The creeper on the gable nigh
   Was fired to more than red
And when I came to halt thereby
   "Bright as my joy!" I said.

Of late days it had been her aim
   To meet me in the hall;
Now at my footsteps no one came;
   And no one to my call.

Again I knocked; and tardily
   An inner step was heard,
And I was shown her presence then
   With scarce an answering word.

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A Commonplace Day

The day is turning ghost,
And scuttles from the kalendar in fits and furtively,
   To join the anonymous host
Of those that throng oblivion; ceding his place, maybe,
   To one of like degree.

   I part the fire-gnawed logs,
Rake forth the embers, spoil the busy flames, and lay the ends
   Upon the shining dogs;
Further and further from the nooks the twilight's stride extends,
   And beamless black impends.

   Nothing of tiniest worth
Have I wrought, pondered, planned; no one thing asking blame or
praise,
   Since the pale corpse-like birth
Of this diurnal unit, bearing blanks in all its rays -
   Dullest of dull-hued Days!

   Wanly upon the panes

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Her Immortality

UPON a noon I pilgrimed through
A pasture, mile by mile,
Unto the place where I last saw
My dead Love's living smile.

And sorrowing I lay me down
Upon the heated sod:
It seemed as if my body pressed
The very ground she trod.

I lay, and thought; and in a trance
She came and stood me by--
The same, even to the marvellous ray
That used to light her eye.

"You draw me, and I come to you,
My faithful one," she said,
In voice that had the moving tone
It bore in maidenhead.

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Doom and She

I

   There dwells a mighty pair -
   Slow, statuesque, intense -
   Amid the vague Immense:
None can their chronicle declare,
   Nor why they be, nor whence.

,h II

   Mother of all things made,
   Matchless in artistry,
   Unlit with sight is she. -
And though her ever well-obeyed
   Vacant of feeling he.

III

   The Matron mildly asks -
   A throb in every word -

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Tess's Lament

I

I would that folk forgot me quite,
   Forgot me quite!
I would that I could shrink from sight,
   And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
   Of my day's work as done.

II

Ah! dairy where I lived so long,
   I lived so long;
Where I would rise up stanch and strong,
   And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat -
Loved me, and learnt to call me sweet,

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Lines

Spoken by Miss Ada Rehan at the Lyceum Theatre, July 23, 1890, at a
performance on behalf of Lady Jeune's Holiday Fund for City Children.

BEFORE we part to alien thoughts and aims,
Permit the one brief word the occasion claims;
--When mumming and grave projects are allied,
Perhaps an Epilogue is justified.

Our under-purpose has, in truth, to-day
Commanded most our musings; least the play:
A purpose futile but for your good-will
Swiftly responsive to the cry of ill:
A purpose all too limited!--to aid
Frail human flowerets, sicklied by the shade,
In winning some short spell of upland breeze,
Or strengthening sunlight on the level leas.

Who has not marked, where the full cheek should be,
Incipient lines of lank flaccidity,
Lymphatic pallor where the pink should glow,

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In The Servants' Quarters

'Man, you too, aren't you, one of these rough followers of the criminal?
All hanging hereabout to gather how he's going to bear
Examination in the hall.' She flung disdainful glances on
The shabby figure standing at the fire with others there,
Who warmed them by its flare.


'No indeed, my skipping maiden: I know nothing of the trial here,
Or criminal, if so he be. - I chanced to come this way,
And the fire shone out into the dawn, and morning airs are cold now;
I, too, was drawn in part by charms I see before me play,
That I see not every day.'


'Ha, ha!' then laughed the constables who also stood to warm themselves,
The while another maiden scrutinized his features hard,
As the blaze threw into contrast every line and knot that wrinkled them,
Exclaiming, 'Why, last night when he was brought in by the guard,
You were with him in the yard!'

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The King's Experiment

It was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge trudged, all blithely ballading
   The Mother's smiling reign.

   "Why warbles he that skies are fair
And coombs alight," she cried, "and fallows gay,
When I have placed no sunshine in the air
   Or glow on earth to-day?"

   "'Tis in the comedy of things
That such should be," returned the one of Doom;
"Charge now the scene with brightest blazonings,
   And he shall call them gloom."

   She gave the word: the sun outbroke,
All Froomside shone, the hedgebirds raised a song;
And later Hodge, upon the midday stroke,
   Returned the lane along,

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Under the Waterfall

'Whenever I plunge my arm, like this,
In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;
With a hollow boiling voice it speaks
And has spoken since hills were turfless peaks.'

'And why gives this the only prime
Idea to you of a real love-rhyme?
And why does plunging your arm in a bowl

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The Satin Shoes

'If ever I walk to church to wed,
As other maidens use,
And face the gathered eyes,' she said,
'I'll go in satin shoes!'


She was as fair as early day
Shining on meads unmown,
And her sweet syllables seemed to play
Like flute-notes softly blown.


The time arrived when it was meet
That she should be a bride;
The satin shoes were on her feet,
Her father was at her side.


They stood within the dairy door,
And gazed across the green;

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Thomas Hardy
Thomas Hardy