Spring
WINTER is past; the heart of Nature warms
Beneath the wrecks of unresisted storms;
Doubtful at first, suspected more than seen,
The southern slopes are fringed with tender green;
On sheltered banks, beneath the dripping eaves,
Spring's earliest nurslings spread their glowing leaves,
Bright with the hues from wider pictures won,
White, azure, golden,--drift, or sky, or sun,--
The snowdrop, bearing on her patient breast
The frozen trophy torn from Winter's crest;
The violet, gazing on the arch of blue
Till her own iris wears its deepened hue;
The spendthrift crocus, bursting through the mould
Naked and shivering with his cup of gold.
Swelled with new life, the darkening elm on high
Prints her thick buds against the spotted sky
On all her boughs the stately chestnut cleaves
The gummy shroud that wraps her embryo leaves;
The house-fly, stealing from his narrow grave,
Drugged with the opiate that November gave,
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poem by Oliver Wendell Holmes
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American Academy Centennial Celebration
MAY 26, 1880
SIRE, son, and grandson; so the century glides;
Three lives, three strides, three foot-prints in the sand;
Silent as midnight's falling meteor slides
Into the stillness of the far-off land;
How dim the space its little arc has spanned!
See on this opening page the names renowned
Tombed in these records on our dusty shelves,
Scarce on the scroll of living memory found,
Save where the wan-eyed antiquarian delves;
Shadows they seem; ab, what are we ourselves?
Pale ghosts of Bowdoin, Winthrop, Willard, West,
Sages of busy brain and wrinkled brow,
Searchers of Nature's secrets unconfessed,
Asking of all things Whence and Why and How--
What problems meet your larger vision now?
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poem by Oliver Wendell Holmes
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Edward Everett
'OUR FIRST CITIZEN'
WINTER'S cold drift lies glistening o'er his breast;
For him no spring shall bid the leaf unfold
What Love could speak, by sudden grief oppressed,
What swiftly summoned Memory tell, is told.
Even as the bells, in one consenting chime,
Filled with their sweet vibrations all the air,
So joined all voices, in that mournful time,
His genius, wisdom, virtues, to declare.
What place is left for words of measured praise,
Till calm-eyed History, with her iron pen,
Grooves in the unchanging rock the final phrase
That shapes his image in the souls of men?
Yet while the echoes still repeat his name,
While countless tongues his full-orbed life rehearse,
Love, by his beating pulses taught, will claim
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poem by Oliver Wendell Holmes
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For the Moore Centennial Celebration
I
ENCHANTER of Erin, whose magic has bound us,
Thy wand for one moment we fondly would claim,
Entranced while it summons the phantoms around us
That blush into life at the sound of thy name.
The tell-tales of memory wake from their slumbers,--
I hear the old song with its tender refrain,
What passion lies hid in those honey-voiced numbers!
What perfume of youth in each exquisite strain!
The home ot my childhood comes back as a vision,--
Hark! Hark! A soft chord from its song~haunted room,--
'T is a morning of May, when the air is Elysian,--
The syringa in bud and the lilac in bloom,--
We are clustered around the "Clementi" piano,--
There were six of us then,-- there are two of us now,--
She is singing-- the girl with the silver soprano--
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poem by Oliver Wendell Holmes
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The Archbishop And Gil Blas
A MODERNIZED VERSION
I DON'T think I feel much older; I'm aware I'm rather gray,
But so are many young folks; I meet 'em every day.
I confess I 'm more particular in what I eat and drink,
But one's taste improves with culture; that is all it means, I think.
_Can you read as once you used to?_ Well, the printing is so bad,
No young folks' eyes can read it like the books that once we had.
_Are you quite as quick of hearing?_ Please to say that once again.
_Don't I use plain words, your Reverence?_ Yes, I often use a cane,
But it's not because I need it,--no, I always liked a stick;
And as one might lean upon it, 't is as well it should be thick.
Oh, I'm smart, I'm spry, I'm lively,--I can walk, yes, that I can,
On the days I feel like walking, just as well as you, young man!
_Don't you get a little sleepy after dinner every day?_
Well, I doze a little, sometimes, but that always was my way.
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poem by Oliver Wendell Holmes
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Prologue
A PROLOGUE? Well, of course the ladies know,--
I have my doubts. No matter,--here we go!
What is a Prologue? Let our Tutor teach:
Pro means beforehand; logos stands for speech.
'T is like the harper's prelude on the strings,
The prima donna's courtesy ere she sings;
Prologues in metre are to other pros
As worsted stockings are to engine-hose.
'The world's a stage,'--as Shakespeare said, one day;
The stage a world--was what he meant to say.
The outside world's a blunder, that is clear;
The real world that Nature meant is here.
Here every foundling finds its lost mamma;
Each rogue, repentant, melts his stern papa;
Misers relent, the spendthrift's debts are paid,
The cheats are taken in the traps they laid;
One after one the troubles all are past
Till the fifth act comes right side up at last,
When the young couple, old folks, rogues, and all,
Join hands, so happy at the curtain's fall.
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poem by Oliver Wendell Holmes
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A Ballad Of The Boston Tea-Party
Read at a meeting of the Massachusetts Historical Society.
No! never such a draught was poured
Since Hebe served with nectar
The bright Olympians and their Lord,
Her over-kind protector,--
Since Father Noah squeezed the grape
And took to such behaving
As would have shamed our grandsire ape
Before the days of shaving,--
No! ne'er was mingled such a draught
In palace, hall, or arbor,
As freemen brewed and tyrants quaffed
That night in Boston Harbor!
The Western war-cloud's crimson stained
The Thames, the Clyde, the Shannon;
Full many a six-foot grenadier
The flattened grass had measured,
And many a mother many a year
Her tearful memories treasured;
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poem by Oliver Wendell Holmes
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A Poem For The Meeting Of The American Medical Association At New York, May 5, 1853
I HOLD a letter in my hand,-
A flattering letter, more's the pity,-
By some contriving junto planned,
And signed per order of Committee.
It touches every tenderest spot,-
My patriotic predilections,
My well-known -something- don't ask what,-
My poor old songs, my kind affections.
They make a feast on Thursday next,
And hope to make the feasters merry;
They own they're something more perplexed
For poets than for port and sherry.
They want the men of (word torn out);
Our friends will come with anxious faces,
(To see our blankets off, no doubt,
And trot us out and show our paces.)
They hint that papers by the score
Are rather musty kind of rations,
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poem by Oliver Wendell Holmes
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Poem For The Dedication Of The Fountain At Stratford-On-Avon
PRESENTED BY GEORGE W. CHILDS, OF PHILADELPHIA
WELCOME, thrice welcome is thy silvery gleam,
Thou long-imprisoned stream!
Welcome the tinkle of thy crystal beads
As plashing raindrops to the flowery meads,
As summer's breath to Avon's whispering reeds!
From rock-walled channels, drowned in rayless night,
Leap forth to life and light;
Wake from the darkness of thy troubled dream,
And greet with answering smile the morning's beam!
No purer lymph the white-limbed Naiad knows
Than from thy chalice flows;
Not the bright spring of Afric's sunny shores,
Starry with spangles washed from golden ores,
Nor glassy stream Bandusia's fountain pours,
Nor wave translucent where Sabrina fair
Braids her loose-flowing hair,
Nor the swift current, stainless as it rose
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poem by Oliver Wendell Holmes
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At The
DECEMBER 15, 1874
I SUPPOSE it's myself that you're making allusion to
And bringing the sense of dismay and confusion to.
Of course some must speak,--they are always selected to,
But pray what's the reason that I am expected to?
I'm not fond of wasting my breath as those fellows do;
That want to be blowing forever as bellows do;
Their legs are uneasy, but why will you jog any
That long to stay quiet beneath the mahogany?
Why, why call me up with your battery of flatteries?
You say 'He writes poetry,'--that 's what the matter is
'It costs him no trouble--a pen full of ink or two
And the poem is done in the time of a wink or two;
As for thoughts--never mind--take the ones that lie uppermost,
And the rhymes used by Milton and Byron and Tupper most;
The lines come so easy! at one end he jingles 'em,
At the other with capital letters he shingles 'em,--
Why, the thing writes itself, and before he's half done with it
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poem by Oliver Wendell Holmes
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