Dejection: An Ode
Late, late yestreen I saw the new Moon,
With the old Moon in her arms ;
And I fear, I fear, My Master dear !
We shall have a deadly storm.
Ballad of Sir Patrick Spence
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I
Well ! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence
Unroused by winds, that ply a busier trade
Than those which mould yon cloud in lazy flakes,
Or the dull sobbing draft, that moans and rakes
Upon the strings of this Æolian lute,
[Image]Which better far were mute.
For lo ! the New-moon winter-bright !
And overspread with phantom light,
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poem by Samuel Taylor Coleridge
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Fears In Solitude
A green and silent spot, amid the hills,
A small and silent dell ! O'er stiller place
No singing sky-lark ever poised himself.
The hills are heathy, save that swelling slope,
Which hath a gay and gorgeous covering on,
All golden with the never-bloomless furze,
Which now blooms most profusely : but the dell,
Bathed by the mist, is fresh and delicate
As vernal corn-field, or the unripe flax,
When, through its half-transparent stalks, at eve,
The level sunshine glimmers with green light.
Oh ! 'tis a quiet spirit-healing nook !
Which all, methinks, would love ; but chiefly he,
The humble man, who, in his youthful years,
Knew just so much of folly, as had made
His early manhood more securely wise !
Here he might lie on fern or withered heath,
While from the singing lark (that sings unseen
The minstrelsy that solitude loves best),
And from the sun, and from the breezy air,
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poem by Samuel Taylor Coleridge
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The Three Graves. A Fragment Of A Sexton's Tale
The grapes upon the Vicar's wall
Were ripe as ripe could be;
And yellow leaves in sun and wind
Were falling from the tree.
On the hedge-elms in the narrow lane
Still swung the spikes of corn:
Dear Lord! it seems but yesterday--
Young Edward's marriage-morn.
Up through that wood behind the church,
There leads from Edward's door
A mossy track, all over boughed,
For half a mile or more.
And from their house-door by that track
The bride and bridegroom went;
Sweet Mary, though she was not gay,
Seemed cheerful and content.
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poem by Samuel Taylor Coleridge
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Improvisatore, The
Scene--A spacious drawing-room, with music-room adjoining.
Katharine. What are the words ?
Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. ____ sang so
sweetly.
Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--
Love would remain the same if true,
When we were neither young nor new ;
Yea, and in all within the will that came,
By the same proofs would show itself the same.
Eliza. What are the lines you repeated from Beaumont and Fletcher, which my
mother admired so much ? It begins with something about two vines so close
that their tendrils intermingle.
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poem by Samuel Taylor Coleridge
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The Improvisatore
Scene--A spacious drawing-room, with music-room adjoining.
Katharine. What are the words ?
Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. ____ sang so
sweetly.
Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--
Love would remain the same if true,
When we were neither young nor new ;
Yea, and in all within the will that came,
By the same proofs would show itself the same.
Eliza. What are the lines you repeated from Beaumont and Fletcher, which my
mother admired so much ? It begins with something about two vines so close
that their tendrils intermingle.
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poem by Samuel Taylor Coleridge
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Religious Musings : A Desultory Poem Written On The Christmas Eve Of 1794
What tho' first,
In years unseason'd, I attuned the lay
To idle passion and unreal woe?
Yet serious truth her empire o'er my song
Hath now asserted : falsehood's evil brood
Vice and deceitful pleasure, she at once
Excluded, and my fancy's careless toil
Drew to the better cause! ~Akenside
ARGUMENT.
Introduction. Person of Christ. His prayer on the cross. The process of his doctrines on the mind of the individual. Character of the elect. Superstition. Digression to the present war. Origin and uses of government and property. The present state of society. French revolution. Millennium. Universal redemption. Conclusion.
This is the time, when most divine to hear
The voice of Adoration rouses me,
As with a Cherub's trump: and high upborne,
Yea, mingling with the Choir, I seem to view
The vision of the heavenly multitude,
Who hymned the song of Peace o'er Bethlehem's fields!
Yet thou more bright than all the Angel-blaze,
That harbingered thy birth, Thou Man of Woes!
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poem by Samuel Taylor Coleridge
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The Destiny Of Nations. A Vision.
Auspicious Reverence! Hush all meaner song,
Ere we the deep preluding strain have poured
To the Great Father, only Rightful King,
Eternal Father! King Omnipotent!
To the Will Absolute, the One, the Good!
The I AM, the Word, the Life, the Living God!
Such symphony requires best instrument.
Seize, then, my soul! from Freedom's trophied dome
The harp which hangeth high between the shields
Of Brutus and Leonidas! With that
Strong music, that soliciting spell, force back
Man's free and stirring spirit that lies entranced.
For what is freedom, but the unfettered use
Of all the powers which God for use had given?
But chiefly this, him first, him last to view
Through meaner powers and secondary things
Effulgent, as through clouds that veil his blaze.
For all that meets the bodily sense I deem
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poem by Samuel Taylor Coleridge
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Christabel
PART I
'Tis the middle of night by the castle clock
And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.
Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
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poem by Samuel Taylor Coleridge
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Rime Of The Ancient Mariner, The
IN SEVEN PARTS
Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).
Translation
-------------------
ARGUMENT
How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
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poem by Samuel Taylor Coleridge
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The Rime Of The Ancient Mariner
IN SEVEN PARTS
Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).
Translation
-------------------
ARGUMENT
How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
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poem by Samuel Taylor Coleridge
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