In Memoriam: Four Poets
1
Searock his tower above the sea,
Searock he built, not ivory.
Searock as well his haunted art
Who gave to plunging hawks his hearts.
2
He loved to stand upon his head
To demonstrate he was not dead.
Ah, if his poems misbehave
'Tis only to defy the grave.
3
This exquisite patrician bird
Grooming a neatly folded wing
Guarded for years the Sacred Word.
A while he sang then ceased to sing.
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poem by Robert Francis
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Catch
Two boys uncoached are tossing a poem together,
Overhand, underhand, backhand, sleight of hand, everyhand,
Teasing with attitudes, latitudes, interludes, altitudes,
High, make him fly off the ground for it, low, make him stoop,
Make him scoop it up, make him as-almost-as possible miss it,
Fast, let him sting from it, now, now fool him slowly,
Anything, everything tricky, risky, nonchalant,
Anything under the sun to outwit the prosy,
Over the tree and the long sweet cadence down,
Over his head, make him scramble to pick up the meaning,
And now, like a posy, a pretty one plump in his hands.
poem by Robert Francis
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Summons
Keep me from going to sleep too soon
Or if I go to sleep too soon
Come wake me up. Come any hour
Of night. Come whistling up the road.
Stomp on the porch. Bang on the door.
Make me get out of bed and come
And let you in and light a light.
Tell me the northern lights are on
And make me look. Or tell me clouds
Are doing something to the moon
They never did before, and show me.
See that I see. Talk to me till
I'm half as wide awake as you
And start to dress wondering why
I ever went to bed at all.
Tell me the walking is superb.
Not only tell me but persuade me.
You know I'm not too hard persuaded.
poem by Robert Francis
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Symbol
The winter apples have been picked, the garden turned.
Rain and wind have picked the maple leaves and gone.
The last of them now bank the house or have been burned.
None are left upon the trees or on the lawn.
Green and tall as ever it grew in spring the grass
Grows not too tall, will not be cut again this year.
Geraniums in bloom behind the windowglass
Are safe. Fall has fallen yet winter is not yet here.
How warm the late November sun although how wan.
The white house stands a symbol of fulfillment there,
Housing one old woman, a cat, and one old man
After abundance but before the earth is bare.
poem by Robert Francis
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New England Mind
My mind matches this understand land.
Outdoors the pencilled tree, the wind-carved drift,
Indoors the constant fire, the careful thrift
Are facts that I accept and understand.
I have brought in red berries and green boughs-
Berries of black alder, boughs of pine.
They and the sunlight on them, both are mine.
I need no florist flowers in my house.
Having lived here the years that are my best,
I call it home. I am content to stay.
I have no bird's desire to fly away.
I envy neither north, east, south, nor west.
My outer world and inner make a pair.
But would the two be always of a kind?
Another latitude, another mind?
Or would I be New England anywhere?
poem by Robert Francis
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Squash in Blossom
How lush, how loose, the uninhibited squash is.
If ever hearts (and these immoderate leaves
Are vegetable hearts) were worn on sleeves,
The squash's are. In green the squash vine gushes.
The flowers are cornucopias of summer,
Briefly exuberant and cheaply golden.
And if they make a show of being hidden,
Are open promiscuously to every comer.
Let the squash be what it was doomed to be
By the old Gardener with the shrewd green thumb.
Let it expand and sprawl, defenceless, dumb.
But let me be the fiber-disciplined tree
Whose leaf (with something to say in wind) is small,
Reduced to the ingenuity of a green splinter
Sharp to defy or fraternize with winter,
Or if not that, prepared in fall to fall.
poem by Robert Francis
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On a Theme by Frost
Amherst never had a witch
O Coos or of Grafton
But once upon a time
There were three old women.
One wore a small beard
And carried a big umbrella.
One stood in the middle
Of the road hailing cars.
One drove an old cart
All over the town collecting junk.
They were not weird sisters,
No relation to one another.
A duly accredited witch I
Never heard Amherst ever had
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poem by Robert Francis
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Encounter
Those who have touched it or been touched by it
Or brushed by something that the vine has brushed,
Or burning it, have stood where the sly smoke
Has touched them-Know the meaning of its name.
The leaf is smooth. Its green is innocence.
A clean, unblemished leaf, glossy when young.
A leaf the unobserving might overlook
And the observing find too prosperous.
I've seen a vine of it so old and crooked
It held a hen-coop in its grip, the stalk
Thick as a man's wrist. There it had grown,
Half out of sight, permitted, undisturbed.
Strangers to it, who on a autumn road
Have found a vine that swept a tree like fire
And gathered it barehanded and brought it home
For color, seldom gathered it again.
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poem by Robert Francis
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Hallelujah: A Sestina
A wind's word, the Hebrew Hallelujah.
I wonder they never gave it to a boy
(Hal for short) boy with wind-wild hair.
It means Praise God, as well it should since praise
Is what God's for. Why didn't they call my father
Hallelujah instead of Ebenezer?
Eben, of course, but christened Ebenezer,
Product of Nova Scotia (hallelujah).
Daniel, a country doctor, was his father
And my father his tenth and final boy.
A baby and last, he had a baby's praise:
Red petticoats, red cheeks, and crow-black hair.
A boy has little to say about his hair
And little about a name like Ebenezer
Except that you can shorten either. Praise
God for that, for that shout Hallelujah.
Shout Hallelujah for everything a boy
Can be that is not his father or grandfather.
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poem by Robert Francis
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Thoreau in Italy
Lingo of birds was easier than lingo of peasants-
they were elusive, though, the birds, for excellent reasons.
He thought of Virgil, Virgil who wasn't there to chat with.
History he never forgave for letting Latin
lapse into Italian, a renegade jabbering
musical enough but not enough to call music
So he conversed with stones, imperial and papal.
Even the preposterous popes he could condone
a moment for the clean arrogance of their inscriptions.
He asked the Italians only to leave him in the past
alone, but this was what they emphatically never did.
Being the present, they never ceased to celebrate it.
Something was always brushing him on the street, satyr
or saint-impossible to say which the more foreign.
At home he was called touchy; here he knew he was.
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poem by Robert Francis
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