The Brassiere Factory
Is the governor falling
From a great height?
Arm in arm we fled the brassiere factory,
The motion-boat stayed on the shore!
I saw how round its bottom was
As you walked into southern France—
Upon the light hair of an arm
Cigar bands lay!
I kissed you then. Oh is my bar
The insect of your will? The water rose,
But will the buffalo on
The nickel yet be still?
For how can windows hold out the light
In your eyes!
Darling, we fled the brassiere factory
In forty-eight states,
Arm in arm,
When human beings hung on us
And you had been arrested by the cloths
Were used in making, and I said, “The Goths
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poem by Kenneth Koch
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Mountain
Nothing's moving I don't see anybody
And I know that it's not a trick
There really is nothing moving there
And there aren't any people. It is the very utmost top
Where, as is not unusual,
There is snow, lying like the hair on a white-haired person's head
Combed sideways and backward and forward to cover as much of the top
As possible, for the snow is thinning, it's September
Although a few months from now there will be a new crop
Probably, though this no one KNOWS (so neither do we)
But every other year it has happened by November
Except for one year that's known about, nineteen twenty-three
When the top was more and more uncovered until December fifteenth
When finally it snowed and snowed
I love seeing this mountain like a mouse
Attached to the tail of another mouse, and to another and to another
In total mountain silence
There is no way to get up there, and no means to stay.
It is uninhabitable. No roads and no possibility
Of roads. You don't have a history
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poem by Kenneth Koch
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The Magic of Numbers
The Magic of Numbers—1
How strange it was to hear the furniture being moved around in the apartment upstairs!
I was twenty-six, and you were twenty-two.
The Magic of Numbers—2
You asked me if I wanted to run, but I said no and walked on.
I was nineteen, and you were seven.
The Magic of Numbers—3
Yes, but does X really like us?
We were both twenty-seven.
The Magic of Numbers—4
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poem by Kenneth Koch
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To Various Persons Talked To All At Once
You have helped hold me together.
I'd like you to be still.
Stop talking or doing anything else for a minute.
No. Please. For three minutes, maybe five minutes.
Tell me which walk to take over the hill.
Is there a bridge there? Will I want company?
Tell me about the old people who built the bridge.
What is "the Japanese economy"?
Where did you hide the doctor's bills?
How much I admire you!
Can you help me to take this off?
May I help you to take that off?
Are you finished with this item?
Who is the car salesman?
The canopy we had made for the dog.
I need some endless embracing.
The ocean's not really very far.
Did you come west in this weather?
I've been sitting at home with my shoes off.
You're wearing a cross!
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poem by Kenneth Koch
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On the Great Atlantic Rainway
I set forth one misted white day of June
Beneath the great Atlantic rainway, and heard:
“Honestly you smite worlds of truth, but
Lose your own trains of thought, like a pigeon.
Did you once ride in Kenneth’s machine?”
“Yes, I rode there, an old man in shorts, blind,
Who had lost his way in the filling station; Kenneth was kind.”
“Did he fill your motionless ears with resonance and stain?”
“No, he spoke not as a critic, but as a man.”
“Tell me, what did he say?” “He said,
‘My eyes are the white sky, the gravel on the groundway my sad lament.’”
“And yet he drives between the two. . . .” “Exactly, Jane,
And that is the modern idea of fittingness,
To, always in motion, lose nothing, although beneath the
Rainway they move in threes and twos completely
Ruined for themselves, like moving pictures.”
“But how other?” “Formulalessness, to go from the sun
Into love’s sweet disrepair. He would fondly express
‘Rain trees’—which is not a poem, ‘rain trees. . . .’”
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poem by Kenneth Koch
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To My Father's Business
Leo bends over his desk
Gazing at a memorandum
While Stuart stands beside him
With a smile, saying,
'Leo, the order for those desks
Came in today
From Youngstown Needle and Thread!'
C. Loth Inc., there you are
Like Balboa the conqueror
Of those who want to buy office furniture
Or bar fixtures
In nineteen forty in Cincinnati, Ohio!
Secretaries pound out
Invoices on antique typewriters—
Dactyllographs
And fingernail biters.
I am sitting on a desk
Looking at my daddy
Who is proud of but feels unsure about
Some aspects of his little laddie.
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poem by Kenneth Koch
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The Boiling Water
A serious moment for the water is
when it boils
And though one usually regards it
merely as a convenience
To have the boiling water
available for bath or table
Occasionally there is someone
around who understands
The importance of this moment
for the water—maybe a saint,
Maybe a poet, maybe a crazy
man, or just someone
temporarily disturbed
With his mind 'floating'in a
sense, away from his deepest
Personal concerns to more
'unreal' things...
A serious moment for the island
is when its trees
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poem by Kenneth Koch
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One Train May Hide Another
In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line--
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
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poem by Kenneth Koch
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Talking to Patrizia
Patrizia doesn't want to
Talk about love she
Says she just
Wants to make
Love but she talks
About it almost endlessly to me.
It is horrible it
Is the worst thing in life
Says Patrizia
Nothing
Not death not sickness
Is as bad as love
I am always
In love I am always
Suffering from love
Says Patrizia. Now
I am used to it
But I am suffering all the same
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poem by Kenneth Koch
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The History of Jazz
I
The leaves of blue came drifting down.
In the corner Madeleine Reierbacher was reading Lorna Doone.
The bay’s water helped to implement the structuring of the garden hose.
The envelope fell. Was it pink or was it red? Consult Lorna Doone.
There, voyager, you will find your answer. The savant grapeade stands
Remember Madeleine Reierbacher. Madeleine Reierbacher says,
“If you are happy, there is no one to keep you from being happy;
Don’t let them!” Madeleine Reierbacher went into the racing car.
The racing car was orange and red. Madeleine Reierbacher drove to Beale Street.
There Maddy doffed her garments to get into some more comfortable clothes.
Jazz was already playing in Beale Street when Madeleine Reierbacher arrived there.
Madeleine Reierbacher picked up the yellow horn and began to play.
No one had ever heard anything comparable to the playing of Madeleine Reierbacher.
What a jazz musician! The pianist missed his beats because he was so excited.
The drummer stared out the window in ecstasy at the yellow wooden trees.
The orchestra played “September in the Rain,” “Mugging,” and “I’m Full of Love.”
Madeleine Reierbacher rolled up her sleeves; she picked up her horn; she played “Blues in the Rain.”
It was the best jazz anyone had ever heard. It was mentioned in the newspapers. St. Louis!
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poem by Kenneth Koch
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