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Paul Laurence Dunbar

At Candle-Lightin' Time

When I come in f'om de co'n-fiel' aftah wo'kin' ha'd all day,
It 's amazin' nice to fin' my suppah all erpon de way;
An' it 's nice to smell de coffee bubblin' ovah in de pot,
An' it 's fine to see de meat a-sizzlin' teasin'-lak an' hot.

But when suppah-time is ovah, an' de t'ings is cleahed away;
Den de happy hours dat foller are de sweetes' of de day.
When my co'ncob pipe is sta'ted, an' de smoke is drawin' prime,
My ole 'ooman says, 'I reckon, Ike, it 's candle-lightin' time.'

Den de chillun snuggle up to me, an' all commence to call,
'Oh, say, daddy, now it 's time to mek de shadders on de wall.'
So I puts my han's togethah--evah daddy knows de way,--
An' de chillun snuggle closer roun' ez I begin to say:--

'Fus' thing, hyeah come Mistah Rabbit; don' you see him wo'k his

eahs?
Huh, uh! dis mus' be a donkey,--look, how innercent he 'pears!
Dah 's de ole black swan a-swimmin'--ain't she got a' awful neck?

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The Turning Of The Babies In The Bed

Woman's sho' a cur'ous critter, an' dey ain't no doubtin' dat.
She's a mess o' funny capahs f'om huh slippahs to huh hat.
Ef you tries to un'erstan' huh, an' you fails, des' up an' say:
'D' ain't a bit o' use to try to un'erstan' a woman's way.'

I don' mean to be complainin', but I 's jes' a-settin' down
Some o' my own obserwations, w'en I cas' my eye eroun'.
Ef you ax me fu' to prove it, I ken do it mighty fine,
Fu' dey ain't no bettah 'zample den dis ve'y wife o' mine.

In de ve'y hea't o' midnight, w'en I 's sleepin' good an' soun',
I kin hyeah a so't o' rustlin' an' somebody movin' 'roun'.
An' I say, 'Lize, whut you doin'?' But she frown an' shek huh haid,
'Heish yo' mouf, I's only tu'nin' of de chillun in de bed.

'Don' you know a chile gits restless, layin' all de night one way?
An' you' got to kind o' 'range him sev'al times befo' de day?
So de little necks won't worry, an' de little backs won't break;
Don' you t'ink case chillun 's chillun dey hain't got no pain an' ache.'

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Temptation

I done got 'uligion, honey, an' I 's happy ez a king;
Evahthing I see erbout me 's jes' lak sunshine in de spring;
An' it seems lak I do' want to do anothah blessid thing
But jes' run an' tell de neighbours, an' to shout an' pray an' sing.

I done shuk my fis' at Satan, an' I 's gin de worl' my back;
I do' want no hendrin' causes now a-both'rin' in my track;
Fu' I 's on my way to glory, an' I feels too sho' to miss.
Wy, dey ain't no use in sinnin' when 'uligion 's sweet ez dis.

Talk erbout a man backslidin' w'en he 's on de gospel way;
No, suh, I done beat de debbil, an' Temptation 's los' de day.
Gwine to keep my eyes right straight up, gwine to shet my eahs, an' see
Whut ole projick Mistah Satan 's gwine to try to wuk on me.

Listen, whut dat soun' I hyeah dah? 'tain't no one commence to sing;
It 's a fiddle; git erway dah! don' you hyeah dat blessid thing?
W'y, dat's sweet ez drippin' honey, 'cause, you knows, I draws de bow,
An' when music's sho' 'nough music, I 's de one dat's sho' to know.

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The Voice Of The Banjo

In a small and lonely cabin out of noisy traffic's way,
Sat an old man, bent and feeble, dusk of face, and hair of gray,
And beside him on the table, battered, old, and worn as he,
Lay a banjo, droning forth this reminiscent melody:

'Night is closing in upon us, friend of mine, but don't be sad;
Let us think of all the pleasures and the joys that we have had.
Let us keep a merry visage, and be happy till the last,
Let the future still be sweetened with the honey of the past.

'For I speak to you of summer nights upon the yellow sand,
When the Southern moon was sailing high and silvering all the land;
And if love tales were not sacred, there's a tale that I could tell
Of your many nightly wanderings with a dusk and lovely belle.

'And I speak to you of care-free songs when labour's hour was o'er,
And a woman waiting for your step outside the cabin door,
And of something roly-poly that you took upon your lap,
While you listened for the stumbling, hesitating words, 'Pap, pap.'

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To Louise

OH, the poets may sing of their Lady Irenes,
And may rave in their rhymes about wonderful queens;
But I throw my poetical wings to the breeze,
And soar in a song to my Lady Louise.
A sweet little maid, who is dearer, I ween,
Than any fair duchess, or even a queen.
When speaking of her I can't plod in my prose,
For she's the wee lassie who gave me a rose.
Since poets, from seeing a lady's lip curled,
Have written fair verse that has sweetened the world;
Why, then, should not I give the space of an hour
To making a song in return for a flower?
I have found in my life — it has not been so long —
There are too few of flowers — too little of song.
So out of that blossom, this lay of mine grows,
For the dear little lady who gave me the rose.
I thank God for innocence, dearer than Art,
That lights on a by-way which leads to the heart,
And led by an impulse no less than divine,
Walks into the temple and sits at the shrine.

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Liza May

LITTLE brown face full of smiles,
And a baby's guileless wiles,
Liza May, Liza May.
Eyes a-peeping thro' the fence
With an interest intense,
Liza May.
Ah, the gate is just ajar,
And the meadow is not far,
Liza May, Liza May.
And the road feels very sweet,
To your little toddling feet,
Liza May.
Ah, you roguish runaway,
What will toiling mother say,
Liza May, Liza May?
What care you who smile to greet
Everyone you chance to meet,
Liza May?
Soft the mill-race sings its song,
Just a little way along,

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In the Morning

'LIAS! 'Lias! Bless de Lawd!
Don' you know de day's erbroad?
Ef you don' git up, you scamp,
Dey'll be trouble in dis camp.
Tink I gwine to let you sleep
W'ile I meks yo' boa'd an' keep?
Dat's a putty howdy-do-
Don' you hyeah me, 'Lias -you?

Bet ef I come crost dis flo'
You won’ fin’ no time to sno'
Daylight all a-shinin’ in
W'ile you sleep -w'y hit's a sin!
Aint de can'le-light enough
To bu'n out widout a snuff,
But you go de mo'nin' thoo
Bu'nin' up de daylight too?

'Lias, don’ you hyeah me call?
No use tu'nin' to'ds de wall;

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Dely

Jes' lak toddy wahms you thoo'
Sets yo' haid a reelin',
Meks you ovah good and new,
Dat 's de way I 's feelin'.
Seems to me hit 's summah time,
Dough hit 's wintah reely,
I 's a feelin' jes' dat prime--
An' huh name is Dely.

Dis hyeah love 's a cu'rus thing,
Changes 'roun' de season,
Meks you sad or meks you sing,
'Dout no urfly reason.
Sometimes I go mopin' 'roun',
Den agin I 's leapin';
Sperits allus up an' down
Even when I 's sleepin'.

Fu' de dreams comes to me den,
An' dey keeps me pitchin',

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Bein' Back Home

HOME agin, an' home to stay —
Yes, it's nice to be away.
Plenty things to do an' see,
But the old place seems to me
Jest about the proper thing.
Mebbe 'ts 'cause the mem'ries cling
Closer 'round yore place o' birth
'N ary other spot on earth.
W'y it's nice jest settin' here,
Lookin' out an' seein' clear,
'Thout no smoke, ner dust, ner haze
In these sweet October days.
What's as good as that there lane,
Kind o' browned from last night's rain?
'Pears like home has got the start
When the goal's a feller's heart.
What's as good as that there jay
Screechin' up'ards towards the gray
Skies? An' tell me, what's as fine
As that full-leafed pumpkin vine?

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When A Feller's Itching To Be Spanked

W'EN us fellers stomp around, makin' lots o' noise,
Gramma says, 'There's certain times comes to little boys
W'en they need a shingle or the soft side of a plank;'
She says 'we're a-itchin' for a right good spank.'
An' she says, 'Now thes you wait,
It's a-comin' — soon or late,
W'en a fellers itchin' fer a spank.'
W'en a feller's out o' school, you know how he feels,
Gramma says we wriggle 'roun like a lot o' eels.
W'y it's like a man that's thes home from out o' jail.
What's the use o' scoldin' if we pull Tray's tail?
Gramma says, tho', 'thes you wait,
It's a-comin' — soon or late,
You'se the boys that's itchin' to be spanked.'
Cats is funny creatures an' I like to make 'em yowl,
Gramma alwus looks at me with a awful scowl
An' she says, 'Young gentlemen, mamma should be thanked
Ef you'd get your knickerbockers right well spanked.'
An' she says, 'Now thes you wait,
It's a-comin' — soon or late,'

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