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Henry Lawson

For all the Land to See: A Song of the Tools

THE CROSS-CUT and the crowbar cross, and hang them on the wall,
And make a greenhide rack to fit the wedges and the maul,
The “done” long-handled shovel and the thong-bound axe that fell,
The crowbar, pick-axe and the “throw”—the axe that morticed well.
The old patched tent and “fly”, bag bunk and pillow of sugee,
The frying-pan and billy-can, for all the land to see.

The cross-cut, after pounds of files, is narrowed down and thin,
With here and there a tooth cut out as th’ curve straightened in,
The axe close to the iron ground, the shovel to the shaft,
The handle from the first worn smooth with sweat and dust and graft.
The maul and wedges burred and split, spell bravest history—
These were the arms our fathers bore, for none but they to see.

Then look you round on all that is, on cities proud and fair,
And look you westward from the range—towns, farms and homesteads there.
Then hurry to a place you know lest you should be too late,
And clear the scrub some little space—small place, say—three-by eight.
A blackened post stump stands where four rough panels used to be
And there take off your panama where none but God might see.

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Spread the Truth!

BRAVE the anger of the wealthy! Scorn their bitter lying spite!
Tell the Truth in simple language, when you know that you are right!
And they’ll read it by the slush-lamps in the station huts at night,

I have seen the People’s triumph in the visions of my dreams;
It as pictured by the campfires down the lonely western streams,
And the teamsters talk about it as they tramp beside their teams.

Write the Truth in simple language, and you shall not write in vain!
Sing a ringing song of freedom, and you’ll hear the same refrain
Where the drovers ride together far across the western plain.

Write of wrongs that you are hating with the grand old burning hate!
For the lonely digger reads it when the western day is late,
And he marks it in the paper he is sending to his mate.

Spread the Truth in simple language when you feel it in your breast!
It will reach the far selections in the wild Australian west,
Where the bushmen yarn together on a sunny day of rest.

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Watching The Crows

A bushman got lost in a scrub in the North,
And all the long morning the searchers went forth.
They swore at the rain that had washed out the tracks
And left not a trace for the eyes of the blacks;
But, trusting the signs that the blackfellow knows,
A quiet old darkey stood watching the crows.

The solemn old blackman stood silently by;
He stood like a statue, his face to the sky.
Black Billy was out of the bearings—we thought—
If he looked above for the bushman we sought;
For we rather suspected the spirit would go
In—well, quite another direction, you know.

Most bushmen on solemn occasions will joke,
And unto Black Bill ’twas the super who spoke.
He asked, as he cocked his red nose in the air—
“You think it old Harrison sit down up there?”
“I’m watching the crows. Where the white man lies dead
The crows will fly over,” the blackfellow said.

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The Things We Dare Not Tell

The fields are fair in autumn yet, and the sun's still shining there,
But we bow our heads and we brood and fret, because of the masks we wear;
Or we nod and smile the social while, and we say we're doing well,
But we break our hearts, oh, we break our hearts! for the things we must not tell.

There's the old love wronged ere the new was won, there's the light of long ago;
There's the cruel lie that we suffer for, and the public must not know.
So we go through life with a ghastly mask, and we're doing fairly well,
While they break our hearts, oh, they kill our hearts! do the things we must not tell.

We see but pride in a selfish breast, while a heart is breaking there;
Oh, the world would be such a kindly world if all men's hearts lay bare!
We live and share the living lie, we are doing very well,
While they eat our hearts as the years go by, do the things we dare not tell.

We bow us down to a dusty shrine, or a temple in the East,
Or we stand and drink to the world-old creed, with the coffins at the feast;
We fight it down, and we live it down, or we bear it bravely well,
But the best men die of a broken heart for the things they cannot tell.

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To-Morrow

When you’re suffering hard for your sins, old man,
When you wake to trouble and sleep ill—
Oh, this is the clack of the middle class,
‘Win back the respect of the people!’
You are weak, you’re a fool, or a drunken brute
When you’re deep in trouble and sorrow;
But walk down the street in a decent suit,
And their hats will be off to-morrow! Old Chap—
And their hats will be off to-morrow!
They cant and they cackle—‘Redeem the Past!’
Who never had past worth redeeming:
Your soul seems dead, but you’ll find at last
That somewhere your soul lay dreaming.
You may stagger down-hill in a beer-stained coat,
You may loaf, you may cadge and borrow—
But walk down the street with a ten-pound note
And their hats will be off to-morrow! Old Man—
Yes, their hats will be off to-morrow!

But stick to it, man! for your old self’s sake,

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Stand by the Engines

On the moonlighted decks there are children at play,
While smoothly the steamer is holding her way;
And the old folks are chatting on deck-seats and chairs,
And the lads and the lassies go strolling in pairs.

Some gaze half-entranced on the beautiful sea,
And wonder perhaps if a vision it be:
And surely their journeys no sorrow nor care,
For wealth, love, and beauty are passengers there.

But down underneath, ’mid the coal dust that smears
The face and the hands, work the ship’s engineers.
Whate’er be the duty of others, ’tis theirs
To stand by their engines whatever occurs.

The sailor may gaze on the sea and the sky;
The sailor may tell when the danger is nigh;
But when Death his black head o’er the waters uprears,
Unseen he is met by the ship’s engineers.

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Genoa

A long farewell to Genoa
That rises to the skies,
Where the barren coast of Italy
Like our own coastline lies.
A sad farewell to Genoa,
And long my heart shall grieve,
The only city in the world
That I was loath to leave.

No sign of rush or strife is there,
No war of greed they wage.
The deep cool streets of Genoa
Are rock-like in their age.
No garish signs of commerce there
Are flaunting in the sun.
A rag hung from a balcony
Is by an artist done.

And she was fair in Genoa,
And she was very kind,

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Wide Spaces

When my last long-beer has vanished and the truth is left unsaid;
When each sordid care is banished from my chair and from my bed,
And my common people sadly murmur: " 'Arry Lawson dead,"

When the man I was denounces all the things that I was not,
When the true souls stand like granite, while the souls of liars not –
When the quids I gave are counted, and the trays I cadged forgot;

Shall my spirit see the country that it wrote for once again?
Shall it see the old selections, and the common street and lane?
Shall it pass across the Black Soil and across the Red Soil Plain?

Shall it see the gaunt Bushwoman "slave until she's fit to drop",
For the distant trip to Sydney, all depending on the crop?
Or the twinkling legs of kiddies, running to the lollie-shop?

Shall my spirit see the failures battling west and fighting here?
Shall it see the darkened shanty, or the bar-room dull and drear?
Shall it whisper to the landlord to give Bummer Smith a beer?

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The Old Mile-Tree

OLD coach-road West by Nor’-ward—
Old mile-tree by the track:
A dead branch pointing forward,
And a dead branch pointing back.
And still in clear-cut romans
On his hard heart he tells
The miles that were to fortune,
The miles from Bowenfels.
Old chief of Western timber!
A famous gum you’ve been.
Old mile-tree, I remember
When all your boughs were green.

There came three boyish lovers
When golden days begun;
There rode three boyish rovers
Towards the setting sun.
And Fortune smiled her fairest
And Fate to these was kind—
The truest, best and rarest,

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In The Day's When We Are Dead

Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).

We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.

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