Before the Altar
Before the Altar, bowed, he stands
With empty hands;
Upon it perfumed offerings burn
Wreathing with smoke the sacrificial urn.
Not one of all these has he given,
No flame of his has leapt to Heaven
Firesouled, vermilion-hearted,
Forked, and darted,
Consuming what a few spare pence
Have cheaply bought, to fling from hence
In idly-asked petition.
His sole condition
Love and poverty.
And while the moon
Swings slow across the sky,
Athwart a waving pine tree,
And soon
Tips all the needles there
With silver sparkles, bitterly
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poem by Amy Lowell
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Thompson’s Lunch Room—Grand Central Station
STUDY IN WHITES
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Thru the wavering uncertainty of steam.
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poem by Amy Lowell
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The Coal Picker
He perches in the slime, inert,
Bedaubed with iridescent dirt.
The oil upon the puddles dries
To colours like a peacock's eyes,
And half-submerged tomato-cans
Shine scaly, as leviathans
Oozily crawling through the mud.
The ground is here and there bestud
With lumps of only part-burned coal.
His duty is to glean the whole,
To pick them from the filth, each one,
To hoard them for the hidden sun
Which glows within each fiery core
And waits to be made free once more.
Their sharp and glistening edges cut
His stiffened fingers. Through the smut
Gleam red the wounds which will not shut.
Wet through and shivering he kneels
And digs the slippery coals; like eels
They slide about. His force all spent,
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poem by Amy Lowell
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J--K. Huysmans
A flickering glimmer through a window-pane,
A dim red glare through mud bespattered glass,
Cleaving a path between blown walls of sleet
Across uneven pavements sunk in slime
To scatter and then quench itself in mist.
And struggling, slipping, often rudely hurled
Against the jutting angle of a wall,
And cursed, and reeled against, and flung aside
By drunken brawlers as they shuffled past,
A man was groping to what seemed a light.
His eyelids burnt and quivered with the strain
Of looking, and against his temples beat
The all enshrouding, suffocating dark.
He stumbled, lurched, and struck against a door
That opened, and a howl of obscene mirth
Grated his senses, wallowing on the floor
Lay men, and dogs and women in the dirt.
He sickened, loathing it, and as he gazed
The candle guttered, flared, and then went out.
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poem by Amy Lowell
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Penumbra
As I sit here in the quiet Summer night,
Suddenly, from the distant road, there comes
The grind and rush of an electric car.
And, from still farther off,
An engine puffs sharply,
Followed by the drawn-out shunting scrape of a freight train.
These are the sounds that men make
In the long business of living.
They will always make such sounds,
Years after I am dead and cannot hear them.
Sitting here in the Summer night,
I think of my death.
What will it be like for you then?
You will see my chair
With its bright chintz covering
Standing in the afternoon sunshine,
As now.
You will see my narrow table
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poem by Amy Lowell
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In Excelsis
You -- you --
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.
The movement of your hands is the long, golden running of light from a rising sun;
It is the hopping of birds upon a garden-path.
As the perfume of jonquils, you come forth in the morning.
Young horses are not more sudden than your thoughts,
Your words are bees about a pear-tree,
Your fancies are the gold-and-black striped wasps buzzing among red apples.
I drink your lips,
I eat the whiteness of your hands and feet.
My mouth is open,
As a new jar I am empty and open.
Like white water are you who fill the cup of my mouth,
Like a brook of water thronged with lilies.
You are frozen as the clouds,
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poem by Amy Lowell
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Roads
I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog bitch;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
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poem by Amy Lowell
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The Way
At first a mere thread of a footpath half blotted out by the grasses
Sweeping triumphant across it, it wound between hedges of roses
Whose blossoms were poised above leaves as pond lilies float on the water,
While hidden by bloom in a hawthorn a bird filled the morning with singing.
It widened a highway, majestic, stretching ever to distant horizons,
Where shadows of tree-branches wavered, vague outlines invaded by sunshine;
No sound but the wind as it whispered the secrets of earth to the flowers,
And the hum of the yellow bees, honey-laden and dusty with pollen.
And Summer said, "Come, follow onward, with no thought save the longing to wander,
The wind, and the bees, and the flowers, all singing the great song of Nature,
Are minstrels of change and of promise, they herald the joy of the Future."
Later the solitude vanished, confused and distracted the road
Where many were seeking and jostling. Left behind were the trees and the flowers,
The half-realized beauty of quiet, the sacred unconscious communing.
And now he is come to a river, a line of gray, sullen water,
Not blue and splashing, but dark, rolling somberly on to the ocean.
But on the far side is a city whose windows flame gold in the sunset.
It lies fair and shining before him, a gem set betwixt sky and water,
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poem by Amy Lowell
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Two Travellers in the Place Vendome
Reign of Louis Philippe
A great tall column spearing at the sky
With a little man on top. Goodness! Tell me why?
He looks a silly thing enough to stand up there so high.
What a strange fellow, like a soldier in a play,
Tight-fitting coat with the tails cut away,
High-crowned hat which the brims overlay.
Two-horned hat makes an outline like a bow.
Must have a sword, I can see the light glow
Between a dark line and his leg. Vertigo
I get gazing up at him, a pygmy flashed with sun.
A weathercock or scarecrow or both things in one?
As bright as a jewelled crown hung above a throne.
Say, what is the use of him if he doesn't turn?
Just put up to glitter there, like a torch to burn,
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poem by Amy Lowell
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A Japanese Wood-Carving
High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.
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poem by Amy Lowell
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