The Mirror in the Hall

The rich house had in the hall
An enormous mirror, very old;
Bought at least eighty years ago.

A very handsome boy, assistant at a tailor’s
(On Sundays an amateur athlete),
Was standing there with a parcel. He handed it
To someone of the house, and he took it inside
To fetch the receipt. The tailor’s assistant
Was left alone, and waited.
He went up to the mirror and began to look at himself
And put his tie straight. After five minutes
They brought him the receipt. He took it and went away.

But the old mirror which had seen, and seen,
In the many years it had been
In existence, thousands of things and faces;
The old mirror was glad now
And was proud to have received upon itself
That entire beauty for a few minutes.

poem by Constantine P. Cavafy
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Poseidonians

The Poseidonians forgot the Greek language
after so many centuries of mingling
with Tyrrhenians, Latins, and other foreigners.
The only thing surviving from their ancestors
was a Greek festival, with beautiful rites,
with lyres and flutes, contests and wreaths.
And it was their habit toward the festival's end
to tell each other about their ancient customs
and once again to speak Greek names
that only few of them still recognized.
And so their festival always had a melancholy ending
because they remebered that they too were Greeks,
they too once upon a time were citizens of Magna Graecia;
and how low they'd fallen now, what they'd become,
living and speaking like barbarians,
cut off so disastrously from the Greek way of life.

poem by Constantine P. Cavafy
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The Afternoon Sun

This room, how well I know it.
Now they're renting it, and the one next to it,
as offices. The whole house has become
an office building for agents, businessmen, companies.
This room, how familiar it is.
The couch was here, near the door,
a Turkish carpet in front of it.
Close by, the shelf with two yellow vases.
On the right -no, opposite- a wardrobe with a mirror.
In the middle the table where he wrote,
and the three big wicker chairs.
Beside the window the bed
where we made love so many times.
They must still be around somewhere, those old things.
Beside the window the bed;
the afternoon sun used to touch half of it.
. . . One afternoon at four o'clock we separated
for a week only . . . And then-
that week became forever.

poem by Constantine P. Cavafy
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An Old Man

At the noisy end of the cafe, head bent
over the table, an old man sits alone,
a newspaper in front of him.

And in the miserable banality of old age
he thinks how little he enjoyed the years
when he had strength, eloquence, and looks.

He knows he's aged a lot: he sees it, feels it.
Yet it seems he was young just yesterday.
So brief an interval, so brief.

And he thinks of Prudence, how it fooled him,
how he always believed - what madness -
that cheat who said: "Tomorrow. You have plenty of time."

He remembers impulses bridled, the joy
he sacrificed. Every chance he lost
now mocks his senseless caution.

[...] Read more

poem by Constantine P. Cavafy
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Theodotus

If you are truly one of the select few,
watch how you acquire your power.
However much you are glorified, however much
the cities in Italy and in Thessaly
acclaim your achievements,
however many decrees in your honor
your admirers may have issued in Rome,
neither your joy nor your triumph will last,
nor will you feel like a superior -- what do you mean superior? -- man
when in Alexandria, Theodotus brings you,
upon a bloodstained tray,
the head of the wretched Pompey.

And do not rely on the fact that in your life,
circumscribed, regulated, and prosaic,
there are no such spectacular and terrifying things.
Perhaps at this very hour, Theodotus is entering
the well-appointed house of one of your neighbors --
invisible, bodiless --
carrying such a hideous head.

poem by Constantine P. Cavafy
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In an Old Book

Forgotten between the leaves of an old book—
almost a hundred years old—
I found an unsigned watercolor.
It must have been the work of a powerful artist.
Its title: "Representation of Love."

"...love of extreme sensualists" would have been more to the point.

Because it became clear as you looked at the work
(it was easy to see what the artist had in mind)
that the young man in the painting
was not designated for those
who love in ways that are more or less healthy,
inside the bounds of what is clearly permissible—
with his deep chestnut eyes,
the rare beauty of his face,
the beauty of anomalous charm,
with those ideal lips that bring
sensual delight to the body loved,
those ideal limbs shaped for beds

[...] Read more

poem by Constantine P. Cavafy
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Tomb of Lanis

The Lanis you loved, Markos, isn't here
in this tomb you come to weep by, lingering hours on end.
The Lanis you loved is closer to you
when you're in your room at home and you look at his portrait—
the portrait that still keeps something of what was valuable in him,
something of what it was you used to love.

Remember, Markos, that time you brought in
the famous Kyrenian painter from the Proconsul's palace?
What artistic subtlety he used trying to persuade you both,
the minute he saw your friend,
that he absolutely must do him as Hyacinth.
In that way his portrait would come to be better known.

But your Lanis didn't hire out his beauty like that:
reacting strongly, he told him to portray
neither Hyacinth nor anyone else,
but Lanis, son of Rametichos, an Alexandrian.

poem by Constantine P. Cavafy
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One of Their Gods

When one of them passed through the market place
of Seleucia, toward the hour that night falls
as a tall and perfectly handsome youth,
with the joy of immortality in his eyes,
with his scented black hair,
the passers-by would stare at him
and one would ask the other if he knew him,
and if he were a Greek of Syria, or a stranger. But some,
who watched with greater attention,
would understand and stand aside;
and as he vanished under the arcades,
into the shadows and into the lights of the evening,
heading toward the district that lives
only at night, with orgies and debauchery,
and every sort of drunkenness and lust,
they would ponder which of Them he might be,
and for what suspect enjoyment
he had descended to the streets of Seleucia
from the Venerable, Most Hallowed Halls.

poem by Constantine P. Cavafy
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The Satrapy

What a misfortune, although you are made
for fine and great works
this unjust fate of yours always
denies you encouragement and success;
that base customs should block you;
and pettiness and indifference.
And how terrible the day when you yield
(the day when you give up and yield),
and you leave on foot for Susa,
and you go to the monarch Artaxerxes
who favorably places you in his court,
and offers you satrapies and the like.
And you accept them with despair
these things that you do not want.
Your soul seeks other things, weeps for other things;
the praise of the public and the Sophists,
the hard-won and inestimable Well Done;
the Agora, the Theater, and the Laurels.
How can Artaxerxes give you these,
where will you find these in a satrapy;

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poem by Constantine P. Cavafy
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Since Nine O'Clock

Half past twelve. Time has gone by quickly
since nine o'clock when I lit the lamp
and sat down here. I've been sitting without reading,
without speaking. Completely alone in the house,
whom could I talk to?

Since nine o'clock when I lit the lamp
the shade of my young body
has come to haunt me, to remind me
of shut scented rooms,
of past sensual pleasure - what daring pleasure.
And it's also brought back to me
streets now unrecognizable,
bustling night clubs now closed,
theatres and cafes no longer here.

The shade of my young body
also brought back the things that make us sad:
family grief, separations,
the feelings of my own people, feelings

[...] Read more

poem by Constantine P. Cavafy
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