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Henry Lawson

That There Dog O' Mine

Macquarie the shearer had met with an accident. To tell the truth, he had been in a drunken row at a wayside shanty, from which he had escaped with three fractured ribs, a cracked head, and various minor abrasions. His dog, Tally, had been a sober but savage participator in the drunken row, and had escaped with a broken leg.

Macquarie afterwards shouldered his swag and staggered and struggled along the track ten miles to the Union-Town Hospital. Lord knows how he did it. He didn't exactly know himself. Tally limped behind all the way on three legs. The doctors examined the man's injuries and were surprised at his endurance.

Even doctors are surprised sometimes - though they don't always show it. Of course they would take him in, but they objected to Tally. Dogs were not allowed on the premises. 'You will have to turn that dog out,' they said to the shearer, as he sat on the edge of a bed.

Macquarie said nothing. 'We cannot allow dogs about the place, my man,' said the doctor in a louder tone, thinking the man was deaf. 'Tie him up in the yard then.' 'No. He must go out. Dogs are not permitted on the grounds.'

Macquarie rose slowly to his feet, shut his agony behind his set teeth painfully buttoned his shirt over his hairy chest, took up his waistcoat, and staggered to the comer where the swag lay. 'What are you going to do?' they asked.

'You ain't going to let my dog stop?' 'No. It's against the rules. There are no dogs allowed on the premises.' He stooped and lifted his swag, but the pain was too great, and he leaned back against the wall.

'Come, come now! man alive!' exclaimed the doctor, impatiently. 'You must be mad. You know you are not in a fit state to go out. Let the wardsman help you to undress.' 'No!' said Macquarie. 'No. If you won't take my dog in you don't take me. He's got a broken leg and wants fixing up just - just as much as - as I do.

If I'm good enough to come in, he's good enough - and - and better.' He paused awhile, breathing painfully, and then went on. 'That - that there old dog of mine has follered me faithful and true, these twelve long hard and hungry years. He's about - about the only thing that ever cared whether I lived or fell and rotted on the cursed track.'

He rested again; then he continued: 'That - that there dog was pupped on the track,' he said with a sad sort of smile. 'I carried him for months in a billy can and afterwards on my swag when he was knocked up… And the old slut - his mother - she'd foller along quite contented - sniff the billy now and again - just to see if he was all right… She follered me for God knows how many years. She follered me till she was blind - and for a year after. She folleredme till she could crawl along through the dust no longer, and - and then I killed her, because I couldn't leave her behind alive! '

He rested again. 'And this here old dog,' he continued, touching Tally's upturned nose with his knotted fingers, 'this here old dog has follered me for - for ten years; through floods and droughts, through fair times and - and hard - mostly hard; and kept me from going mad when I had no mate nor money on the lonely track and watched over me for weeks when I was drunk - drugged and poisoned at the cursed shanties; and saved my life more'n once, and got kicks and curses very often for thanks; and forgave me for it all; and - and fought for me.

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Eureka

Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.

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Antony Villa

Over there, above the jetty, stands the mansion of the Vardens,
With a tennis ground and terrace, and a flagstaff in the gardens:
They are gentlemen and ladies—they’ve been ‘toffs’ for generations,
But old Varden’s been unlucky—lost a lot in speculations.
Troubles gathered fast upon him when the mining bubble ‘busted,’
Then the bank suspended payment, where his little all he trusted;
And the butcher and the baker sent their bills in when they read it,
Even John, the Chow that served him, has refused to give him ‘cledit.’

And the daughters of the Vardens—they are beautiful as Graces—
But the balcony’s deserted, and they rarely show their faces;
And the swells of their acquaintance never seem to venture near them,
And the bailiff says they seldom have a cup of tea to cheer them.

They were butterflies—I always was a common caterpillar,
But I’m sorry for the ladies over there in ’Tony Villa,
Shut up there in ’Tony Villa with the bailiff and their trouble;
And the dried-up reservoir, where my tears were seems to bubble.

Mrs. Rooney thinks it nothing when she sends a brat to ‘borry’

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Faces In The Street

They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --

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The Captain of the Push

As the night was falling slowly down on city, town and bush,
From a slum in Jones's Alley sloped the Captain of the Push;
And he scowled towards the North, and he scowled towards the South,
As he hooked his little finger in the corners of his mouth.
Then his whistle, loud and shrill, woke the echoes of the `Rocks',
And a dozen ghouls came sloping round the corners of the blocks.

There was nought to rouse their anger; yet the oath that each one swore
Seemed less fit for publication than the one that went before.
For they spoke the gutter language with the easy flow that comes
Only to the men whose childhood knew the brothels and the slums.
Then they spat in turns, and halted; and the one that came behind,
Spitting fiercely on the pavement, called on Heaven to strike him blind.

Let us first describe the captain, bottle-shouldered, pale and thin,
For he was the beau-ideal of a Sydney larrikin;
E'en his hat was most suggestive of the city where we live,
With a gallows-tilt that no one, save a larrikin, can give;
And the coat, a little shorter than the writer would desire,
Showed a more or less uncertain portion of his strange attire.

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For'ard

It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.

Our beef is just like scrapin's from the inside of a hide,
And the spuds were pulled too early, for they're mostly green inside;
But from somewhere back amidships there's a smell o' cookin' waft,
An' I'd give my earthly prospects for a real good tuck-out aft --
Ham an' eggs 'n' coffee, aft,
Say, cold fowl for luncheon, aft,
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft.

They feed our women sep'rate, an' they make a blessed fuss,
Just as if they couldn't trust 'em for to eat along with us!

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`For'ard

It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --
There is sheets 'n' best of tucker for the first-salooners, aft.

Our beef is just like scrapin's from the inside of a hide,
And the spuds were pulled too early, for they're mostly green inside;
But from somewhere back amidships there's a smell o' cookin' waft,
An' I'd give my earthly prospects for a real good tuck-out aft --
Ham an' eggs 'n' coffee, aft,
Say, cold fowl for luncheon, aft,
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft.

They feed our women sep'rate, an' they make a blessed fuss,
Just as if they couldn't trust 'em for to eat along with us!

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Our Mistress and Our Queen

We set no right above hers,
No earthly light nor star,
She hath had many lovers,
But not as lovers are:
They all were gallant fellows
And died all deaths for her,
And never one was jealous
But comrades true they were.

Oh! each one is a brother,
Though all the lands they claim—
For her or for each other
They’ve died all deaths the same
Young, handsome, old and ugly,
Free, married or divorced,
Where springtime bard or Thug lie
Her lover’s feet have crossed.

’Mid buttercups and daisies
With fair girls by their side,

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The Fairy West

I.
We wrote and sang of a bush we never
Had known in youth in the Western land;
Of the dear old homes by the shining river,
The deep, clear creeks and the hills so grand.
The grass waved high on the flat and siding,
The wild flowers bloomed on the banks so fair,
And younger sons from the North came riding
To vine-clad homes in the gardens there.
We wrote and sang—and the Lord knows best—
Oh, those dear old songs of the fairy West!

We dreamed and sang of the “bustling mother”;
The brick-floored kitchen we saw so clear,
The pranks and jokes of the youngest brother,
The evening songs of our sisters dear.
The old man dozed in the chimney corner,
Or smoked and blinked at the cheerful blaze,
Or yarned with a crony—old Jack Horner—
Who’d known him back in the Digging Days.

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The Last Review

Turn the light down, nurse, and leave me, while I hold my last review,
For
the Bush
is slipping from me, and the town is going too:
Draw the blinds, the streets are lighted, and I hear the tramp of feet—
And I’m weary, very weary, of the
Faces in the Street
.

In the dens of Grind and Heartbreak, in the streets of Never-Rest,
I have lost the scent and colour and the music of the West:
And I would recall old faces with the memories they bring—
Where are Bill and Jim and Mary and the
Songs They used to Sing
?

They are coming! They are coming! they are passing through the room
With the smell of gum leaves burning, and the scent of
Wattle bloom!

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