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Henry Lawson

Bound for the Lord-Knows-Where

'Where are you going with your horse and bike,
And the townsfolk still at rest?
Where are you going, with your swag and pack,
And the night still in the West?
Your clothes are worn, and your cheques are gone,
But your eyes are free from care?”
“We’re bushmen down for a spree in town,
And we’re bound for the Lord-knows-where,
Old chap—we’re bound for the Lord-knows-where.”

(There are great dark scrubs in the Lord-knows-where,
Where they fight it out alone,
There are wide wide plains in the Lord-knows-where,
Where a man’s soul is his own.
There is healthy work, there is healthy rest,
There is peace from self-torture there,
And the glorious freedom from paltriness!
And they’re bound for the Lord-knows-where.)

“Now, where are you going in your Sunday suit,

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The Lights of Cobb & Co.

Fire lighted; on the table a meal for sleepy men;

A lantern in the stable; a jingle now and then;

The mail-coach looming darkly by light on moon and star;

The growl of sleepy voices; a candle in the bar;

A stumble in the passage of folk with wits abroad;

A swear-word from a bedroom---the shout of "All aboard!"

"Tekh tehk! Git-up!" "Hold fast, there!" and down the range we go;

Five hundred miles of scattered camps will watch for Cobb and Co.

Old coaching towns already decaying for their sins;

Uncounted "Half-way Houses," and scores of "Ten-Mile Inns;"

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Outback

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track --
With stinted stomachs and blistered feet,
they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.

He begged his way on the parched Paroo and the Warrego tracks once more,

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Out Back

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track --
With stinted stomachs and blistered feet,
they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.

He begged his way on the parched Paroo and the Warrego tracks once more,

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Cameron's Heart

The diggings were just in their glory when Alister Cameron came,
With recommendations, he told me, from friends and a parson `at hame';
He read me his recommendations -- he called them a part of his plant --
The first one was signed by an Elder, the other by Cameron's aunt.
The meenister called him `ungodly -- a stray frae the fauld o' the Lord',
And his aunt set him down as a spendthrift, `a rebel at hame and abroad'.

He got drunk now and then and he gambled (such heroes are often the same);
That's all they could say in connection with Alister Cameron's name.
He was straight and he stuck to his country
and spoke with respect of his kirk;
He did his full share of the cooking, and more than his share of the work.
And many a poor devil then, when his strength and his money were spent,
Was sure of a lecture -- and tucker, and a shakedown in Cameron's tent.

He shunned all the girls in the camp,
and they said he was proof to the dart --
That nothing but whisky and gaming had ever a place in his heart;
He carried a packet about him, well hid, but I saw it at last,
And -- well, 'tis a very old story -- the story of Cameron's past:

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The Green-Hand Rouseabout

Call this hot? I beg your pardon. Hot!—you don’t know what it means.
(What’s that, waiter? lamb or mutton! Thank you—mine is beef and greens.
Bread and butter while I’m waiting. Milk? Oh, yes—a bucketful.)
I’m just in from west the Darling, ‘picking-up’ and rolling wool.’
Mutton stewed or chops for breakfast, dry and tasteless, boiled in fat;
Bread or brownie, tea or coffee—two hours’ graft in front of that;
Legs of mutton boiled for dinner—mutton greasy-warm for tea—
Mutton curried (gave my order, beef and plenty greens for me.)

Breakfast, curried rice and mutton till your innards sacrifice,
And you sicken at the colour and the smell of curried rice.
All day long with living mutton—bits and belly-wool and fleece;
Blinded by the yoke of wool, and shirt and trousers stiff with grease,
Till you long for sight of verdure, cabbage-plots and water clear,
And you crave for beef and butter as a boozer craves for beer.


Dusty patch in baking mulga—glaring iron hut and shed—
Feel and smell of rain forgotten—water scarce and feed-grass dead.
Hot and suffocating sunrise—all-pervading sheep yard smell—

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Nemesis

It is night-time when the saddest and the darkest memories haunt,
When outside the printing office the most glaring posters flaunt,
When the love-wrong is accomplished. And I think of things and mark
That the blackest lies are written, told, and printed after dark.
’Tis the time of “late editions”. It is night when, as of old,
Foulest things are done for hatred, for ambition, love and gold.


Racing from the senseless city down the dull suburban streets,
Come again the ragged newsboys yelping with their paltry sheets—
Lying posters meaning nothing, double columns meaning less,
Twisted facts and reckless falsehoods—dodges of the Daily Press.
In the town the roar and rattle of the great machines once more,
Greedy for the extra penny, while the “Public” howls for war.

War because of one poor blunder made in panic far away,
While a thousand men were lying on the battlefield to-day:
Dead heaped on the helpless dying, blinded eyes and brains that swim,
Parched or choked with their own life-blood, battered head and broken limb.
Wounds too ghastly to be pictured. Things to seem like men no more,

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When Your Pants Begin to Go

When you wear a cloudy collar and a shirt that isn't white,
And you cannot sleep for thinking how you'll reach to-morrow night,
You may be a man of sorrows, and on speaking terms with Care,
And as yet be unacquainted with the Demon of Despair;
For I rather think that nothing heaps the trouble on your mind
Like the knowledge that your trousers badly need a patch behind.

I have noticed when misfortune strikes the hero of the play,
That his clothes are worn and tattered in a most unlikely way;
And the gods applaud and cheer him while he whines and loafs around,
And they never seem to notice that his pants are mostly sound;
But, of course, he cannot help it, for our mirth would mock his care,
If the ceiling of his trousers showed the patches of repair.

You are none the less a hero if you elevate your chin
When you feel the pavement wearing through the leather, sock, and skin;
You are rather more heroic than are ordinary folk
If you scorn to fish for pity under cover of a joke;
You will face the doubtful glances of the people that you know;
But -- of course, you're bound to face them when your pants begin to go.

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Riding Round the Lines

Dust and smoke against the sunrise out where grim disaster lurks
And a broken sky-line looming like unfinished railway works,
And a trot, trot, trot and canter down inside the belt of mines:
It is General Greybeard Shrapnel who is riding round his lines.

And the scarecrows from the trenches, haggard eyes and hollow cheeks,
War-stained uniforms and ragged that have not been off for weeks;
They salute him and they cheer him and they watch his face for signs;
Ah! they try to read old Greybeard while he’s riding round the lines.

There’s a crack, crack, crack and rattle; there’s a thud and there’s a crash;
In the battery over yonder there is something gone to smash,
Then a hush and sudden movement, and its meaning he divines,
And he patches up a blunder while he’s riding round his lines.

Pushing this position forward, bringing that position back,
While his officers, with orders, ride like hell down hell’s own track;
Making hay—and to what purpose?—while his sun of winter shines,
But his work is just beginning when he’s ridden round his lines.

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The Ghost

Down the street as I was drifting with the city's human tide,
Came a ghost, and for a moment walked in silence by my side --
Now my heart was hard and bitter, and a bitter spirit he,
So I felt no great aversion to his ghostly company.
Said the Shade: `At finer feelings let your lip in scorn be curled,
`Self and Pelf', my friend, has ever been the motto for the world.'

And he said: `If you'd be happy, you must clip your fancy's wings,
Stretch your conscience at the edges to the size of earthly things;
Never fight another's battle, for a friend can never know
When he'll gladly fly for succour to the bosom of the foe.
At the power of truth and friendship let your lip in scorn be curled --
`Self and Pelf', my friend, remember, is the motto of the world.

`Where Society is mighty, always truckle to her rule;
Never send an `i' undotted to the teacher of a school;
Only fight a wrong or falsehood when the crowd is at your back,
And, till Charity repay you, shut the purse, and let her pack;
At the fools who would do other let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.

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