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Dennis Farina

I have a home in Arizona. I go a couple months a year, but basically Chicago is my home.

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You can't act for the editing. You just go in and do the scene the way you think is right.

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Vince or Brad or Benicio would say, Maybe we should try this, and Guy was open to changes.

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I've tried writing. Two days later I'd go visit it and say, Jesus Christ, who wrote this crap?

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Do whatever you're directed to do, and leave the rest of that technical stuff up to the director.

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What you do as a policeman might be the right thing to do, but it's not entertaining. I left that behind me.

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I learned a long time ago: You're in the entertainment business. You're not in the reality business. One has absolutely nothing to do with the other.

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This is my first experience working in a foreign movie, but the mechanics, I think, are pretty much the same all over; you still have to wait in the trailer.

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When I was a kid going to the movies, we'd go because Bogart was in the movie, or Cagney, or John Wayne. We didn't know what the story was about or anything.

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I read the script and try not to bring anything personal into it. I make notes, talk to the director and we decide what kinds of shades should be in the character.

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