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Henry Lawson

The Imported Servant

The Blue Sky arches o’er mountain and valley,
The scene is as fair as a scene can be,
But I’m breaking my heart for a London alley,
And fogs that shall never come back to me.
I choke with tears when the day is dying—
The sunsets grand and the stars are bright;
But it’s O! for the smell of the fried fish frying
By the flaring stalls on a Saturday night.
And this, oh, this is the lonely sequel
Of all I pictured would come to pass!
They are treating me here as a friend and equal,
But they’d say in London that they’re no class.
When I think of their kindness my tears flow faster—
The girls are free and the chaps are grand:
It’s “the boss” and “the missus” for mistress and master,
And they may be right—But I don’t understand.

I see the air in its warm pulsation
On sandstone cliffs where the ocean dips,
But I’m miles and miles from the railway station

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The Emigration to New Zealand

I’ve just received a letter from a chum in Maoriland,
He’s working down in Auckland where he days he’s doing grand,
The climate’s cooler there, but hearts are warmer, says my chum,
He sends the passage money, and he says I’d better come.
(I’d like to see his face again, I’d like to grip his hand),
He says he’s sure that I’ll get on first-rate in Maoriland.

An’ tho’ he makes the best of things (it always was his style),
You mostly get on better in a new land for a while,
An’ when I see the fading line of my own native shore,
I’ll let it fade, and never want to see it anymore.
I’m tire of Sydney pavements, and the Western scrub and sand,
I’d rather fight my troubles for a change in Maoriland.

I’m off to make inquiries as to when the next boat sails,
I’m sick of all these colonies, but most of New South Wales,
An’ if you meet a friend of mine who wants to find my track,
Say you, “He’s gone to Maoriland, and isn’t coming back”.
An’ should it be the landlord or the rates, you understand,
Just say you’ll find him somewhere knocking round in Maoriland.

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Will Yer Write It Down for Me?

In the parlour of the shanty where the lives have all gone wrong,
When a singer or reciter gives a story or a song,
Where the poet’s heart is speaking to their hearts in every line,
Till the hardest curse and blubber at the thoughts of Auld Lang Syne;
Then a boozer lurches forward with an oath for all disguise—
Prayers and curses in his soul, and tears and liquor in his eyes—
Grasps the singer or reciter with a death-grip by the hand:
‘That’s the truth, bloke! Sling it at ’em! Oh! Gorbli’me, that was grand!
‘Don’t mind me; I’ve got ’em. You know! What’s yer name, bloke! Don’t yer see?
‘Who’s the bloke what wrote the po’try? Will yer write it down fer me?’

And the backblocks’ bard goes through it, ever seeking as he goes
For the line of least resistance to the hearts of men he knows;
And he tracks their hearts in mateship, and he tracks them out alone—
Seeking for the power to sway them, till he finds it in his own,
Feels what they feel, loves what they love, learns to hate what they condemn,
Takes his pen in tears and triumph, and he writes it down for them.

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John Cornstalk

Jack Cornstalk lives in the Southern Land—
What says Cornstalk John?
Jack Cornstalk says in a loud firm voice:
“Land of the South, lead on.”

CHORUS:
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

John Bull lays claim to the Southern Land.
Jack, is the South Land thine?
John Cornstalk cries in a loud, firm voice:
“The Land of the South is mine!”

Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

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Andy's Return

With pannikins all rusty,
And billy burnt and black,
And clothes all torn and dusty,
That scarcely hide his back;
With sun-cracked saddle-leather,
And knotted greenhide rein,
And face burnt brown with weather,
Our Andy’s home again!
His unkempt hair is faded
With sleeping in the wet,
He’s looking old and jaded;
But he is hearty yet.
With eyes sunk in their sockets—
But merry as of yore;
With big cheques in his pockets,
Our Andy’s home once more!

Old Uncle’s bright and cheerful;
He wears a smiling face;
And Aunty’s never tearful

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Write by Return

Clerk, corresponding,
“Rooster and Comb”,
Here I sit idle
“Thinking of home”;
I must be grafting—
Living to earn,
More correspondence,
“Write by return.”

Clerk in employ of
“Shoddy and Woods”,
Thinks that we have not
Forwarded goods.
Parcel we sent them—
Missing, I learn,
Says in his postscript:
“Write by return.”

Here is another
Letter from Bland—

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The Song of the Waste-Paper Basket

O BARD of fortune, you deem me nought
But a mark for your careless scorn.
For I am the echo-less grave of thought
That is strangled before it’s born.
You think perchance that I am a doom
Which only a dunce should dread—
Nor dream I’ve been the dishonoured tomb
Of the noblest and brightest dead.

The brightest fancies that e’er can fly
From the labouring minds of men
Are often written in lines awry,
And marred by a blundering pen;
And thus it comes that I gain a part
Of what to the world is loss—
Of genius lost for the want of art,
Of pearls that are set in dross.

And though I am of a lowly birth
My fame has been cheaply bought,

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Grace Jennings Carmicheal

I hate the pen, the foolscap fair,
The poet’s corner, and the page,
For Grief and Death are written there,
In every land and every age.
The poets sing and play their parts,
Their daring cheers, their humour shines,
But, ah! my friends! their broken hearts
Have writ in blood between the lines.
They fought to build a Commonwealth,
They write for women and for men,
They give their youth, we give their health
And never prostitute the pen.
Their work in other tongues is read,
And when sad years wear out the pen,
Then they may seek their happy dead
Or go and starve in exile then.

A grudging meed of praise you give,
Or, your excuse, the ready lie—
(O! God, you don’t know how they live!

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The Wreck Of The `Derry Castle

Day of ending for beginnings!
Ocean hath another innings,
Ocean hath another score;
And the surges sing his winnings,
And the surges shout his winnings,
And the surges shriek his winnings,
All along the sullen shore.

Sing another dirge in wailing,
For another vessel sailing
With the shadow-ships at sea;
Shadow-ships for ever sinking --
Shadow-ships whose pumps are clinking,
And whose thirsty holds are drinking
Pledges to Eternity.

Pray for souls of ghastly, sodden
Corpses, floating round untrodden
Cliffs, where nought but sea-drift strays;
Souls of dead men, in whose faces

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On the Summit of Mt. Clarence

On the summit of Mount Clarence rotting slowly in the air
Stands a tall and naked flagstaff, relic of the Russian scare—
Russian scare that scares no longer, for the cry is “All is well”—
Yet the flagstaff still is standing like a lonely sentinel.
And it watches through the seasons—winter’s cold and summer’s heat,
Watches seaward, watches ever for the phantom Russian fleet.

In a cave among the ridges, where the scrub is tall and thick
With no human being near him dwells a wretched lunatic:
On Mount Clarence in the morning he will fix his burning eyes,
And he scans the sea and watches for the signal flag to rise;
In his ears the roar of cannon and the sound of battle drums
While he cleans his gun and watches for the foe that never comes.

And they say, at dreary nightfall, when the storms are howling round
Comes a phantom ship to anchor in the waters of the “Sound”,
And the lunatic who sees it wakes the landscape with his whoops,
Loads his gun and marches seaward at the head of airy troops—
To the summit of Mount Clarence leads them on with martial tread,
Fires his gun and sends the Russians to the mustering of the dead.

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