Teatro Bambino. Dublin, N. H.
How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.
What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
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poem by Amy Lowell
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Summer
Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.
To me it is not so. I love the earth
And all the gifts of her so lavish hand:
Sunshine and flowers, rivers and rushing winds,
Thick branches swaying in a winter storm,
And moonlight playing in a boat's wide wake;
But more than these, and much, ah, how much more,
I love the very human heart of man.
Above me spreads the hot, blue mid-day sky,
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poem by Amy Lowell
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In A Time Of Dearth
Before me,
On either side of me,
I see sand.
If I turn the corner of my house,
I see sand,
Long, brown
Lines and levels of flat
Sand.
If I could only see a caravan
Heave over the edge of it:
The camels wobbling and swaying,
Stepping like ostriches,
With rocking palanquins
Whose curtains conceal
Languors and faintnesses,
Muslins tossed aside,
And a disorder of cushions.
The swinging curtains would pique and solace me.
But I only see sand,
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poem by Amy Lowell
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The Dinner-Party
Fish
'So . . .' they said,
With their wine-glasses delicately poised,
Mocking at the thing they cannot understand.
'So . . .' they said again,
Amused and insolent.
The silver on the table glittered,
And the red wine in the glasses
Seemed the blood I had wasted
In a foolish cause.
Game
The gentleman with the grey-and-black whiskers
Sneered languidly over his quail.
Then my heart flew up and laboured,
And I burst from my own holding
And hurled myself forward.
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poem by Amy Lowell
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Free Fantasia On Japanese Themes
All the afternoon there has been a chirping of birds,
And the sun lies warm and still on the western sides of swollen branches.
There is no wind;
Even the little twigs at the ends of the branches do not move,
And the needles of the pines are solid
Bands of inarticulated blackness
Against the blue-white sky.
Still, but alert;
And my heart is still and alert,
Passive with sunshine,
Avid of adventure.
I would experience new emotions,
Submit to strange enchantments,
Bend to influences
Bizarre, exotic,
Fresh with burgeoning.
I would climb a sacred mountain,
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poem by Amy Lowell
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Diya
Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass. And every gust
Of light night wind comes laden with the scent
Of opening flowers which never bloom by day:
Night-scented stocks, and four-o'clocks, and that
Pale yellow disk, upreared on its tall stalk,
The evening primrose, comrade of the stars.
It seems as though the garden which you love
Were like a swinging censer, its incense
Floating before us as a reverent act
To sanctify and bless our night of love.
Tell me once more you love me, that 't is you
Yes, really you, I touch, so, with my hand;
And tell me it is by your own free will
That you are here, and that you like to be
Just here, with me, under this sailing pine.
I need to hear it often for my heart
Doubts naturally, and finds it hard to trust.
Ah, Dearest, you are good to love me so,
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poem by Amy Lowell
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A Fairy Tale
On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
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poem by Amy Lowell
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The Foreigner
Have at you, you Devils!
My back's to this tree,
For you're nothing so nice
That the hind-side of me
Would escape your assault.
Come on now, all three!
Here's a dandified gentleman,
Rapier at point,
And a wrist which whirls round
Like a circular joint.
A spatter of blood, man!
That's just to anoint
And make supple your limbs.
'Tis a pity the silk
Of your waistcoat is stained.
Why! Your heart's full of milk,
And so full, it spills over!
I'm not of your ilk.
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poem by Amy Lowell
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The Road to Avignon
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
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poem by Amy Lowell
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The Allies
August 14th, 1914
Into the brazen, burnished sky, the cry hurls itself. The zigzagging cry
of hoarse throats, it floats against the hard winds, and binds the head
of the serpent to its tail, the long snail-slow serpent of marching men.
Men weighed down with rifles and knapsacks, and parching with war.
The cry jars and splits against the brazen, burnished sky.
This is the war of wars, and the cause? Has this writhing worm of men
a cause?
Crackling against the polished sky is an eagle with a sword. The eagle is red
and its head is flame.
In the shoulder of the worm is a teacher.
His tongue laps the war-sucked air in drought, but he yells defiance
at the red-eyed eagle, and in his ears are the bells of new philosophies,
and their tinkling drowns the sputter of the burning sword. He shrieks,
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poem by Amy Lowell
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