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Samuel Taylor Coleridge

Love's Apparition and Evanishment: An Allegoric Romance

Like a lone Arab, old and blind,
Some caravan had left behind,
Who sits beside a ruin'd well,
Where the shy sand-asps bask and swell;
And now he hangs his ag{'e}d head aslant,
And listens for a human sound--in vain!
And now the aid, which Heaven alone can grant,
Upturns his eyeless face from Heaven to gain;--
Even thus, in vacant mood, one sultry hour,
Resting my eye upon a drooping plant,
With brow low-bent, within my garden-bower,
I sate upon the couch of camomile;
And--whether 'twas a transient sleep, perchance,
Flitted across the idle brain, the while
I watch'd the sickly calm with aimless scope,
In my own heart; or that, indeed a trance,
Turn'd my eye inward--thee, O genial Hope,
Love's elder sister! thee did I behold
Drest as a bridesmaid, but all pale and cold,
With roseless cheek, all pale and cold and dim,

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To the Nightingale

Sister of love-lorn Poets, Philomel!
How many Bards in city garret pent,
While at their window they with downward eye
Mark the faint lamp-beam on the kennell'd mud,
And listen to the drowsy cry of Watchmen
(Those hoarse unfeather'd Nightingales of Time!),
How many wretched Bards address thy name,
And hers, the full-orb'd Queen that shines above.
But I do hear thee, and the high bough mark,
Within whose mild moon-mellow'd foliage hid
Thou warblest sad thy pity-pleading strains.
O! I have listen'd, till my working soul,
Waked by those strains to thousand phantasies,
Absorb'd hath ceas'd to listen! Therefore oft,
I hymn thy name: and with a proud delight
Oft will I tell thee, Minstrel of the Moon!
'Most musical, most melancholy' Bird!
That all thy soft diversities of tone,
Tho' sweeter far than the delicious airs
That vibrate from a white-arm'd Lady's harp,

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Recollections Of Love

I

How warm this woodland wild Recess !
Love surely hath been breathing here ;
And this sweet bed of heath, my dear !
Swells up, then sinks with faint caress,
As if to have you yet more near.

II

Eight springs have flown, since last I lay
On sea-ward Quantock's heathy hills,
Where quiet sounds from hidden rills
Float hear and there, like things astray,
And high o'er head the sky-lark shrills.

III

No voice as yet had made the air
Be music with your name ; yet why

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To An Infant

Ah cease thy tears and sobs, my little life!
I did but snatch away the unclasped knife:
Some safer toy will soon arrest thine eye,
And to quick laughter change this peevish cry!
Poor stumbler on the rocky coast of woe,
Tutored by pain each source of pain to know!
Alike the foodful fruit and scorching fire
Awake thy eager grasp and young desire:
Alike the good, the ill offend thy sight,
And rouse the stormy sense of shrill affright!
Untaught, yet wise! mid all thy brief alarms
Thou closely clingest to thy mother's arms,
Nestling thy little face in that fond breast
Whose anxious heavings lull thee to thy rest!
Man's breathing miniature! thou mak'st me sigh--
A babe art thou -- and such a thing am I!

To anger rapid and as soon appeased,
For trifles mourning and by trifles pleased;
Break friendship's mirror with a tetchy blow,

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Lines On Observing A Blossom On The First Of February, 1796

Sweet flower! that peeping from thy russet stem
Unfoldest timidly, (for in strange sort
This dark, frieze-coated, hoarse, teeth-chattering month
Hath borrowed Zephyr's voice, and gazed upon thee
With blue voluptuous eye) alas poor flower!
These are but flatteries of the faithless year.
Perchance, escaped its unknown polar cave,
E'en now the keen north-east is on its way.
Flower that must perish! shall I liken thee
To some sweet girl of too, too rapid growth,
Nipped by consumption mid untimely charms?
Or to Bristowa's bard, the wond'rous boy!
As amaranth, which earth scarce seemed to own,
Till disappointment come, and pelting wrong
Beat it to earth? or with indignant grief
Shall I compare thee to poor Poland's hope,
Bright flower of hope killed in the opening bud?
Farewell, sweet blossom! better fate be thine
And mock my boding! Dim similitudes
Weaving in moral strains, I've stolen one hour

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Zapolya

Song

(Act II, Scene I, lines 65-80)

A sunny shaft did I behold,
From sky to earth it slanted :
And poised therein a bird so bold--
Sweet bird, thou wert enchanted !

He sank, he rose, he twinkled, he trolled
Within that shaft of sunny mist ;
His eyes of fire, his beak of gold,
All else of amethyst !

And thus he sang : `Adieu ! adieu !
Love's dreams prove seldom true.
The blossoms they make no delay :
The sparkling dew-drops will not stay.
Sweet month of May,
[Image] We must away ;

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Ode To Tranquillity

Tranquillity! thou better name
Than all the family of Fame!
Thou ne'er wilt leave my riper age
To low intrigue, or factious rage;
For oh! dear child of thoughtful Truth,
To thee I gave my early youth,
And left the bark, and blest the steadfast shore,
Ere yet the tempest rose and scared me with its roar.

Who late and lingering seeks thy shrine,
On him but seldom, Power divine,
Thy spirit rests! Satiety
And Sloth, poor counterfeits of thee,
Mock the tired worldling. Idle hope
And dire remembrance interlope,
To vex the feverish slumbers of the mind:
The bubble floats before, the spectre stalks behind.

But me thy gentle hand will lead
At morning through the accustomed mead;

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To A Lady, With Falconer's 'Shipwreck

Oh! not by Cam or Isis, famous streams
In arched groves, the youthful poet's choice;
Nor while half-listening, mid delicious dreams,
To harp and song from lady's hand and voice;

Nor yet while gazing in sublimer mood
On cliff, or cataract, in Alpine dell;
Nor in dim cave with bladdery sea-weed strewed,
Framing wild fancies to the ocean's swell;

Our sea-bard sang this song! which still he sings,
And sings for thee, sweet friend! Hark, Pity, hark
Now mounts, now totters on the tempest's wings,
Now groans, and shivers, the replunging bark!

'Cling to the shrouds!' In vain! The breakers roar--
Death shrieks! With two alone of all his clan
Forlorn the poet paced the Grecian shore,
No classic roamer, but a ship-wrecked man!

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On The Christening Of A Friend's Child

This day among the faithful placed,
And fed with fontal manna,
O with maternal title graced
Dear Anna's dearest Anna!--

While others wish thee wise and fair,
A maid of spotless fame,
I'll breathe this more compendious prayer--
May'st thou deserve thy name!

Thy mother's name--a potent spell,
That bids the virtues hie
From mystic grove and living cell
Confess'd to fancy's eye;--

Meek quietness without offence;
Content in homespun kirtle;
True love; and true love's innocence,
White blossom of the myrtle!

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Human Life

If dead, we cease to be ; if total gloom
Swallow up life's brief flash for aye, we fare
As summer-gusts, of sudden birth and doom,
Whose sound and motion not alone declare,
But are their whole of being ! If the breath
Be Life itself, and not its task and tent,
If even a soul like Milton's can know death ;
O Man ! thou vessel purposeless, unmeant,
Yet drone-hive strange of phantom purposes !
Surplus of Nature's dread activity,
Which, as she gazed on some nigh-finished vase,
Retreating slow, with meditative pause,
She formed with restless hands unconsciously.
Blank accident ! nothing's anomaly !
If rootless thus, thus substanceless thy state,
Go, weigh thy dreams, and be thy hopes, thy fears,
The counter-weights !--Thy laughter and thy tears
Mean but themselves, each fittest to create
And to repay the other ! Why rejoices
Thy heart with hollow joy for hollow good ?

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