Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
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poem by Algernon Charles Swinburne
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England CXVII
England, queen of the waves, whose green inviolate girdle enrings thee
round,
Mother fair as the morning, where is now the place of thy foemen found?
Still the sea that salutes us free proclaims them stricken, acclaims
thee crowned.
Time may change, and the skies grow strange with signs of treason, and
fraud, and fear:
Foes in union of strange communion may rise against thee from far and
near:
Sloth and greed on thy strength may feed as cankers waxing from year
to year.
Yet, though treason and fierce unreason should league and lie and defame
and smite,
We that know thee, how far below thee the hatred burns of the sons of
night,
We that love thee, behold above thee the witness written of life in
light.
Life that shines from thee shows forth signs that none may read not by
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poem by Algernon Charles Swinburne
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The King's Daughter
WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
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August
THERE WERE four apples on the bough,
Half gold half red, that one might know
The blood was ripe inside the core;
The colour of the leaves was more
Like stems of yellow corn that grow
Through all the gold June meadow’s floor.
The warm smell of the fruit was good
To feed on, and the split green wood,
With all its bearded lips and stains
Of mosses in the cloven veins,
Most pleasant, if one lay or stood
In sunshine or in happy rains.
There were four apples on the tree,
Red stained through gold, that all might see
The sun went warm from core to rind;
The green leaves made the summer blind
In that soft place they kept for me
With golden apples shut behind.
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A Christmas Carol
THREE DAMSELS in the queen’s chamber,
The queen’s mouth was most fair;
She spake a word of God’s mother
As the combs went in her hair.
Mary that is of might,
Bring us to thy Son’s sight.
They held the gold combs out from her,
A span’s length off her head;
She sang this song of God’s mother
And of her bearing-bed.
Mary most full of grace,
Bring us to thy Son’s face.
When she sat at Joseph’s hand,
She looked against her side;
And either way from the short silk band
Her girdle was all wried.
Mary that all good may,
Bring us to thy Son’s way.
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In The Orchard
LEAVE go my hands, let me catch breath and see;
Let the dew-fall drench either side of me;
Clear apple-leaves are soft upon that moon
Seen sidelong like a blossom in the tree;
Ah God, ah God, that day should be so soon.
The grass is thick and cool, it lets us lie.
Kissed upon either cheek and either eye,
I turn to thee as some green afternoon
Turns toward sunset, and is loth to die;
Ah God, ah God, that day should be so soon.
Lie closer, lean your face upon my side,
Feel where the dew fell that has hardly dried,
Hear how the blood beats that went nigh to swoon;
The pleasure lives there when the sense has died;
Ah God, ah God, that day should be so soon.
O my fair lord, I charge you leave me this:
Is it not sweeter than a foolish kiss?
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Nephelidia
From the depth of the dreamy decline of the dawn through a notable nimbus of nebulous noonshine,
Pallid and pink as the palm of the flag-flower that flickers with fear of the flies as they float,
Are they looks of our lovers that lustrously lean from a marvel of mystic miraculous moonshine,
These that we feel in the blood of our blushes that thicken and threaten with throbs through the throat?
Thicken and thrill as a theatre thronged at appeal of an actor's appalled agitation,
Fainter with fear of the fires of the future than pale with the promise of pride in the past;
Flushed with the famishing fullness of fever that reddens with radiance of rathe recreation,
Gaunt as the ghastliest of glimpses that gleam through the gloom of the gloaming when ghosts go aghast?
Nay, for the nick of the tick of the time is a tremulous touch on the temples of terror,
Strained as the sinews yet strenuous with strife of the dead who is dumb as the dust-heaps of death:
Surely no soul is it, sweet as the spasm of erotic emotional exquisite error,
Bathed in the balms of beatified bliss, beatific itself by beatitude's breath.
Surely no spirit or sense of a soul that was soft to the spirit and soul of our senses
Sweetens the stress of suspiring suspicion that sobs in the semblance and sound of a sigh;
Only this oracle opens Olympian, in mystical moods and triangular tenses--
"Life is the lust of a lamp for the light that is dark till the dawn of the day when we die."
Mild is the mirk and monotonous music of memory, melodiously mute as it may be,
While the hope in the heart of a hero is bruised by the breach of men's rapiers, resigned to the rod;
Made meek as a mother whose bosom-beats bound with the bliss-bringing bulk of a balm-breathing baby,
As they grope through the grave-yard of creeds, under skies growing green at a groan for the grimness of God.
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Chorus
from Atalanta in Calydon
When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.
Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;
Bind on thy sandals, O thou most fleet,
Over the splendour and speed of thy feet;
For the faint east quickens, the wan west shivers,
Round the feet of the day and the feet of the night.
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Satia te Sanguine
IF YOU loved me ever so little,
I could bear the bonds that gall,
I could dream the bonds were brittle;
You do not love me at all.
O beautiful lips, O bosom
More white than the moon’s and warm,
A sterile, a ruinous blossom
Is blown your way in a storm.
As the lost white feverish limbs
Of the Lesbian Sappho, adrift
In foam where the sea-weed swims,
Swam loose for the streams to lift,
My heart swims blind in a sea
That stuns me; swims to and fro,
And gathers to windward and lee
Lamentation, and mourning, and woe.
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Rococo
TAKE HANDS and part with laughter;
Touch lips and part with tears;
Once more and no more after,
Whatever comes with years.
We twain shall not remeasure
The ways that left us twain;
Nor crush the lees of pleasure
From sanguine grapes of pain.
We twain once well in sunder,
What will the mad gods do
For hate with me, I wonder,
Or what for love with you?
Forget them till November,
And dream there’s April yet;
Forget that I remember,
And dream that I forget.
Time found our tired love sleeping,
And kissed away his breath;
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