The House Of Dust: Part 03: 06: Portrait Of One Dead
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
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poem by Conrad Potter Aiken
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The Things
The house in Broad Street, red brick, with nine rooms
the weedgrown graveyard with its rows of tombs
the jail from which imprisoned faces grinned
at stiff palmettos flashing in the wind
the engine-house, with engines, and a tank
in which young alligators swam and stank,
the bell-tower, of red iron, where the bell
gonged of the fires in a tone from hell
magnolia trees with whitehot torch of bud
the yellow river between banks of mud
the tall striped lighthouse like a barber’s pole
snake in the bog and locust in the hole
worn cigarette cards, of white battleships,
or flags, or chorus girls with scarlet lips,
jackstones of copper, peach tree in the yard
splashing ripe peaches on an earth baked hard
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poem by Conrad Potter Aiken
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God’s Acre
In Memory Of. In Fondest Recollection Of.
In Loving Memory Of. In Fond
Remembrance. Died in October. Died at Sea.
Who died at sea? The name of the seaport
Escapes her, gone, blown with the eastwind, over
The tombs and yews, into the apple orchard,
Over the road, where gleams a wagon-top,
And gone. The eastwind gallops up from sea
Bringing salt and gulls. The marsh smell, too,
Strong in September; mud and reeds, the reeds
Rattling like bones.
She shifts the grass-clipper
From right to left hand, clips and clips the grass.
The broken column, carefully broken, on which
The blackbird hen is laughing—in fondest memory.
Burden! Who was this Burden, to be remembered?
Or Potter? The Potter rejected by the Pot.
‘Here lies Josephus Burden, who departed
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poem by Conrad Potter Aiken
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The Dance Of Life
Gracious and lovable and sweet,
She made his jaded pulses beat,
And made the glare of streets grow dim
And life more soft and hushed for him….
Over her shoulder now she smiled
Trustfully to him, like a child,
The while her fingers gayly moved
Alonge these white keys dearly loved,
Making them laugh a jocund measure,
Making them show and sing her pleasure….
A smile that dwelt upon his eyes,
To see what mood might therein rise,-
What point of soft light seen afar
Which might dilate to moon or star….
A smile that for a second space
Brooded wistfully on her face,
Opening soft her spirit's door,
Disclosing depths undreamed before:
Passionate depths of half-seen flame,
Young loveliness despising shame,
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poem by Conrad Potter Aiken
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The House Of Dust: Part 02: 08: The Box With Silver Handles
Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
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poem by Conrad Potter Aiken
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The House Of Dust: Part 02: 10: Sudden Death
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
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poem by Conrad Potter Aiken
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The House Of Dust: Part 03: 11: Conversation: Undertones
What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.
'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .
'One feels so petty!—One feels such—emptiness!—'
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness . . .
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.
'And then these colors . . . but who would dare describe them?
This faint rose-coral pink . . this green—pistachio?—
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poem by Conrad Potter Aiken
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The House Of Dust: Part 02: 06: Adele And Davis
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
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poem by Conrad Potter Aiken
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The House Of Dust: Part 02: 07: Two Lovers: Overtones
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
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poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 05: The Bitter Love-Song
No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . .days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.
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poem by Conrad Potter Aiken
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