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Thomas Bailey Aldrich

Palabras Cariñosas

GOOD-NIGHT! I have to say good-night
To such a host of peerless things!
Good-night unto the slender hand
All queenly with its weight of rings;
Good-night to fond, uplifted eyes,
Good-night to chestnut braids of hair,
Good-night unto the perfect mouth,
And all the sweetness nestled there—
The snowy hand detains me, then
I’ll have to say Good-night again!

But there will come a time, my love,
When, if I read our stars aright,
I shall not linger by this porch
With my farewells. Till then, good-night!
You wish the time were now? And I.
You do not blush to wish it so?
You would have blushed yourself to death
To own so much a year ago—
What, both these snowy hands! ah, then

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Act V

[MIDNIGHT.]

First, two white arms that held him very close,
And ever closer as he drew him back
Reluctantly, the loose gold-colored hair
A thousand delicate fibers reaching out
Still to detain him; then some twenty steps
Of iron staircse winding round and down,
And ending in a narrow gallery hung
With Gobelin tapestries--Andromeda
Rescued by Perseus, and the sleek Diana
With her nymphs bathing; at the farther end
A door that gave upon a starlit grove
Of citron and clipt palm-trees; then a path
As bleached as moonlight, with the shadow of leaves
Stamped black upon it; next a vine-clad length
Of solid masonry; and last of all
A Gothic archway packed with night, and then--
A sudden gleaming dagger through his heart.

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Sargent's Portrait of Edwin Booth

That face which no man ever saw
And from his memory banished quite,
With eyes in which are Hamlet's awe
And Cardinal Richelieu's subtle light,
Looks from this frame. A master's hand
Has set the master player here,
In the fair temple that he planned
Not for himself. To us most dear
This image of him! "It was thus
He looked; such pallor touched his cheek;
With that same grace he greeted us--
Nay, 't is the man, could it but speak!"
Sad words that shall be said some day--
Far fall the day! O cruel Time,
Whose breath sweeps mortal things away,
Spare long this image of his prime,
That others standing in the place
Where, save as ghosts, we come no more,
May know what sweet majestic face
The gentle Prince of Players wore!

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Echo Song

I

Who can say where Echo dwells?
In some mountain-cave, methinks,
Where the white owl sits and blinks;
Or in deep sequestered dells,
Where foxglove hangs its bells,
Echo dwells.
Echo!
Echo!

II

Phantom of the crystal Air,
Daughter of sweet Mystery!
Here is one has need of thee;
Lead him to thy secret lair,
Myrtle brings he for thy hair--
Hear his prayer,
Echo!

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The Menu

I beg you come to-night and dine.
A welcome waits you, and sound wine--
The Roederer chilly to a charm,
As Juno's breath the claret warm,
The sherry of an ancient brand.
No Persian pomp, you understand--
A soup, a fish, two meats, and then
A salad fit for aldermen
(When alderman, alas, the days!
Were really worth their mayonnaise);
A dish of grapes whose clusters won
Their bronze in Carolinian sun;
Next, cheese--for you the Neufchâtel,
A bit of Cheshire likes me well;
Café au lait or coffee black,
With Kirsch or Kümmel or Cognac
(The German band in Irving Place
By this time purple in the face);
Cigars and pipes. These being through,
Friends shall drop in, a very few--

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Quatrains

MASKS

BLACK Tragedy lets slip her grim disguise
And shows you laughing lips and roguish eyes;
But when, unmasked, gay Comedy appears,
How wan her cheeks are, and what heavy tears!

MEMORIES

TWO things there are with Memory will abide,
Whatever else befall, while life flows by:
That soft cold hand-touch at the altar side;
The thrill that shook you at your child’s first cry.

CIRCUMSTANCE

LINKED to a clod, harassed, and sad
With sordid cares, she knew not life was sweet
Who should have moved in marble halls, and had
Kings and crown-princes at her feet.

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Piscataqua River

Thou singest by the gleaming isles,
By woods, and fields of corn,
Thou singest, and the sunlight smiles
Upon my birthday morn.

But I within a city, I,
So full of vague unrest,
Would almost give my life to lie
An hour upon upon thy breast.

To let the wherry listless go,
And, wrapt in dreamy joy,
Dip, and surge idly to and fro,
Like the red harbor-buoy;

To sit in happy indolence,
To rest upon the oars,
And catch the heavy earthy scents
That blow from summer shores;

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Batuschka

[Author's Note: The title means "little father" or "dear little father", a term of endearment applied to the Tsar in Russian folk-song. --T.B.A.]

From yonder gilded minaret
Beside the steel-blue Neva set,
I faintly catch, from time to time,
The sweet, aerial midnight chime--
"God save the Tsar!"

Above the ravelins and the moats
Of the white citadel it floats;
And men in dungeons far beneath
Listen, and pray, and gnash their teeth--
"God save the Tsar!"

The soft reiterations sweep
Across the horrer of their sleep,
As if some dæmon in his glee
Were mocking at their misery--
"God save the Tsar!"

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Latakia

I.

When all the panes are hung with frost,
Wild wizard-work of silver lace,
I draw my sofa on the rug,
Before the ancient chimney-place.
Upon the painted tiles are mosques
And minarets, and here and there
A blind muezzin lifts his hands,
And calls the faithful unto prayer.
Folded in idle, twilight dreams,
I hear the hemlock chirp and sing,
As if within its ruddy core
It held the happy heart of Spring.
Ferdousi never sang like that,
Nor Saadi grave, nor Hafiz gay;
I lounge, and blow white rings of smoke,
And watch them rise and float away.

II.

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Tennyson

I

Shakespeare and Milton--what third blazoned name
Shall lips of after-ages link to these?
His who, beside the wide encircling seas,
Was England's voice, her voice with one acclaim,
For threescore years; whose word of praise was fame,
Whose scorn gave pause to man's iniquities.

II

What strain was his in that Crimean war?
A bugle call in battle; a low breath,
Plaintive and sweet, above the fields of death!
So year by year the music rolled afar,
From Euxine wastes to flowery Kandahar,
Bearing the laurel or the cypress wreath.

III

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