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Henry Lawson

The Writer's Dream

A writer wrote of the hearts of men, and he followed their tracks afar;
For his was a spirit that forced his pen to write of the things that are.
His heart grew tired of the truths he told, for his life was hard and grim;
His land seemed barren, its people cold—yet the world was dear to him;—
So he sailed away from the Streets of Strife, he travelled by land and sea,
In search of a people who lived a life as life in the world should be.
And he reached a spot where the scene was fair, with forest and field and wood,
And all things came with the seasons there, and each of its kind was good;
There were mountain-rivers and peaks of snow, there were lights of green and gold,
And echoing caves in the cliffs below, where a world-wide ocean rolled.
The lives of men from the wear of Change and the strife of the world were free—
For Steam was barred by the mountain-range and the rocks of the Open Sea.

And the last that were born of a noble race—when the page of the South was fair—
The last of the conquered dwelt in peace with the last of the victors there.
He saw their hearts with the author’s eyes who had written their ancient lore,
And he saw their lives as he’d dreamed of such—ah! many a year before.
And ‘I’ll write a book of these simple folk ere I to the world return,
‘And the cold who read shall be kind for these—and the wise who read shall learn.

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When I Was King

The second time I lived on earth
Was several hundred years ago;
And—royal by my second birth—
I know as much as most men know.
I was a king who held the reins
As never modern monarch can;
I was a king, and I had brains,
And, what was more, I was a man!
Called to the throne in stormy times,
When things were at their very worst,
I had to fight—and not with rhymes—
My own self and my kindred first;
And after that my friends and foes,
And great abuses born of greed;
And when I’d fairly conquered those,
I ruled the land a king indeed.

I found a deal of rottenness,
Such as in modern towns we find;
I camped my poor in palaces

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Brighten’s Sister-In-Law [or The Carrier's Story]

AT A POINT where the old road crosses
The river, and turns to the right,
I’d camped with the team; and the hosses
Was all fixed up for the night.
I’d been to the town to carry
A load to the Cudgegong;
And I’d taken the youngster, Harry,
On a trip as I’d promis’d him long.

I had seven more, and another
That died at the age of three;
But they all took arter the mother,
And Harry took arter me.
And from the tiniest laddie
’Twas always his fondest dream
To go on the roads with his daddy,
And help him to drive the team.

He was bright at the school and clever,
The best of the youngsters there;

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Possum A Lay of New Chumland

SO YER trav’lin’ for yer pleasure while yer writin’ for the press?
An’ yer huntin’ arter “copy”?—well, I’ve heer’d o’ that. I guess
You are gorn ter write a story that is gorn ter be yer best,
’Bout the “blunders an’ advenchers ov a new chum in the west?”
An’ you would be very thankful an’ acknowledge any hint?
Well, I karn’t say as I hankers fur ter see my name in print;
But I know a little story an’ I’ll tell it out ov hand
If yer’ll put it down in writin’ that the swells kin understand—
(It’s a story ov a new chum, and—a story ov the land.)


He had lately kum from Ingland—you cud tell it by ’s cap—
Fur “kerlonial exper’ence” (an’ he got it, too, poor chap).
’Twas in town he met the squatter, an’ he asked, as if in fun,
“If the boss ’ud want a flunkey or a coachy on the run?”
Well, it riz the boss’s dander, an’ he jumps clean orf ’is ’oss—
“Now, me fresh, sweet-scented beauty, watyer giv’nus?” sez the boss;
“I hev met yer kidney often, an’ yer mighty fresh an’ free,
But yer needn’t think yer gorn ter come a-lardin’ over me!”

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The Ballad of the Elder Son

A son of elder sons I am,
Whose boyhood days were cramped and scant,
Through ages of domestic sham
And family lies and family cant.
Come, elder brothers mine, and bring
Dull loads of care that you have won,
And gather round me while I sing
The ballad of the elder son.

’Twas Christ who spake in parables—
To picture man was his intent;
A simple tale He simply tells,
And He Himself makes no comment.
A morbid sympathy is felt
For prodigals—the selfish ones—
The crooked world has ever dealt
Unjustly by the elder sons.

The elder son on barren soil,
Where life is crude and lands are new,

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The City Bushman

It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.

True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.

Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,

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With Dickens

In Windsor Terrace, number four,
I’ve taken my abode—
A little crescent from the street,
A bight from City Road;
And, hard up and in exile, I
To many fancies yield;
For it was here Micawber lived
And David Copperfield.

A bed, a table, and a chair,
A bottle and a cup.
The landlord’s waiting even now
For something to turn up.
The landlady is spiritless—
They both seem tired of life;
They cannot fight the battle like
Micawber and his wife.

But in the little open space
That lies back from the street,

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Peter Anderson And Co.

He had offices in Sydney, not so many years ago,
And his shingle bore the legend `Peter Anderson and Co.',
But his real name was Careless, as the fellows understood --
And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had --
He was fond of beer and leisure -- and the Co. was just as bad.
It was limited in number to a unit, was the Co. --
'Twas a bosom chum of Peter and his Christian name was Joe.

'Tis a class of men belonging to these soul-forsaken years:
Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce --
Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon,
Travelling second-class, or steerage (when it's cheap they go saloon);
Free from `ists' and `isms', troubled little by belief or doubt --
Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give,
God alone knows how they manage -- God alone knows how they live!
They are nearly always hard-up, but are cheerful all the while --

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The Cambaroora Star

So you're writing for a paper? Well, it's nothing very new
To be writing yards of drivel for a tidy little screw;
You are young and educated, and a clever chap you are,
But you'll never run a paper like the CAMBAROORA STAR.
Though in point of education I am nothing but a dunce,
I myself -- you mayn't believe it -- helped to run a paper once
With a chap on Cambaroora, by the name of Charlie Brown,
And I'll tell you all about it if you'll take the story down.

On a golden day in summer, when the sunrays were aslant,
Brown arrived in Cambaroora with a little printing plant
And his worldly goods and chattels -- rather damaged on the way --
And a weary-looking woman who was following the dray.
He had bought an empty humpy, and, instead of getting tight,
Why, the diggers heard him working like a lunatic all night:
And next day a sign of canvas, writ in characters of tar,
Claimed the humpy as the office of the CAMBAROORA STAR.

Well, I cannot read, that's honest, but I had a digger friend
Who would read the paper to me from the title to the end;

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One Hundred and Three

With the frame of a man, and the face of a boy, and a manner strangely wild,
And the great, wide, wondering, innocent eyes of a silent-suffering child;
With his hideous dress and his heavy boots, he drags to Eternity—
And the Warder says, in a softened tone: ‘Keep step, One Hundred and Three.’
’Tis a ghastly travesty of drill—or a ghastly farce of work—
But One Hundred and Three, he catches step with a start, a shuffle and jerk.
’Tis slow starvation in separate cells, and a widow’s son is he,
And the widow, she drank before he was born—(Keep step, One Hundred and Three!)

They shut a man in the four-by-eight, with a six-inch slit for air,
Twenty-three hours of the twenty-four, to brood on his virtues there.
And the dead stone walls and the iron door close in as an iron band
On eyes that followed the distant haze far out on the level land.

Bread and water and hominy, and a scrag of meat and a spud,
A Bible and thin flat book of rules, to cool a strong man’s blood;
They take the spoon from the cell at night—and a stranger might think it odd;
But a man might sharpen it on the floor, and go to his own Great God.

One Hundred and Three, it is hard to believe that you saddled your horse at dawn;

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