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Anne Kingsmill Finch

To Death

O King of Terrors, whose unbounded Sway
All that have Life, must certainly Obey;
The King, the Priest, the Prophet, all are Thine,
Nor wou'd ev'n God (in Flesh) thy Stroke decline.
My Name is on thy Roll, and sure I must
Encrease thy gloomy Kingdom in the Dust.
My soul at this no Apprehension feels,
But trembles at thy Swords, thy Racks, thy Wheels;
Thy scorching Fevers, which distract the Sense,
And snatch us raving, unprepar'd from hence;
At thy contagious Darts, that wound the Heads
Of weeping Friends, who wait at dying Beds.
Spare these, and let thy Time be when it will;
My Bus'ness is to Dye, and Thine to Kill.
Gently thy fatal Sceptre on me lay,
And take to thy cold Arms, insensibly, thy Prey.

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To A Husband

This is to the crown and blessing of my life,
The much loved husband of a happy wife;
To him whose constant passion found the art
To win a stubborn and ungrateful heart,
And to the world by tenderest proof discovers
They err, who say that husbands can't be lovers.
With such return of passion, as is due,
Daphnis I love, Daphinis my thoughts pursue;
Daphnis, my hopes and joys are bounded all in you.
Even I, for Daphnis' and my promise' sake,
What I in woman censure, undertake.
But this from love, not vanity proceeds;
You know who writes, and I who 'tis that reads.
Judge not my passion by my want of skill:
Many love well, though they express it ill;
And I your censure could with pleasure bear,
Would you but soon return, and speak it here.

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A Letter To Dafnis April: 2d 1685

This to the Crown, and blessing of my life,
The much lov'd husband, of a happy wife.
To him, whose constant passion found the art
To win a stubborn, and ungratefull heart;
And to the World, by tend'rest proof discovers
They err, who say that husbands can't be lovers.
With such return of passion, as is due,
Daphnis I love, Daphnis my thoughts persue,
Daphnis, my hopes, my joys, are bounded all in you:
Ev'n I, for Daphnis, and my promise sake,
What I in women censure, undertake.
But this from love, not vanity, proceeds;
You know who writes; and I who 'tis that reads.
Judge not my passion, by my want of skill,
Many love well, though they express itt ill;
And I your censure cou'd with pleasure bear,
Wou'd you but soon return, and speak itt here.

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The Battle Between The Rats And The Weazles

In dire Contest the Rats and Weazles met,
And Foot to Foot, and Point to Point was set:
An ancient Quarrel had such Hatred wrought,
That for Revenge, as for Renown, they fought.
Now bloody was the Day, and hard the Strife,
Wherein bold Warriors lost neglected Life;
But as, some Errors still we must commit,
Nor Valour always ballanc'd is by Wit;
Among the Rats some Officers appear'd,
With lofty Plumage on their Foreheads rear'd,
Unthinking they, and ruin'd by their Pride:
For when the Weazles prov'd the stronger Side,
A gen'ral Rout befell, and a Retreat,
Was by the Vanquish'd now implor'd of Fate;
To slender Crannies all repair'd in haste,
Where easily the undress'd Vulgar past:
But when the Rats of Figure wou'd have fled,
So wide those branching Marks of Honour spread,
The Feather in the Cap was fatal to the Head.

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Verses

Observe this Piece, which to our Sight does bring
The fittest Posture for the Swedish King;
(Encompass'd, as we think, with Armies round,
Tho' not express'd within this narrow Bound)
Who, whilst his warlike and extended Hand
Directs the foremost Ranks to Charge or Stand,
Reverts his Face, lest That, so Fair and Young,
Should call in doubt the Orders of his Tongue:
Whilst the excited, and embolden'd Rear
Such Youth beholding, and such Features there,
Devote their plainer Forms, and are asham'd to Fear.
Thus! ev'ry Action, ev'ry Grace of thine,
O latest Son of Fame, Son of Gustavus Line!
Affects thy Troops, with all that can inspire
A blooming Sweetness, and a martial Fire,
Fatal to none, but thy invading Foe.
So Lightnings, which to all their Brightness shew,
Strike but the Man alone, who has provok'd the Blow

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The Appology

'Tis true I write and tell me by what Rule
I am alone forbid to play the fool
To follow through the Groves a wand'ring Muse
And fain'd Idea's for my pleasures chuse
Why shou'd it in my Pen be held a fault
Whilst Mira paints her face, to paint a thought
Whilst Lamia to the manly Bumper flys
And borrow'd Spiritts sparkle in her Eyes
Why shou'd itt be in me a thing so vain
To heat with Poetry my colder Brain?
But I write ill and there-fore shou'd forbear
Does Flavia cease now at her fortieth year
In ev'ry Place to lett that face be seen
Which all the Town rejected at fifteen
Each Woman has her weaknesse; mind [sic] indeed
Is still to write tho' hopelesse to succeed
Nor to the Men is this so easy found
Ev'n in most Works with which the Witts abound
(So weak are all since our first breach with Heav'n)
Ther's lesse to be Applauded than forgiven.

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Psalm The 137th Paraphras'd To The 7th Verse

Proud Babylon! Thou saw'st us weep;
Euphrates, as he pass'd along,
Saw, on his Banks, the Sacred Throng
A heavy, solemn Mourning keep.
Sad Captives to thy Sons, and Thee,
When nothing but our Tears were Free!

A Song of Sion they require,
And from the neighb'ring Trees to take
Each Man his dumb, neglected Lyre,
And chearful Sounds on them awake:
But chearful Sounds the Strings refuse,
Nor will their Masters Griefs abuse.

How can We, Lord, thy Praise proclaim,
Here, in a strange unhallow'd Land!
Lest we provoke them to Blaspheme
A Name, they do not understand;
And with rent Garments, that deplore
Above whate'er we felt before.

[...] Read more

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There's No To-Morrow

Two long had Lov'd, and now the Nymph desir'd,
The Cloak of Wedlock, as the Case requir'd;
Urg'd that, the Day he wrought her to this Sorrow,
He Vow'd, that he wou'd marry her To-Morrow.
Agen he Swears, to shun the present Storm,
That he, To-Morrow, will that Vow perform.
The Morrows in their due Successions came;
Impatient still on Each, the pregnant Dame
Urg'd him to keep his Word, and still he swore the same.
When tir'd at length, and meaning no Redress,
But yet the Lye not caring to confess,
He for his Oath this Salvo chose to borrow,
That he was Free, since there was no To-Morrow;
For when it comes in Place to be employ'd,
'Tis then To-Day; To-Morrow's ne'er enjoy'd.

The Tale's a Jest, the Moral is a Truth;
To-Morrow and To-Morrow, cheat our Youth:
In riper Age, To-Morrow still we cry,
Not thinking, that the present Day we Dye;

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The Bird and the Arras

By neer resemblance see that Bird betray'd
Who takes the well wrought Arras for a shade
There hopes to pearch and with a chearfull Tune
O're-passe the scortchings of the sultry Noon.
But soon repuls'd by the obdurate scean
How swift she turns but turns alas in vain
That piece a Grove, this shews an ambient sky
Where immitated Fowl their pinnions ply
Seeming to mount in flight and aiming still more high.
All she outstrip's and with a moments pride
Their understation silent does deride
Till the dash'd Cealing strikes her to the ground
No intercepting shrub to break the fall is found
Recovering breath the window next she gaines
Nor fears a stop from the transparent Panes.

But we degresse and leaue th' imprison'd wretch
Now sinking low now on a loftyer stretch
Flutt'ring in endless cercles of dismay
Till some kind hand directs the certain way

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The Atheist And The Acorn

Methinks this World is oddly made,
And ev'ry thing's amiss,
A dull presuming Atheist said,
As stretch'd he lay beneath a Shade;
And instanced in this:

Behold, quoth he, that mighty thing,
A Pumpkin, large and round,
Is held but by a little String,
Which upwards cannot make it spring,
Or bear it from the Ground.

Whilst on this Oak, a Fruit so small,
So disproportion'd, grows;
That, who with Sence surveys this All,
This universal Casual Ball,
Its ill Contrivance knows.

My better Judgment wou'd have hung
That Weight upon a Tree,

[...] Read more

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