A Great Procession of Priests and Laymen
A procession of priests and laymen—
each walk of life represented—
moves through streets, squares, and gates
of the famous city, Antioch.
At the head of this imposing procession
a handsome white-clad boy
carries the Cross, his arms raised—
our strength and hope, the holy Cross.
The pagans, lately so full of arrogance,
now reticent and cowardly,
quickly slink away from the procession.
Let them keep their distance, always keep their distance from us
(as long as they do not renounce their errors).
The holy Cross goes forward; it brings joy and consolation
to every quarter where Christians live;
and these God-fearing people, elated,
stand in their doorways and greet it reverently,
the strength, the salvation of the universe, the Cross.
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poem by Constantine P. Cavafy
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Sculptor of Tyana
As you'll have heard, I'm no beginner.
I've handled a lot of stone in my time,
and in my own country, Tyana, I'm really quite famous.
Actually, a number of senators here
have also commissioned works of mine.
Let me show you
a few of them. Notice this Rhea:
reverential, all fortitude, most primitive.
Notice Pompey. And Marius here,
and Paulus Aemilius, and Scipio Africanus.
The likeness as close as I could make it.
And Patroklos (I still have to touch him up a bit).
Near those pieces of yellowish marble there
stands Kaisarion.
And for some time now I've been busy
working on a Poseidon. I'm studying
his horses in particular: how to shape them exactly.
They have to be made so light
that it's clear their bodies, their legs,
aren't touching the earth but galloping over water.
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poem by Constantine P. Cavafy
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A Young Poet In His 24th Year
Brain, work now as well as you can.
A one-sided passion is destroying him.
He's in a maddening situation.
Every day he kisses the face he worships,
his hands are on those exquisite limbs.
He's never loved before with this degree of passion.
But the beautiful fulfillment of love
is lacking, that fulfillment is lacking
which both of them must want with the same intensity.
(They aren't equally given to the abnormal form of sensual pleasure;
only he is completely possessed by it.)
And so he's wearing himself out, all on edge.
Then—to make things worse—he's out of work.
He manages somehow to borrow
a little here and there (sometimes
almost begging for it) and he just gets by.
He kisses those adored lips, excites himself
on that exquisite body—though he now feels
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poem by Constantine P. Cavafy
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From The School Of The Renowned Philosopher
For two years he studied with Ammonios Sakkas,
but he was bored by both philosophy and Sakkas.
Then he went into politics.
But he gave that up. That Prefect was an idiot,
and those around him, somber-faced officious nitwits:
their Greek—poor fools—absolutely barbaric.
After that he became
vaguely curious about the Church: to be baptized
and pass as a Christian. But he soon
changed his mind: it would certainly have caused a row
with his parents, ostentatious pagans,
and—horrible thought—
they would have cut off at once
their extremely generous allowance.
But he had to do something. He began to haunt
the corrupt houses of Alexandria,
every secret den of debauchery.
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poem by Constantine P. Cavafy
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A Prince from Western Libya
Aristomenis, son of Menelaos,
the Prince from Western Libya,
was generally liked in Alexandria
during the ten days he spent there.
As his name, his dress, modest, was also Greek.
He received honors gladly,
but he did not solicit them; he was unassuming.
He bought Greek books,
especially history and philosophy.
Above all he was a man of few words.
It got around that he must be a profound thinker,
and men like that naturally don't speak very much.
He was neither a profound thinker nor anything else—
just a piddling, laughable man.
He assumed a Greek name, dressed like the Greeks,
learned to behave more or less like a Greek;
and all the time he was terrified he would spoil
his reasonably good image
by coming out with barbaric howlers in Greek
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poem by Constantine P. Cavafy
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When the Watchman Saw the Light
Winter, summer, the watchman sat there looking out
from the roof of Atreus' palace.
Now he has good news to report. He's seen the fire light up
in the distance and he's happy; besides, the drudgery's over now:
it's hard to sit there night and day in heat and cold,
waiting for a fire to show
on the peak of Arachnaion.
Now the longed-for signal has appeared. Yet when happiness comes
it brings less joy than one expected.
But at least we've gained this much: we've rid ourselves
of hope and expectation. Many things will happen
to the house of Atreus: no need to be wise
to guess this now the watchman has seen the light.
So let's not exaggerate.
The light is good; and those coming are good,
their words and actions also good.
And let's hope all goes well.
But Argos can do without the house of Atreus.
Ancient houses are not eternal.
Of course many people will have much to say.
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poem by Constantine P. Cavafy
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Philhellene
Make sure the engraving is done skillfully.
The expression serious, majestic.
The diadem preferably somewhat narrow:
I don't like that broad kind the Parthians wear.
The inscription, as usual, in Greek:
nothing excessive, nothing pompous—
we don't want the proconsul to take it the wrong way:
he's always nosing things out and reporting back to Rome—
but of course giving me due honor.
Something very special on the other side:
some discus-thrower, young, good-looking.
Above all I urge you to see to it
(Sithaspis, for God's sake don't let them forget)
that after "King" and "Savior,"
they engrave "Philhellene" in elegant characters.
Now don't try to be clever
with your "where are the Greeks?" and "what things Greek
here behind Zagros, out beyond Phraata?"
Since so many others more barbarian than ourselves
choose to inscribe it, we will inscribe it too.
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poem by Constantine P. Cavafy
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In a Township of Asia Minor
The news about the outcome of the sea-battle at Actium
was of course unexpected.
But there's no need for us to draft a new proclamation.
The name's the only thing that has to be changed.
There, in the concluding lines, instead of: "Having freed the Romans
from Octavius, that disaster,
that parody of a Caesar,"
we'll substitute: "Having freed the Romans
from Antony, that disaster,..."
The whole text fits very nicely.
"To the most glorious victor,
matchless in his military ventures,
prodigious in his political operations,
on whose behalf the township ardently wished
for Antony's triumph,..."
here, as we said, the substitution: "for Octavius Caesar's triumph,
regarding it as Zeus' finest gift—
to this mighty protector of the Greeks,
who graciously honors Greek customs,
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poem by Constantine P. Cavafy
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On the March to Sinopi
Mithridatis, glorious and powerful,
ruler of great cities,
master of strong armies and fleets,
on the march to Sinopi took a route
through a remote part of the country
where a soothsayer lived.
Mithridatis sent one of his officers
to ask the soothsayer how much more wealth,
how much more power, he'd accumulate in the future.
He dispatched one of his officers,
then continued his march to Sinopi.
The soothsayer withdrew into a secret room.
About a half an hour later he came out
troubled, and said to the officer:
"I wasn't able to clarify things very well.
Today is not a propitious day—
there were some murky shadows, I didn't understand them fully—.
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poem by Constantine P. Cavafy
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Exiles
It goes on being Alexandria still. Just walk a bit
along the straight road that ends at the Hippodrome
and you'll see palaces and monuments that will amaze you.
Whatever war-damage it's suffered,
however much smaller it's become,
it's still a wonderful city.
And then, what with excursions and books
and various kinds of study, time does go by.
In the evenings we meet on the sea front,
the five of us (all, naturally, under fictitious names)
and some of the few other Greeks
still left in the city.
Sometimes we discuss church affairs
(the people here seem to lean toward Rome)
and sometimes literature.
The other day we read some lines by Nonnos:
what imagery, what rhythm, what diction and harmony!
All enthusiasm, how we admired the Panopolitan.
So the days go by, and our stay here
isn't unpleasant because, naturally,
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poem by Constantine P. Cavafy
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