Cumulatives
Storms have beaten on this point of land
And ships gone to wreck here
and the passers-by remember it
with talk on the deck at night
as they near it.
Fists have beaten on the face of this old prize-fighter
And his battles have held the sporting pages
and on the street they indicate him with their
right fore-finger as one who once wore
a championship belt.
A hundred stories have been published and a thousand rumored
About why this tall dark man has divorced two beautiful
young women
And married a third who resembles the first two
and they shake their heads and say, "There he
goes,"
when he passes by in sunny weather or in rain
along the city streets.
poem by Carl Sandburg
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River Roads
Let the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let 'em hawk their caw and caw.
Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.
Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.
Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman's shawl on lazy shoulders.
poem by Carl Sandburg
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Improved Farm Land
Tall timber stood here once, hee on a corn belt farm along the Monon.
Here the roots of a half-mile of trees dug their runners deep in the loam for a grip and a hold against wind storms.
Then the axemen came and the chips flew to the zing of steel and handle--the lank railsplitters cut the big ones first, the beeches and the oaks, then the brush.
Dynamite, wagons, and horses took the stumps--the plows sunk their teeth in--now it is first class corn land--omproved property--and the hogs grunt over the fodder crops.
It would come hard now for this half mile of improved farm land along the Monon corn belt, on a piece of Grand Prarie, to remember once it had a great singing family of trees.
poem by Carl Sandburg
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Bath
A man saw the whole world as a grinning skull and cross-bones. The rose flesh of life shriveled from all faces. Nothing counts. Everything is a fake. Dust to dust and ashes to ashes and then an old darkness and a useless silence. So he saw it all. Then he went to a Mischa Elman concert. Two hours waves of sound beat on his eardrums. Music washed something or other inside him. Music broke down and rebuilt something or other in his head and heart. He joined in five encores for the young Russian Jew with the fiddle. When he got outside his heels hit the sidewalk a new way. He was the same man in the same world as before. Only there was a singing fire and a climb of roses everlastingly over the world he looked on.
poem by Carl Sandburg
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Buttons
I have been watching the war map slammed up for advertising in front of the newspaper office.
Buttons—red and yellow buttons—blue and black buttons—are shoved back and forth across the map.
A laughing young man, sunny with freckles,
Climbs a ladder, yells a joke to somebody in the crowd,
And then fixes a yellow button one inch west
And follows the yellow button with a black button one inch west.
(Ten thousand men and boys twist on their bodies in a red soak along a river edge,
Gasping of wounds, calling for water, some rattling death in their throats.)
Who would guess what it cost to move two buttons one inch on the war map here in front of the newspaper office where the freckle-faced young man is laughing to us?
poem by Carl Sandburg
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Our Prayer of Thanks
For the gladness here where the sun is shining at evening on the weeds at the river,
Our prayer of thanks.
For the laughter of children who tumble barefooted and bareheaded in the summer grass,
Our prayer of thanks.
For the sunset and the stars, the women and the white arms that hold us,
Our prayer of thanks.
God,
If you are deaf and blind, if this is all lost to you,
God, if the dead in their coffins amid the silver handles on the edge of town, or the reckless dead of war days thrown unknown in pits, if these dead are forever deaf and blind and lost,
Our prayer of thanks.
God,
The game is all your way, the secrets and the signals and the system; and so for the break of the game and the first play and the last.
Our prayer of thanks.
poem by Carl Sandburg
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Aztec Mask
I wanted a man’s face looking into the jaws and throat of life
With something proud on his face, so proud no smash of the jaws,
No gulp of the throat leaves the face in the end
With anything else than the old proud look:
Even to the finish, dumped in the dust,
Lost among the used-up cinders,
This face, men would say, is a flash,
Is laid on bones taken from the ribs of the earth,
Ready for the hammers of changing, changing years,
Ready for the sleeping, sleeping years of silence.
Ready for the dust and fire and wind.
I wanted this face and I saw it today in an Aztec mask.
A cry out of storm and dark, a red yell and a purple prayer,
A beaten shape of ashes
waiting the sunrise or night,
something or nothing,
proud-mouthed,
proud-eyed gambler.
poem by Carl Sandburg
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The Sea Hold
THE SEA is large.
The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
Five white houses on a half-mile strip of land... five white dice rolled from a tube.
Not so long ago... the sea was large...
And to-day the sea has lost nothing... it keeps all.
I am a loon about the sea.
I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.
I am a loon about the sea.
So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.
The sea knows more about them than they know themselves.
They know only how the sea hugs and will not let go.
The sea is large.
The sea must know more than any of us.
poem by Carl Sandburg
Added by Dan Costinaş
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Dynamiter
I sat with a dynamiter at supper in a German saloon eating steak and onions.
And he laughed and told stories of his wife and children and the cause of labor and the working class.
It was laughter of an unshakable man knowing life to be a rich and red-blooded thing.
Yes, his laugh rang like the call of gray birds filled with a glory of joy ramming their winged flight through a rain storm.
His name was in many newspapers as an enemy of the nation and few keepers of churches or schools would open their doors to him.
Over the steak and onions not a word was said of his deep days and nights as a dynamiter.
Only I always remember him as a lover of life, a lover of children, a lover of all free, reckless laughter everywhere—lover of red hearts and red blood the world over.
poem by Carl Sandburg
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Blue Island Intersection
Six streets come together here.
They feed people and wagons into the center.
In and out all day horses with thoughts of nose-bags,
Men with shovels, women with baskets and baby-buggies.
Six ends of streets and no sleep for them all day.
The people and wagons come and go, out and in.
Triangles of banks and drug stores watch.
The policemen whistle, the trolly cars bump:
Wheels, wheels, feet, feet, all day.
In the false dawn when the chickens blink
And the east shakes a lazy baby toe at tomorrow,
And the east fixes a lazy pink half-eye this way,
In the time when only one milk wagon crosses
These three streets, these six street ends,
It is the sleep time and they rest.
The triangle banks and the drug stores rest.
The policeman is gone, his star and gun sleep.
The owl car blutters along in a sleep walk.
poem by Carl Sandburg
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