Blindness
In a stage-coach, where late I chanced to be,
A little quiet girl my notice caught;
I saw she looked at nothing by the way,
Her mind seemed busy on some childish thought.
I with an old man's courtesy addressed
The child, and called her pretty dark-eyed maid,
And bid her turn those pretty eyes and see
The wide extended prospect. 'Sir,' she said,
'I cannot see the prospect, I am blind.'
Never did tongue of child utter a sound
So mournful, as her words fell on my ear.
Her mother then related how she found
Her child was sightless. On a fine bright day
She saw her lay her needlework aside,
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poem by Charles Lamb
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The Dessert
With the apples and the plums
Little Carolina comes,
At the time of the dessert she
Comes and drops her last new curtsy;
Graceful curtsy, practised o'er
In the nursery before.
What shall we compare her to?
The dessert itself will do.
Like preserves she's kept with care,
Like blanched almonds she is fair,
Soft as down on peach her hair,
And so soft, so smooth is each
Pretty cheek as that same peach,
Yet more like in hue to cherries;
Then her lips, the sweet strawberries,
Caroline herself shall try them
If they are not like when nigh them;
Her bright eyes are black as sloes,
But I think we've none of those
Common fruit here-and her chin
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poem by Charles Lamb
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Eyes
Lucy, what do you espy
In the cast in Jenny's eye
That should you to laughter move?
I far other feelings prove.
When on me she does advance
Her good-natured countenance,
And those eyes which in their way
Saying much, so much would say,
They to me no blemish seem,
Or as none I them esteem;
I their imperfection prize
Above other clearer eyes.
Eyes do not as jewels go
By the brightness and the show,
But the meanings which surround them,
And the sweetness shines around them.
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poem by Charles Lamb
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The Mimic Harlequin
'I'll make believe, and fancy something strange:
I will suppose I have the power to change
And make all things unlike to what they were,
To jump through windows and fly through the air,
And quite confound all places and all times,
Like harlequins we see in pantomimes.
These thread-papers my wooden sword must be,
Nothing more like one I at present see.
And now all round this drawing-room I'll range,
And every thing I look at I will change.
Here's Mopsa, our old cat, shall be a bird;
To a Poll parrot she is now transferred.
Here's mamma's work-bag, now I will engage
To whisk this little bag into a cage;
And now, my pretty parrot, get you in it,
Another change I'll show you in a minute.'
'O fie, you naughty child, what have you done?
There never was so mischievous a son.
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poem by Charles Lamb
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The Reproof
Mamma heard me with scorn and pride
A wretched beggar-boy deride.
'Do you not know,' said I, 'how mean
It is to be thus begging seen?
If for a week I were not fed,
I'm sure I would not beg my bread.'
And then away she saw me stalk
With a most self-important walk.
But meeting her upon the stairs,
All these my consequential airs
Were changed to an entreating look.
'Give me,' said I, 'the pocket-book,
Mamma, you promised I should have.'
The pocket-book to me she gave;
After reproof and counsel sage
She bade me write in the first page
This naughty action all in rhyme;
No food to have until the time,
In writing fair and neatly worded,
The unfeeling fact I had recorded.
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poem by Charles Lamb
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Feigned Courage
Horatio, of ideal courage vain,
Was flourishing in air his father's cane,
And, as the fumes of valour swelled his pate,
Now thought himself this hero, and now that:
'And now,' he cried, 'I will Achilles be;
My sword I brandish; see, the Trojans flee.
Now I'll be Hector, when his angry blade
A lane through heaps of slaughtered Grecians made!
And now by deeds still braver I'll evince
I am no less than Edward the Black Prince.-
Give way, ye coward French-' As thus he spoke,
And aimed in fancy a sufficient stroke
To fix the fate of Cressy or Poictiers
(The Muse relates the hero's fate with tears);
He struck his milk-white hand against a nail,
Sees his own blood, and feels his courage fail.
Ah! where is now that boasted valour flown,
That in the tented field so late was shown!
Achilles weeps, Great Hector hangs the head,
And the Black Prince goes whimpering to bed.
poem by Charles Lamb
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Which Is The Favourite?
Brothers and sisters I have many:
Though I know there is not any
Of them but I love, yet I
Will just name them all; and try
If there be one a little more
Loved by me than all the rest.
Yes; I do think, that I love best
My brother Henry, because he
Has always been most fond of me.
Yet, to be sure, there's Isabel;
I think I love her quite as well.
And, I assure you, little Ann,
No brother nor no sister can
Be more dear to me than she.
Only I must say, Emily,
Being the eldest, it's right her
To all the rest I should prefer.
Yet after all I've said, suppose
My greatest favourite should be Rose.
No, John and Paul are both more dear
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poem by Charles Lamb
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Hypochondriacus
By myself walking,
To myself talking,
When as I ruminate
On my untoward fate,
Scarcely seem I
Alone sufficiently,
Black thoughts continually
Crowding my privacy;
They come unbidden,
Like foes at a wedding,
Thrusting their faces
In better guests' places,
Peevish and malecontent,
Clownish, impertinent,
Dashing the merriment:
So in like fashions
Dim cogitations
Follow and haunt me,
Striving to daunt me,
In my heart festering,
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poem by Charles Lamb
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Choosing A Name
I have got a new-born sister;
I was nigh the first that kissed her.
When the nursing woman brought her
To papa, his infant daughter,
How papa's dear eyes did glisten!-
She will shortly be to christen:
And papa has made the offer,
I shall have the naming of her.
Now I wonder what would please her,
Charlotte, Julia, or Louisa.
Ann and Mary, they're too common;
Joan's too formal for a woman;
Jane's a prettier name beside;
But we had a Jane that died.
They would say, if 'twas Rebecca,
That she was a little Quaker.
Edith's pretty, but that looks
Better in old English books;
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poem by Charles Lamb
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The Confidant
Anna was always full of thought
As if she'd many sorrows known,
Yet mostly her full heart was fraught
With troubles that were not her own;
For the whole school to Anna used to tell
Whatever small misfortunes unto them befell.
And being so by all beloved,
That all into her bosom poured
Their dearest secrets, she was moved
To pity all-her heart a hoard,
Or storehouse, by this means became for all
The sorrows can to girls of tender age befall.
Though individually not much
Distress throughout the school prevailed,
Yet as she shared it all, 'twas such
A weight of woe that her assailed,
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poem by Charles Lamb
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