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Edgar Lee Masters

Adam Weirauch

I was crushed between Altgeld and Armour.
I lost many friends, much time and money
Fighting for Altgeld whom Editor Whedon
Denounced as the candidate of gamblers and anarchists.
Then Armour started to ship dressed meat to Spoon River,
Forcing me to shut down my slaughter-house,
And my butcher shop went all to pieces.
The new forces of Altgeld and Armour caught me
At the same time.
I thought it due me, to recoup the money I lost
And to make good the friends that left me,
For the Governor to appoint me Canal Commissioner.
Instead he appointed Whedon of the Spoon River Argus,
So I ran for the legislature and was elected.
I said to hell with principle and sold my vote
On Charles T. Yerkes' street-car franchise.
Of course I was one of the fellows they caught.
Who was it, Armour, Altgeld or myself
That ruined me?

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Daisy Fraser

Did you ever hear of Editor Whedon
Giving to the public treasury any of the money he received
For supporting candidated for office?
Or for writing up the canning factory
To get people to invest?
Or for suppressing the facts about the bank,
When it was rotten and ready to break?
Did you ever hear of the Circuit Judge
Helping anyone except the "Q" railroad,
Or the bankers? Or did Rev. Peet or Rev. Sibley
Give any part of their salary, earned by keeping still,
Or speaking out as the leaders wished them to do,
To the building of the water works?
But I -- Daisy Fraser who always passed
Along the street through rows of nods and smiles,
And coughs and words such as "there she goes."
Never was taken before Justice Arnett
Without contributing ten dollars and costs
To the school fund of Spoon River!

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Joseph Dixon

Who carved this shattered harp on my stone?
I died to you, no doubt. But how many harps and pianos
Wired I and tightened and disentangled for you,
Making them sweet again -- with tuning fork or without?
Oh well! A harp leaps out of the ear of a man, you say,
But whence the ear that orders the length of the strings
To a magic of numbers flying before your thought
Through a door that closes against your breathless wonder?
Is there no Ear round the ear of a man, that it senses
Through strings and columns of air the soul of sound?
I thrill as I call it a tuning fork that catches
The waves of mingled music and light from afar,
The antennae of Thought that listens through utmost space.
Surely the concord that ruled my spirit is proof
Of an Ear that tuned me, able to tune me over
And use me again if I am worthy to use.

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Archibald Higbie

I loathed you, Spoon River. I tried to rise above you,
I was ashamed of you. I despised you
As the place of my nativity.
And there in Rome, among the artists,
Speaking Italian, speaking French,
I seemed to myself at times to be free
Of every trace of my origin.
I seemed to be reaching the heights of art
And to breathe the air that the masters breathed,
And to see the world with their eyes.
But still they'd pass my work and say:
"What are you driving at, my friend?
Sometimes the face looks like Apollo's
At others it has a trace of Lincoln's."
There was no culture, you know, in Spoon River,
And I burned with shame and held my peace.
And what could I do, all covered over
And weighted down with western soil,
Except aspire, and pray for another
Birth in the world, with all of Spoon River

[...] Read more

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Jacob Goodpasture

When Fort Sumter fell and the war came
I cried out in bitterness of soul:
"O glorious republic now no more!"
When they buried my soldier son
To the call of trumpets and the sound of drums
My heart broke beneath the weight
Of eighty years, and I cried:
"Oh, son who died in a cause unjust!
In the strife of Freedom slain!"
And I crept here under the grass.
And now from the battlements of time, behold:
Thrice thirty million souls being bound together
In the love of larger truth,
Rapt in the expectation of the birth
Of a new Beauty,
Sprung from Brotherhood and Wisdom.
I with eyes of spirit see the Transfiguration
Before you see it.
But ye infinite brood of golden eagles nesting ever higher,
Wheeling ever higher, the sun-light wooing

[...] Read more

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Ippolit Konovaloff

I was a gun-smith in Odessa.
One night the police broke in the room
Where a group of us were reading Spencer.
And seized our books and arrested us.
But I escaped and came to New York
And thence to Chicago, and then to Spoon River,
Where I could study my Kant in peace
And eke out a living repairing guns!
Look at my moulds! My architectonics!
One for a barrel, one for a hammer,
And others for other parts of a gun!
Well, now suppose no gun-smith living
Had anything else but duplicate moulds
Of these I show you -- well, all guns
Would be just alike, with a hammer to hit
The cap and a barrel to carry the shot,
All acting alike for themselves, and all
Acting against each other alike.
And there would be your world of guns!
Which nothing could ever free from itself

[...] Read more

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Lilian Stewart

I was the daughter of Lambert Hutchins,
Born in a cottage near the grist-mill,
Reared in the mansion there on the hill,
With its spires, bay-windows, and roof of slate.
How proud my mother was of the mansion!
How proud of father's rise in the world!
And how my father loved and watched us,
And guarded our happiness.
But I believe the house was a curse,
For father's fortune was little beside it;
And when my husband found he had married
A girl who was really poor,
He taunted me with the spires,
And called the house a fraud on the world,
A treacherous lure to young men, raising hopes
Of a dowry not to be had;
And a man while selling his vote
Should get enough from the people's betrayal
To wall the whole of his family in.
He vexed my life till I went back home

[...] Read more

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Felix Schmidt

It was only a little house of two rooms --
Almost like a child's play-house --
With scarce five acres of ground around it;
And I had so many children to feed
And school and clothe, and a wife who was sick
From bearing children.
One day lawyer Whitney came along
And proved to me that Christian Dallman,
Who owned three thousand acres of land,
Had bought the eighty that adjoined me
In eighteen hundred and seventy-one
For eleven dollars, at a sale for taxes,
While my father lay in his mortal illness.
So the quarrel arose and I went to law.
But when we came to the proof,
A survey of the land showed clear as day
That Dallman's tax deed covered my ground
And my little house of two rooms.
It served me right for stirring him up.
I lost my case and lost my place.

[...] Read more

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Jim Brown

While I was handling Dom Pedro
I got at the thing that divides the race between men who are
For singing "Turkey in the straw" or "There is a fountain filled with blood" --
(Like Rile Potter used to sing it over at Concord);
For cards, or for Rev. Peet's lecture on the holy land;
For skipping the light fantastic, or passing the plate;
For Pinafore, or a Sunday school cantata;
For men, or for money;
For the people or against them.
This was it:
Rev. Peet and the Social Purity Club,
Headed by Ben Pantier's wife,
Went to the Village trustees,
And asked them to make me take Dom Pedro
From the barn of Wash McNeely, there at the edge of town,
To a barn outside of the corporation,
On the ground that it corrupted public morals.
Well, Ben Pantier and Fiddler Jones saved the day --
They thought it a slam on colts.

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Henry C. Calhoun

I reached the highest place in Spoon River,
But through what bitterness of spirit!
The face of my father, sitting speechless,
Child-like, watching his canaries,
And looking at the court-house window
Of the county judge's room,
And his admonitions to me to seek
My own in life, and punish Spoon River
To avenge the wrong the people did him,
Filled me with furious energy
To seek for wealth and seek for power.
But what did he do but send me along
The path that leads to the grove of the Furies?
I followed the path and I tell you this:
On the way to the grove you'll pass the Fates,
Shadow-eyed, bent over their weaving.
Stop for a moment, and if you see
The thread of revenge leap out of the shuttle,
Then quickly snatch from Atropos
The shears and cut it, lest your sons,

[...] Read more

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