Epilogue to the 'Good Natur'd Man
As puffing quacks some caitiff wretch procure
To swear the pill, or drop, has wrought a cure;
Thus on the stage, our play-wrights still depend
For Epilogues and Prologues on some friend,
Who knows each art of coaxing up the town,
And make full many a bitter pill go down.
Conscious of this, our bard has gone about,
And teas'd each rhyming friend to help him out.
'An Epilogue - things can't go on without it;
It could not fail, would you but set about it.'
'Young man,' cries one - a bard laid up in clover -
'Alas, young man, my writing days are over;
Let boys play tricks, and kick the straw; not I:
Your brother Doctor there, perhaps, may try.'
'What I? dear Sir,' the Doctor interposes
'What plant my thistle, Sir, among his roses!
No, no; I've other contests to maintain;
To-night I head our troops at Warwick Lane:
Go, ask your manager.' 'Who, me? Your pardon;
Those things are not our forte at Covent Garden.'
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poem by Oliver Goldsmith
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Epilogue To 'She Stoops To Conquer
WELL, having stoop'd to conquer with success,
And gain'd a husband without aid from dress,
Still, as a Bar-maid, I could wish it too,
As I have conquer'd him, to conquer you:
And let me say, for all your resolution,
That pretty Bar-maids have done execution.
Our life is all a play, compos'd to please,
'We have our exits and our entrances.'
The First Act shows the simple country maid,
Harmless and young, of ev'ry thing afraid;
Blushes when hir'd, and, with unmeaning action,
'I hopes as how to give you satisfaction.'
Her Second Act displays a livelier scene --
Th' unblushing Bar-maid of a country inn,
Who whisks about the house, at market caters,
Talks loud, coquets the guests, and scolds the waiters.
Next the scene shifts to town, and there she soars,
The chop-house toast of ogling connoisseurs.
On 'Squires and Cits she there displays her arts,
And on the gridiron broils her lovers' hearts:
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poem by Oliver Goldsmith
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Prologue To 'Zobeide
IN these bold times, when Learning's sons explore
The distant climate and the savage shore;
When wise Astronomers to India steer,
And quit for Venus, many a brighter here;
While Botanists, all cold to smiles and dimpling,
Forsake the fair, and patiently -- go simpling;
When every bosom swells with wond'rous scenes,
Priests, cannibals, and hoity-toity queens:
Our bard into the general spirit enters,
And fits his little frigate for adventures:
With Scythian stores, and trinkets deeply laden,
He this way steers his course, in hopes of trading --
Yet ere he lands he 'as ordered me before,
To make an observation on the shore.
Where are we driven? our reck'ning sure is lost!
This seems a barren and a dangerous coast.
____ what a sultry climate am I under!
Yon ill foreboding cloud seems big with thunder.
('Upper Gallery'.)
There Mangroves spread, and larger than I've seen 'em --
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poem by Oliver Goldsmith
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Eiplogue
INTENDED TO HAVE BEEN SPOKEN FOR 'SHE STOOPS
TO CONQUER'
THERE is a place, so Ariosto sings,
A treasury for lost and missing things;
Lost human wits have places assign'd them,
And they, who lose their senses, there may find them.
But where's this place, this storehouse of the age?
The Moon, says he:-- but 'I' affirm the Stage:
At least in many things, I think, I see
His lunar, and our mimic world agree.
Both shine at night, for, but at Foote's alone,
We scarce exhibit till the sun goes down.
Both prone to change, no settled limits fix,
And sure the folks of both are lunatics.
But in this parallel my best pretence is,
That mortals visit both to find their senses.
To this strange spot, Rakes, Macaronies, Cits
Come thronging to collect their scatter'd wits.
The gay coquette, who ogles all the day,
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poem by Oliver Goldsmith
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The Logicians Refuted
IN IMITATION OF DEAN SWIFT
LOGICIANS have but ill defin'd
As rational, the human kind;
Reason, they say, belongs to man,
But let them prove it if they can.
Wise Aristotle and Smiglecius,
By ratiocinations specious,
Have strove to prove with great precision,
With definition and division,
'Homo est ratione praeditum',--
But for my soul I cannot credit 'em;
And must in spite of them maintain,
That man and all his ways are vain;
And that this boasted lord of nature
Is both a weak and erring creature;
That instinct is a surer guide
Than reason-boasting mortals' pride;
And that brute beasts are far before 'em,
'Deus est anima brutorum'.
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poem by Oliver Goldsmith
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Epilogue to 'The Sister
WHAT! five long acts -- and all to make us wiser!
Our authoress sure has wanted an adviser.
Had she consulted 'me', she should have made
Her moral play a speaking masquerade;
Warm'd up each bustling scene, and in her rage
Have emptied all the green-room on the stage.
My life on't, this had kept her play from sinking;
Have pleas'd our eyes, and sav'd the pain of thinking.
Well! since she thus has shown her want of skill,
What if I give a masquerade? -- I will.
But how? ay, there's the rub! ('pausing') -- I've got my cue:
The world's a masquerade! the maskers, you, you, you.
('To Boxes, Pit, and Gallery'.)
____, what a group the motley scene discloses!
False wits, false wives, false virgins, and false spouses!
Statesmen with bridles on; and, close beside 'em,
Patriots, in party-coloured suits, that ride 'em.
There Hebes, turn'd of fifty, try once more
To raise a flame in Cupids of threescore.
These in their turn, with appetites as keen,
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poem by Oliver Goldsmith
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Epilogue For Mr. Lee Lewes
HOLD! Prompter, hold! a word before your nonsense;
I'd speak a word or two, to ease my conscience.
My pride forbids it ever should be said,
My heels eclips'd the honours of my head;
That I found humour in a piebald vest,
Or ever thought that jumping was a jest.
('Takes off his mask.')
Whence, and what art thou, visionary birth?
Nature disowns, and reason scorns thy mirth,
In thy black aspect every passion sleeps,
The joy that dimples, and the woe that weeps.
How has thou fill'd the scene with all thy brood,
Of fools pursuing, and of fools pursu'd!
Whose ins and outs no ray of sense discloses,
Whose only plot it is to break our noses;
Whilst from below the trap-door Demons rise,
And from above the dangling deities;
And shall I mix in this unhallow'd crew?
May rosined lightning blast me, if I do!
No -- I will act, I'll vindicate the stage:
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poem by Oliver Goldsmith
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A New Simile
IN THE MANNER OF SWIFT
LONG had I sought in vain to find
A likeness for the scribbling kind;
The modern scribbling kind, who write
In wit, and sense, and nature's spite:
Till reading, I forget what day on,
A chapter out of Tooke's Pantheon,
I think I met with something there,
To suit my purpose to a hair;
But let us not proceed too furious,
First please to turn to god Mercurius;
You'll find him pictur'd at full length
In book the second, page the tenth:
The stress of all my proofs on him I lay,
And now proceed we to our simile.
Imprimis, pray observe his hat,
Wings upon either side--mark that.
Well! what is it from thence we gather?
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poem by Oliver Goldsmith
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The Double Transformation, A Tale
Secluded from domestic strife,
Jack Book-worm led a college life;
A fellowship at twenty-five
Made him the happiest man alive;
He drank his glass and crack'd his joke,
And freshmen wonder'd as he spoke.
Such pleasures, unalloy'd with care,
Could any accident impair?
Could Cupid's shaft at length transfix
Our swain, arriv'd at thirty-six?
O had the archer ne'er come down
To ravage in a country town!
Or Flavia been content to stop
At triumphs in a Fleet-street shop.
O had her eyes forgot to blaze!
Or Jack had wanted eyes to gaze.
O! - But let exclamation cease,
Her presence banish'd all his peace.
So with decorum all things carried;
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poem by Oliver Goldsmith
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Epilogue Intended To Have Been Spoken For 'She Stoops To Conquer
'Enter' MRS. BULKLEY,
'who curtsies very low as beginning to speak.
Then enter' MISS CATLEY,
'who stands full before her, and curtsies to the audience'.
MRS. BULKELEY.
HOLD, Ma'am, your pardon. What's your business here?
MISS CATLEY.
The Epilogue.
MRS. BULKLEY.
The Epilogue?
MISS CATLEY.
Yes, the Epilogue, my dear.
MRS. BULKLEY.
Sure you mistake, Ma'am. The Epilogue, 'I' bring it.
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poem by Oliver Goldsmith
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