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Arthur Symons

Haschisch

Behind the door, beyond the light,
Who is it waits there in the night?
When he has entered he will stand,
Imposing with his silent hand
Some silent thing upon the night.

Behold the image of my fear.
O rise not, move not, come not near!
That moment, when you turned your face,
A demon seemed to leap through space;
His gesture strangled me with fear.

And yet I am the lord of all,
And this brave world magnifical,
Veiled in so variable a mist
It may be rose or amethyst,
Demands me for the lord of all!

Who said the world is but a mood
In the eternal thought of God?

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In The Stalls

My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.

'Tis I that smoke this cigarette,
Lounge here, and laugh for vacancy,
And watch the dancers turn; and yet
It is my very self I see
Across the cloudy cigarette.

My very self that turns and trips,
Painted, pathetically gay,
An empty song upon the lips
In make-believe of holiday:
I, I, this thing that turns and trips!

The light flares in the music-hall,
The light, the sound, that weary us;

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The Andante of Snakes

They weave a slow andante as in sleep,
Scaled yellow, swampy black, plague-spotted white;
With blue and lidless eyes at watch they keep
A treachery of silence; infinite

Ancestral angers brood in these dull eyes
Where the long-lineaged venom of the snake
Meditates evil; woven intricacies
Of Oriental arabesque awake,

Unfold, expand, contract, and raise and sway
Swoln heart-shaped heads, flattened as by a heel,
Erect to suck the sunlight from the day,
And stealthily and gradually reveal

Dim cabalistic signs of spots and rings
Among their folds of faded tapestry;
Then these fat, foul, unbreathing, moving things
Droop back to stagnant immobility.

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Rubies

There are nine rubies in this Indian ring,
And every blood-red ruby is a part
Of the nine-petalled rose that is my heart,
The elaborate rose of my own fashioning.
Not out of any garden have I sought
The rose that is more brief than dawn or dew:
Stones of the flame and ice, I find in you
The image of the heart that I have wrought.
For you are cold and burn as though with fire,
For you are hard, yet veil soft depths below,
And each divided ruby seems to glow
With the brief passion of its own desire.
Rose of my heart, shall this too be the same?
For, when one light catches the wandering rays,
They rush together in one consuming blaze
Of indivisible and ecstatic flame.

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Dawn

Here in the little room
You sleep the sleep of innocent tired youth,
While I, in very sooth,
Tired, and awake beside you in the gloom,
Watch for the dawn, and feel the morning make
A loneliness about me for your sake.

You are so young, so fair,
And such a child, and might have loved so well;
And now, I cannot tell,
But surely one might love you anywhere,
Come to you as a lover, and make bold
To beg for that which all may buy with gold.

Your sweet, scarce lost, estate
Of innocence, the candour of your eyes,
Your childlike pleased surprise,
Your patience: these afflict me with a weight
As of some heavy wrong that I must share
With God who made, and man who found you, fair.

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Opals

My soul is like this cloudy, flaming opal ring.
The fields of earth are in it, green and glimmering,
The waves of the blue sky, night's purple flower of noon,
The vanishing cold scintillations of the moon,
And the red heart that is a flame within a flame.
And as the opal dies, and is re-born the same,
And all the fire that is its life-blood seems to dart
Through the veined variable intricacies of its heart,
And ever wandering ever wanders back again,
So must my swift soul constant to itself remain.
Opal, have I not been as variable as you?
But, cloudy opal flaming green and red and blue,
Are you not ever constant in your varying,
Even as my soul, O captive opal of my ring?

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Gipsy Love

The gipsy tents are on the down,
The gipsy girls are here;
And it's O to be off and away from the town
With a gipsy for my dear!

We'd make our bed in the bracken
With the lark for a chambermaid;
The lark would sing us awake in the morning,
Singing above our head.

We'd drink the sunlight all day long
With never a house to bind us;
And we'd only flout in a merry song
The world we left behind us.

We would be free as birds are free
The livelong day, the livelong day;
And we would lie in the sunny bracken
With none to say us nay.

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Magnificat

Praise God, who wrought for you and me
Your subtle body made for love;
God, who from all eternity
Willed our divided ways should move
Together, and our love should be.

I wandered all these years among
A world of women, seeking you.
Ah, when our fingers met and clung,
The pulses of our bodies knew
Each other: our hearts leapt and sung.

It was not any word of mine,
It was not any look of yours;
Only we knew, and knew for sign
Of Love that comes, Love that endures,
Our veins the chalice of his wine.

Because God willed for us and planned
One perfect love, excelling speech

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By the Pool of the Third Rosses

I heard the sighing of the reed
In the grey pool in the green land,
The sea-wind in the long reeds sighing
Between the green hill and the sand.

I heard the sighing of the reeds
Day after day, night after night;
I heard the whirring wild ducks flying,
I saw the sea-gull's wheeling flight.

I heard the sighing of the reeds
Night after night, day after day,
And I forgot old age, and dying,
And youth that loves, and love's decay.

I heard the sighing of the reeds
At noontide and at evening,
And some old dream I had forgotten
I seemed to be remembering.

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White Magic

Against the world I closed my heart,
And, half in pride and half in fear,
I said to Love and Lust: Depart;
None enters here.

A gipsy witch has glided in,
She takes her seat beside my fire;
Her eyes are innocent of sin,
Mine of desire.

She holds me with an unknown spell,
She folds me in her heart's embrace;
If this be love, I cannot tell:
I watch her face.

Her sombre eyes are happier
Than any joy that e'er had voice;
Since I am happiness to her,
I too rejoice.

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