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Dante Gabriel Rossetti

The Lady’s Lament

Never happy any more!
Aye, turn the saying o'er and o'er,
It says but what it said before,
And heart and life are just as sore.
The wet leaves blow aslant the floor
In the rain through the open door.
No, no more.
Never happy any more!
The eyes are weary and give o'er,
But still the soul weeps as before.
And always must each one deplore
Each once, nor bear what others bore?
This is now as it was of yore.
No, no more.
Never happy any more!
Is it not but a sorry lore
That says, “Take strength, the worst is o'er”?
Shall the stars seem as heretofore?
The day wears on more and more—
While I was weeping the day wore.

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Youth And Lordship

MY young lord's the lover
Of earth and sky above,
Of youth's sway and youth's play,
Of songs and flowers and love.
Yet for love's desire
Green youth lacks the daring;
Though one dream of fire,
All his hours ensnaring,
Burns the boy past bearing—
The dream that girls inspire.
My young lord's the lover
Of every burning thought
That Love's will, that Love's skill
Within his breast has wrought.
Lovely girl, look on him
Soft as music's measure;
Yield him, when you've won him,
Joys and toys at pleasure;
But to win your treasure,
Softly look upon him.

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Sunset Wings

TO-NIGHT this sunset spreads two golden wings
Cleaving the western sky;
Winged too with wind it is, and winnowings
Of birds; as if the day's last hour in rings
Of strenuous flight must die.
Sun-steeped in fire, the homeward pinions sway
Above the dovecote-tops;
And clouds of starlings, ere they rest with day,
Sink, clamorous like mill-waters, at wild play,
By turns in every copse:
Each tree heart-deep the wrangling rout receives,—
Save for the whirr within,
You could not tell the starlings from the leaves;
Then one great puff of wings, and the swarm heaves
Away with all its din.
Even thus Hope's hours, in ever-eddying flight,
To many a refuge tend;
With the first light she laughed, and the last light
Glows round her still; who natheless in the night
At length must make an end.

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Antwerp To Ghent

We are upon the Scheldt. We know we move
Because there is a floating at our eyes
Whatso they seek; and because all the things
Which on our outset were distinct and large
Are smaller and much weaker and quite grey,
And at last gone from us. No motion else.
We are upon the road. The thin swift moon
Runs with the running clouds that are the sky,
And with the running water runs—at whiles
Weak 'neath the film and heavy growth of reeds.
The country swims with motion. Time itself
Is consciously beside us, and perceived.
Our speed is such the sparks our engine leaves
Are burning after the whole train has passed.
The darkness is a tumult. We tear on,
The roll behind us and the cry before,
Constantly, in a lull of intense speed
And thunder. Any other sound is known
Merely by sight. The shrubs, the trees your eye
Scans for their growth, are far along in haze.

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The Orchard-Pit

The Orchard-Pit
Piled deep below the screening apple-branch
They lie with bitter apples in their hands:
And some are only ancient bones that blanch,
And some had ships that last year's wind did launch,
And some were yesterday the lords of lands.

In the soft dell, among the apple-trees,
High up above the hidden pit she stands,
And there for ever sings, who gave to these,
That lie below, her magic hour of ease,
And those her apples holden in their hands.

This in my dreams is shown me; and her hair
Crosses my lips and draws my burning breath;
Her song spreads golden wings upon the air,
Life's eyes are gleaming from her forehead fair,
And from her breasts the ravishing eyes of Death.

Men say to me that sleep hath many dreams,

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Proserpina

LUNGI è la luce che in sù questo muro
Rifrange appena, un breve istante scorta
Del rio palazzo alla soprana porta.
Lungi quei fiori d'Enna, O lido oscuro,
Dal frutto tuo fatal che omai m'è duro.
Lungi quel cielo dal tartareo manto
Che quì mi cuopre: e lungì ahi lungi ahi quanto
Le notti che saran dai dì che furo.
Lungi da me mi sento; e ognor sognando
Cerco e ricerco, e resto ascoltatrice;
E qualche cuore a qualche anima dice,
(Di cui mi giunge il suon da quando in quando.
Continuamente insieme sospirando,)—
“Oimè per te, Proserpina infelice!”


AFAR away the light that brings cold cheer
Unto this wall,—one instant and no more
Admitted at my distant palace-door.
Afar the flowers of Enna from this drear

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World's Worth

'TIS of the Father Hilary.
He strove, but could not pray; so took
The steep-coiled stair, where his feet shook
A sad blind echo. Ever up
He toiled. 'Twas a sick sway of air
That autumn noon within the stair,
As dizzy as a turning cup.
His brain benumbed him, void and thin;
He shut his eyes and felt it spin;
The obscure deafness hemmed him in.
He said: “O world, what world for me?”
He leaned unto the balcony
Where the chime keeps the night and day;
It hurt his brain, he could not pray.
He had his face upon the stone:
Deep 'twixt the narrow shafts, his eye
Passed all the roofs to the stark sky,
Swept with no wing, with wind alone.
Close to his feet the sky did shake
With wind in pools that the rains make;

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Venus Verticordia (For a Picture)

SHE hath the apple in her hand for thee,
Yet almost in her heart would hold it back;
She muses, with her eyes upon the track
Of that which in thy spirit they can see.
Haply, “Behold, he is at peace,” saith she;
“Alas! the apple for his lips,—the dart
That follows its brief sweetness to his heart,—
The wandering of his feet perpetually!”
A little space her glance is still and coy;
But if she give the fruit that works her spell,
Those eyes shall flame as for her Phrygian boy.
Then shall her bird's strained throat the woe foretell,
And her far seas moan as a single shell,
Pandora (For a Picture)
WHAT of the end, Pandora? Was it thine,
The deed that set these fiery pinions free?
Ah! wherefore did the Olympian consistory
In its own likeness make thee half divine?
Was it that Juno's brow might stand a sign
For ever? and the mien of Pallas be

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The Church-Porches

I
(To M.F.R.)
SISTER, first shake we off the dust we have
Upon our feet, lest it defile the stones
Inscriptured, covering their sacred bones
Who lie i' the aisles which keep the names they gave,
Their trust abiding round them in the grave;
Whom painters paint for visible orisons,
And to whom sculptors pray in stone and bronze;
Their voices echo still like a spent wave.
Without here, the church-bells are but a tune,
And on the carven church-door this hot noon
Lays all its heavy sunshine here without:
But having entered in, we shall find there
Silence, and sudden dimness, and deep prayer,
And faces of crowned angels all about.
II
(To C.G.R.)

SISTER, arise: We have no more to sing

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Sonnets XCIX: C: Newborn Death

I
To-day Death seems to me an infant child
Which her worn mother Life upon my knee
Has set to grow my friend and play with me;
If haply so my heart might be beguil'd
To find no terrors in a face so mild,—
If haply so my weary heart might be
Unto the newborn milky eyes of thee,
O Death, before resentment reconcil'd.
How long, O Death? And shall thy feet depart
Still a young child's with mine, or wilt thou stand
Fullgrown the helpful daughter of my heart,
What time with thee indeed I reach the strand
Of the pale wave which knows thee what thou art,
And drink it in the hollow of thy hand?
II
And thou, O Life, the lady of all bliss,
With whom, when our first heart beat full and fast,
I wandered till the haunts of men were pass'd,
And in fair places found all bowers amiss

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